From Hamlet to Coriolanus and Timon of Athens, Shakespeare's tragedies constitute the most strenuous attempts within English Renaissance tragedy to unmask its representational practices and to penetrate its own ordering principles. Baldo evaluates the theater's economical means of representation, its heavy reliance on the authority of generalizing, and its assumption of a translatability between visual and verbal signs.

Every great design has its beginnings in a great idea, whether your medium of choice is scenery, costume, lighting, sound, or projections. Unmasking Theatre Design shows you how to cultivate creative thinking skills through every step of theatre design - from the first play reading to the finished design presentation. This book reveals how creative designers think in order to create unique and appropriate works for individual productions, and will teach you how to comprehend the nature of the design task at hand, gather inspiration, generate potential ideas for a new design, and develop a finished look through renderings and models. The exercises presented in this book demystify the design process by providing you with specific actions that will help you get on track toward fully-formed designs. Revealing the inner workings of the design process, both theoretically and practically, Unmasking Theatre Design will jumpstart the creative processes of designers at all levels, from student to professionals, as you construct new production designs.

Best friends Bettina, Miriam, and Fiona are shocked when their dean of liberal studies dies in a single-car accident amid accusations of mishandling university funds. They suspect murder, especially after learning that the dean’s estranged wife will inherit three million dollars. Events take a surprising turn when they travel from Austin, Texas, to a Chautauqua performance in Silver City, New Mexico, where they join several others, some with questionable motives, including the dean’s wife and her lover. In the close confines of the lodge, the group brings to life remarkable women from history—including Victoria Woodhull, Gertrude Stein, Edith Wharton, Mabel Dodge Luhan, and Virginia Woolf. But when one woman is kidnapped and another disappears, the friends’ lives are forever changed as they realize that the masks we wear often hide chilling truths.

Unmasking a complex conspiracy using a logical unbiased perspective... Join Paul Marin for the second book of the Human Behavior Experiment series: The Unmasking

Whatever critical scalpel one selects for dissecting the literary works of Bruno Schulz (1892-1942), there will always be a certain degree of textual resistance which cannot be broken. Or in other words, taking off one of Schulz's many masks, one will probably never avoid the impression that a new mask has emerged. This book contributes to the three most typical critical strategies of reading Schulz's works (combinations, fragmentations, reintegrations) - being fully aware, of course, of the relativity of each particular approach. In addition, the book sets out to explore all of Schulz's creative output (i.e. his stories as well as his graphic, epistolary and even literary critical works), as one of Schulz's main goals was exactly to cross artificially set up boundaries between, among other things, different artistic media of expression. The book for the first time brings together leading Schulzologists (Jarzębski, Robertson, Sproede) and their prospective successors (Augsburger, Gorin, Kato, Suchańska-Drażyńska, Underhill, Wojda), established Polish academics (Dąbrowski, Markowski, Skwara, Weretiuk) and their foreign counterparts (De Bruyn, Gall, Meyer-Fraatz, Schulte, Zieliński), scholars primarily working on other authors (Anessi, Śliwa, Żurek) and those focusing on other art forms (Sánchez-Pardo, Watt). The editors' introduction offers an overview of seven decades of Schulzology. The book is of interest for both readers with a general interest in (world) literature and/or a particular interest in Polish and Jewish studies.

(Applause Books). "Eric Bentley's radical new look at the grammar of theatre...is a work of exceptional virtue... The book justifies its title by being precisely about the ways in which life manifests itself in the theatre...This is a book to be read again and again." Frank Kermode, The New York Review of Books

Are you ready to start living life authentically? Have you ever wondered what it means to be TRULY authentic in God? As women, being 'masked' is our "norm." We don one mask for home, another for work, and yet another for time with friends. In a world where masking is deemed normal, it is easy to get caught up in the world's agenda. It's time to unmask and know the meaning of being authentic in Christ. In "The Woman Behind the Mask," you will join 14 women as they take you on a transparent journey into their lives. Each story is authentic. Each speaks of pain to victory as they unmasked and learned who they truly are in Christ! This book will empower you as you realize your true identity. Be inspired to take charge of the process of being unmasked from anything in your life that is holding you back from walking in your God-given purpose. Unveil to the world exactly who God called you to be...NOW!

"You are a talented writer. Unmasking was a great read." - Juliano Agertt (Jusky), Singer & Songwriter Phoebe thought she was an expert in leading a double life. But the moment she accepted Federick’s friendship, her vault of secrets began to crack. Wary by nature in a world of secrecy, pain, danger, and business moguls, Phoebe Smith, a loving mother, and covert spy, goes against her better judgment and befriend her ‘boss’, Federick Archer. Then to her horror, he gets a little too close for comfort. Once in control, Phoebe begins to lose her grip...and suddenly, the heat is on. Because as they grow closer, she begins to see him as more than just the devil who terrorised her in their childhood. And for the first time, her secret life is in danger of being exposed. Will she be able to keep her secrets hidden? Or will he seduce them out of her? A Spy Novel perfectly blended with romance, action, and drama.

It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers

Defacement asks what happens when something precious is despoiled. In specifying the human face as the ideal type for thinking through such violation, this book raises the issue of secrecy as the depth that seems to surface with the tearing of surface.