A master of the personal essay candidly explores love, death, and the counterfeit rituals of American life in this "brave, funny compendium" (Slate) Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a powerful collection of ten new works. Where her previous collection explores what it is to be a struggling twenty-something urban dweller with an overdrawn bank account and oversized ambition, The Unspeakable contends with parental death, the decision not to have children, and more-a new set of challenges tackled by a writer at her best, investigated in the same uncompromising voice that made Daum one of the most engaging thinkers writing today. In The Unspeakable, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of the contemporary American experience. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of-mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.

Misanthropic tales of the macabre and the outre with a unique blend of the grotesque and the perverse. Enter the Lovecraftian universe of screaming horrors and Cthulhuvian insanity. Experience dark wonders and fantastic tales in bizarre worlds. These visions are what nightmares are made of. Throbbing at the heart of it all is the grotesque Lord Weyrdgliffe and his web of penny dreadfuls. In addition: bleak, satirical stories and essays with subjects ranging from the serious to the outrageous and hilarious, plus dark poetry. This collection has it all. Artwork by Allen Koszowski. Foreword by S. T. Joshi. ""I cannot speculate who his authorial parents are, perhaps Andre Breton, Jorge Luis Borges and Thomas Ligotti."" DON WEBB ""The works of Dan Clore collected in this collection are rare jewels of imaginative fiction ... Dan Clore is a mad monk, recording the fantastical histories of an insane alternate universe." SEAN O'LEARY"

An examination of torture (in the name of the state) in three democracies (Israel, Northern Ireland, and the United States) by John Conroy, a Chicago journalist with a strong following among readers who know his previous book (a war diary of life in Belfast).

"On March 6, 1998, a disgruntled employee went on a rampage at the Connecticut Lottery Corporation, killing four executives before turning the gun on himself. The tragedy made headlines and topped newscasts across the country for weeks. In The Unspeakable, Denise Brown, who lost her husband in the shootings, gives voice to the deeper part of the story left untold by the tabloids." "The Unspeakable is based on the author's journal entries of the year following her husband's death - a record of debilitating nightmares and fears, of fruitless encounters with cooperation and state officials, of the struggle to help her children cope with the loss of a devoted father. It charts a path from bitterness to hope, and reveals the difficult steps that a survivor must take to move beyond rage and rise above the profound and complicated grief that is the legacy of violence."--BOOK JACKET.

This paperbook collection of his prose writings reveals the extent to which Thomas Merton moved from the other-worldly devotion of his earlier work to a direct, deeply engaged, often militant concern with the critical situation of man in the world.

Thirteen-year-old Nikola Kross's father, who was kidnapped by extraterrestrials, is still missing and it is up to Nikola and her new friends at the secret boarding school for scientific geniuses to rescue him in this sequel to "A Problematic Paradox."

Children do not always have the capacity or need to express themselves through words. They often succeed in saying more about their feelings and experiences by communicating non-verbally through play and other expressive, creative activities. The basic premise of Speaking about the Unspeakable is that life's most pivotal experiences, both good and bad, can be truly expressed via the language of the imagination. Through creativity and play, children are free to articulate their emotions indirectly. The contributors, all experienced child therapists, describe a wide variety of non-verbal therapeutic techniques, including clay, sand, movement and nature therapy, illustrating their descriptions with moving case studies from their professional experience. Accessible and engaging, this book will inspire child psychologists and therapists, art therapists and anyone with an interest in therapeutic work with children.

The Holocaust never happened. The planet isn't warming. Vaccines harm children. There is no such thing as AIDS. The Earth is flat. Denialism comes in many forms, often dressed in the garb of scholarship or research. It's certainly insidious and pernicious. Climate change denialists have built well-funded institutions and lobbying groups to counter action against global warming. Holocaust deniers have harried historians and abused survivors. AIDS denialists have prevented treatment programmes in Africa. All this is bad enough, but what if, as Keith Kahn-Harris asks, it actually cloaks much darker, unspeakable, desires? If denialists could speak from the heart, what would we hear? Kahn-Harris sets out not to unpick denialists' arguments, but to investigate what lies behind them. The conclusions he reaches are shocking and uncomfortable. In a world of 'fake news' and 'post-truth', are the denialists about to secure victory?

Over the past 20 years, much work has focused on domestic violence, yet little attention has been paid to the causes, manifestations, and resolutions to marital violence among ethnic minorities, especially recent immigrants. Margaret Abraham's Speaking the Unspeakable is the first book to focus on South Asian women's experiences of domestic violence, defined by the author as physical, sexual, verbal, mental, or economic coercion, power, or control perpetrated on a woman by her spouse or extended kin. Abraham explains how immigration issues, cultural assumptions, and unfamiliarity with American social, legal, economic, and other institutional systems, coupled with stereotyping, make these women especially vulnerable to domestic violence. Abraham lets readers hear the voices of abused South Asian women. Through their stories, we learn of their weaknesses and strengths, and of their experiences of domestic violence within the larger cultural, social, economic, and political context. We see both the individual strategies of resistance against their abusers as well as the pivotal role South Asian organizations play in helping these women escape abusive relationships. Abraham also describes the central role played by South Asian activism as it emerged in the 1980s in the United States, and addresses the ideas and practices both within and outside of the South Asian community that stereotype, discriminate, and oppress South Asians in their everyday lives.

It was supposed to be a quick trip To The grocery store, but it turned into an Unspeakable Journey. On the eve of her thirtieth birthday, Isabella is abducted in the parking lot of her local grocery store. Hasam, a sinister human trafficker, arranges for her to marry his longtime friend and Saudi Arabian prince, Latif. Latif has everything-political prowess, success, and wealth-until he meets Isabella. She is beautiful, alluring, and all that he has dreamed of in a wife, and Isabella's defiant refusal makes her even more desirable. Far from home, In a land where women are oppressed, Isabella struggles with the loss of her husband and two daughters, imprisonment, and isolation. Will God rescue her from this nightmare? Will she give in to hopeless despair? Join author Rinda Hahn in this story of passion and obsession, faith and bravery, and find out what happens on an Unspeakable Journey. In Unspeakable Journey, Rinda Hahn takes us through a harrowing tale of clashing cultures and colliding faith. Allison Pittman, author of Ten Thousand Charms Rinda Hahn loves writing, and her love of storytelling and desire to teach wisdom and truth inspired her debut novel, Unspeakable Journey. Rinda and her family live in central Indiana.