A new look at the essence of Marxist theory, questioning the interpretations made by Engels and Lenin.

This book is the first complete commentary on Marx's manuscripts of 1861-63, works that guide our understanding of fundamental concepts such as 'surplus-value' and 'production price'. The recent publication of Marx's writings in their entirety has been a seminal event in Marxian scholarship. The hitherto unknown second draft of Volume 1 and first draft of Volume 3 of Capital, both published in the Manuscripts of 1861-63, now provide an important intermediate link between the Grundrisse and the final published editions of Capital. In this book, Enrique Dussel, one of the most original Marxist philosophers in the world today, provides an authoritative and detailed commentary on the manuscripts of 1861-63. The main points which Dussel emphasises in this path-breaking work are: The fundamental category in Marx's theory is 'living labour' which exists outside of capital and which capital must subsume in order to produce surplus-value Theories of Surplus Value is not a historical survey of previous theories, but rather a 'critical confrontation' through which Marx developed new categories for his own theory The most important new categories developed in this manuscript are related to the 'forms of appearance' of surplus value. The final part of the book discusses the relevance of the Manuscripts of 1861-63 to contemporary global capitalism, especially to the continuing underdevelopment and extreme poverty of Latin America.

When a body is found in Holmes's 221B Baker Street lodgings on the set at Mammoth Studios during the shooting of The Valley of Fear, Groucho Marx and his sidekick Frank Denby begin investigating, in Ron Goulart's hilarious mystery Elementary, My Dear Groucho. The victim is the German emigre director of the movie who was found in the great detective's favorite armchair, stabbed in the chest with Holmes's pearl-handled letter opener. There is another murder but it takes more than murder to stifle Groucho's quips or to quiet the laughter this surprising reincarnation inspires. "Chance meetings with celebrities and Groucho's constant wordplay keep the action light and snappy." - Publishers Weekly

A new look at the essence of Marxist theory, questioning the interpretations made by Engels and Lenin.

The central theoretical argument of this book is that Marx's philosophy of praxis - first formulated in the Thesis on Feuerbach - is at the same time the founding stone of a new world view, and the methodological basis for his theory of (proletarian) revolutionary self-emancipation.

Representing Capital, Fredric Jameson’s first book-length engagement with Marx’s magnum opus, is a unique work of scholarship that records the progression of Marx’s thought as if it were a musical score. The textual landscape that emerges is the setting for paradoxes and contradictions that struggle toward resolution, giving rise to new antinomies and a new forward movement. These immense segments overlap each other to combine and develop on new levels in the same way that capital itself does, stumbling against obstacles that it overcomes by progressive expansions, which are in themselves so many leaps into the unknown.