The Unknown Odysseus is a study of how Homer creates two versions of his hero, one who is the triumphant protagonist of the revenge plot and another, more subversive, anonymous figure whose various personae exemplify an entirely different set of assumptions about the world through which each hero moves and about the shape and meaning of human life. Separating the two perspectives allows us to see more clearly how the poem's dual focus can begin to explain some of the notorious difficulties readers have encountered in thinking about the Odyssey. In The Unknown Odysseus, Thomas Van Nortwick offers the most complete exploration to date of the implications of Odysseus' divided nature, showing how it allows Homer to explore the riddles of human identity in a profound way that is not usually recognized by studies focusing on only one "real" hero in the narrative. This new perspective on the epic enriches the world of the poem in a way that will interest both general readers and classical scholars. ". . .an elegant and lucid critical study that is also a good introduction to the poem." ---David Quint, London Review of Books "Thomas Van Nortwick's eloquently written book will give the neophyte a clear interpretive path through the epic while reminding experienced readers why they should still care about the Odyssey's unresolved interpretive cruces. The Unknown Odysseus is not merely accessible, but a true pleasure to read." ---Lillian Doherty, University of Maryland "Contributing to an important new perspective on understanding the epic, Thomas Van Nortwick wishes to resist the dominant, even imperial narrative that tries so hard to trick, beguile, and even bully its listeners into accepting the inevitability of Odysseus' heroism." ---Victoria Pedrick, Georgetown University Thomas Van Nortwick is Nathan A. Greenberg Professor of Classics at Oberlin College and author of Somewhere I Have Never Travelled: The Second Self and the Hero's Journey in Ancient Epic (1992) and Oedipus: The Meaning of a Masculine Life (1998). Jacket art: Head of Odysseus from a sculptural group representing Odysseus killing Polyphemus in the Museo Archeologico Nazionale in Sperlonga, Italy. Photograph by Marie-Lan Nguyen.

A BRILLIANT AND BEGUILING REIMAGINING OF ONE OF OUR GREATEST MYTHS BY A GIFTED YOUNG WRITER Zachary Mason's brilliant and beguiling debut novel, The Lost Books of the Odyssey, reimagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy. With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer's original that taken together open up this classic Greek myth to endless reverberating interpretations. The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent.

Ten years after the end of World War I, the Sydney Sun reported that an unknown Anzac still lay in a Sydney psychiatric hospital. &‘This man . . . was found wandering in a London street during the war,' reported the paper. &‘He said he was an Australian soldier. Beyond his first statement that he was a Digger, he has not given any information about himself.'Thousands of people in Australia and New Zealand responded to this story and an international campaign to find the man's family followed. The story tapped into deep wells of sorrow and uncertainty which had been covered over by commemorations of Anzac heroism and honourable national sacrifice. More than a quarter of the Anzac dead had no known resting place. Might this be someone's missing son?David Hastings follows this one unknown Anzac, George McQuay, from rural New Zealand through Gallipoli and the Western Front, through desertions and hospitals, and finally home to New Zealand. By doing so, he takes us deep inside the Great War and the human mind.

The classic tale of Odysseus's return home in a stunning new translation. THE ODYSSEY, which tells of Odysseus's long voyage home after the battle of Troy, is one of the defining masterpieces of Western literature. Populated by one-eyed man-eating giants, beautiful seductive goddesses, and lavishly hospitable kings and queens, it is an extraordinary work of the imagination, the original epic voyage into the unknown that has inspired other writing down through the ages - from ancient poems to modern fiction and films. With its consummately modern hero, full of guile and wit, THE ODYSSEY is perfectly suited to our times. Thanks to the scholarship and poetic power of the highly acclaimed Stephen Mitchell, this new translation recreates the energy and simplicity, the speed, the grace, and continual thrust and pull of the original, so that THE ODYSSEY's ancient story bursts vividly into new life.

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The Odyssey is considered to be the most beautiful literary work of the Western civilization, and Homer the first and the greatest poet ever. The book Demystifying the Odyssey is interpreting Homer's epic in a unique and completely new way. For the first time in literature, this book explains the events and phenomena that Odysseus saw and experienced, and which were considered so far as a result of the Poet's rich imagination. So, this book reveals how Odysseus went to Hades kingdom of the dead souls; what are in reality Scylla and Charybdis; who were the sirens; how the Island of Aeolus', the ruler of the winds, actually floated; how Circa turned Odysseus's sailors into pigs and other. Besides that, this book also reveals the fallacy two and a half millennia long, dating back from the first historians Herodotus and Thucydides, according to which Odysseus was wandering the Mediterranean sea. It further provides numerous proofs that Homer's hero was actually wandering the Adriatic. For all those readers who are familiar with the ancient Greek literature this book will be great news and quite a surprise. On the other hand, for those who have not been quite aware of the old Greek world it will provide great knowledge on the first European civilization. In any case, this will surely be an interesting reading for all of them.

From Stephen Mitchell, the renowned translator whose Iliad was named one of The New Yorker’s Favorite Books of 2011, comes a vivid new translation of the Odyssey, complete with textual notes and an illuminating introductory essay. The hardcover publication of the Odyssey received glowing reviews: The New York Times praised “Mitchell’s fresh, elegant diction and the care he lavishes on meter, [which] brought me closer to the transfigurative experience Keats describes on reading Chapman’s Homer”; Booklist, in a starred review, said that “Mitchell retells the first, still greatest adventure story in Western literature with clarity, sweep, and force”; and John Banville, author of The Sea, called this translation “a masterpiece.” The Odyssey is the original hero’s journey, an epic voyage into the unknown, and has inspired other creative work for millennia. With its consummately modern hero, full of guile and wit, always prepared to reinvent himself in order to realize his heart’s desire—to return to his home and family after ten years of war—the Odyssey now speaks to us again across 2,600 years. In words of great poetic power, this translation brings Odysseus and his adventures to life as never before. Stephen Mitchell’s language keeps the diction close to spoken English, yet its rhythms recreate the oceanic surge of the ancient Greek. Full of imagination and light, beauty and humor, this Odyssey carries you along in a fast stream of action and imagery. Just as Mitchell “re-energised the Iliad for a new generation” (The Sunday Telegraph), his Odyssey is the noblest, clearest, and most captivating rendition of one of the defining masterpieces of Western literature.

A memoir, biography, work of history, and literary criticism all in one, this moving book tells the story of three exiled writers—Erich Auerbach, François Fénelon, and W. G. Sebald—and their relationship with the classics, from Homer to Mimesis. In a genre-defying book hailed as “exquisite” (The New York Times) and “spectacular” (The Times Literary Supplement), the best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead and the artfulness of the stories we tell. Combining memoir, biography, history, and literary criticism, Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own—works that pondered the nature of narrative itself: Erich Auerbach, the Jewish philologist who fled Hitler’s Germany and wrote his classic study of Western literature, Mimesis, in Istanbul; François Fénelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey, The Adventures of Telemachus—a veiled critique of the Sun King and the best-selling book in Europe for a hundred years—resulted in his banishment; and the German novelist W.G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home. Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn’s struggle to write two of his own books—a family saga of the Holocaust and a memoir about reading the Odyssey with his elderly father—that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life.

All fifteen essays in this collection are concerned with the primacy of the novelistic aspects of Ulysses and how it achieves its meanings. Together they seek to redress the tendency of some recent critics to regard Ulysses as a compendium of techniques or a treatise.