Shortlisted for the The Great Outdoors Awards – Outdoor Book of the Year 2020 Shortlisted for the Boardman Tasker Award for Mountain Literature 2020 There are strange relics hidden across Scotland's landscape: forgotten places that are touchstones to incredible stories and past lives which still resonate today. Yet why are so many of these 'wild histories' unnoticed and overlooked? And what can they tell us about our own modern identity? From the high mountain passes of an ancient droving route to a desolate moorland graveyard, from uninhabited post-industrial islands and Clearance villages to caves explored by early climbers and the mysterious strongholds of Christian missionaries, Patrick Baker makes a series of journeys on foot and by paddle. Along the way, he encounters Neolithic settlements, bizarre World War Two structures, evidence of illicit whisky production, sacred wells and Viking burial grounds. Combining a rich fusion of travelogue and historical narrative, he threads themes of geology, natural and social history, literature, and industry from the places he visits, discovering connections between people and place more powerful than can be imagined.

A sprawling, complex tale of magic and destiny that won't disappoint its readers. This auspicious beginning for author Peter Orullian will have you looking forward to more.--Terry Brooks.

Cairngorms: A Secret History is a series of journeys exploring barely known human and natural stories of the Cairngorm Mountains. It looks at a unique British landscape, its last great wilderness, with new eyes. History combines with travelogue in a vivid account of this elemental scenery. There have been rare human incursions into the Cairngorm plateau, and Patrick Baker tracks them down. He traces elusive wildlife and relives ghostly sightings on the summit of Ben Macdui. From the search for a long-forgotten climbing shelter and the locating of ancient gem mines, to the discovery of skeletal aircraft remains and the hunt for a mysterious nineteenth-century aristocratic settlement, he seeks out the unlikeliest and most interesting of features in places far off the beaten track. The cultural and human impact of this stunning landscape and reflections on the history of mountaineering are the threads which bind this compelling narrative together.

In June 1940, the Channel Islands becomes the only part of Great Britain to be occupied by Hitler's forces. Hedy Bercu, a young Jewish girl from Vienna who fled to Jersey two years earlier to escape the Anschluss, finds herself once more entrapped by the Nazis, this time with no escape.Hedy's War follows her struggle to survive the Occupation and avoid deportation to the camps. Despite her racial status, Hedy finds work with the German authorities and embarks on acts of resistance. Most remarkable of all, she falls in love with German lieutenant Kurt Rümmele - a relationship on which her life soon comes to depend.

"In the deep woods of East Texas, Henry supports his family by selling bootleg liquor. It's all he can do to keep his compassionate but ailing mother and his stepfather--a fanatical grassroots minister with a bruising rhetoric--from ruin. But they have no idea they've become the obsession of the girl in the woods. Abandoned and nearly feral, Eve has been watching them, seduced by the notion of family--something she's known only in the most brutal sense. Soon she can't resist the temptation to get close"--Back cover.

Through pedagogical narratives, literary analyses, reflective essays, and collaborative dialogues, Narratives of Educating for Sustainability in Unsustainable Environments explores the professional and intellectual tensions of curricula, pedagogies, and personal practices that honor the relationships of interspecies ecologies, reinhabit and reconceive wounded landscapes and wounding institutions, and allow us to reattune ourselves to new yet ancient frameworks for sustainability. For the writers here, fostering sustainability in higher education means focusing on place, creating positive relationships with humans and other beings, and creating administrative structures that will maintain new approaches for the long-term, showing how teaching environmentally is at once intensely site-specific yet powerfully global, deeply personal yet visibly public. Narratives of Educating for Sustainability in Unsustainable Environments confronts the contexts that make environmental pedagogies difficult, the challenges to the well-being of the teacher-scholar, and the corrosive academic structures that compartmentalize knowledge and people. The collection simultaneously offers models for working through and within these challenges to advance understandings and ways of being on local, global, and personal levels that will turn the planetary tide toward effective and shared sustainability.

The process of modernization has brought discontinuities in collective memory. This volume and its prequel provide an act of collective remembrance, knitting together many voices and stories. It shows the readers a world of the past before modernization began in the 1960s. Volume 2 covers the monumental architecture of dzongs (castles) and administration of the country, authority and power, cosmological concepts and beliefs, religions and rites, visualization and meditation, visual arts, and folk drama that affected the daily life of the people. Some chapters also dwell on monastic life and monkhood, and Guru Rinpoche's imprints on the land and its people.

Sixteen-year-old Sera is the only survivor of an explosion on a plane. She wakes up in hospital to find that she has no memory. The only clue to her identity is a mysterious boy who claims she was part of a top-secret science experiment. The only adult she trusts insists that she shouldn’t believe anything that anybody tells her. In a tense and pacy novel exploding with intrigue and action, Sera must work out who she is and where she came from. Eventually she will learn that the only thing worse than forgetting her past is remembering it.

Wordsworth has traditionally been understood as the 'poet of memory'. This book argues that 'unremembered pleasure', an idea Wordsworth formulates in 'Tintern Abbey' but is often overlooked by modern readers, is central to understanding his writing. Wordsworth's poems discover and articulate a broad range of previously unfelt, unnoticed, and unconscious satisfactions. As well as providing new interpretations of major and under-studied writing by Wordsworth, this volume challenges a long tradition of psychoanalytic reading of romanticism, which uses trauma to explain the limits of literary memory. The book contests key psychoanalytic concepts in literary criticism including repression, sublimation, mourning, and pleasure. It asks what it would mean for us to be 'surprised by joy'.

An investigation of how American poetry since Whitman makes its beginnings, with what means and to which political and aesthetic ends, and how it addresses fundamental questions about what the future is and how it may be affectednow.