British film historians reassess the films, stars, genres, and directors omitted from conventional accounts of the decade and evaluate its forgotten and recently rediscovered films. They consider audiences, producer Julius Hagen and his independent Twickenham Film Studios, how MGM deal with the Films Acts, the shocker and musical genres, class and gender issues, national identity, and other dimensions. Distributed by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR

History forgets. Files are lost and mislaid. But this book seeks to shine a light, offering a collection of cutting edge pieces of historical research detailing some of the most fascinating arms and armament projects from the 1920s to the end of the 1940s, nearly all of which had previously been lost to history.Included here are records from the UKs MI10 (the forerunner of GCHQ) which tell the story of the mighty Japanese heavy tanks and their service during the Second World War. Other chapters expand on the development of British armour, including the story of infantry tanks from the 1920s right through to the end of the Second World War and beyond.Other items placed beneath the microscope in this fascinating history include a wide variety of guns, rocket launchers, super heavy tanks and countless pieces of specialised armour. Previously overlooked, hidden under layers of dust in archives up and down the country, the histories of these objects has finally been uncovered.

The floozy, the gangster's moll, the nasty debutante: Most Hollywood actresses played at least one of these bad girls in the 1930s. Since censorship customarily demanded that goodness prevail, vixens were in mainly supporting roles--but the actresses who played them were often colorful scene stealers. These characters and the women who played them first began to appear in film in 1915 when Theda Bara played home-wrecker Elsie Drummond in The Vixen. Movie theaters filled and the industry focused on heaving bosoms and ceaseless lust. Bara never shed the vamp image. The type evolved into the flapper, the gangster's moll, the "dame," and the "bad girl." This work covers the lives and careers of 28 actresses, providing details about their lives and giving complete filmographies of their careers.

Step into the world of early 20th-century science fiction with "Astounding Stories of Super Science January 1930" by Ray Cummings et al. This captivating collection transports readers to a time when the possibilities of science seemed limitless and the boundaries of imagination were constantly being pushed. Are you ready to journey back in time to an era of scientific marvels and futuristic wonders? In this enthralling anthology, Ray Cummings and other visionary authors take readers on a thrilling adventure through the realms of super science. From futuristic inventions to alien encounters, each story offers a glimpse into a world where anything is possible. But here's the real question: Will you dare to explore the realms of super science and witness the wonders that await? Are you prepared to embark on a journey of discovery and imagination? Experience the excitement of early science fiction. Dive into the pages of "Astounding Stories of Super Science January 1930" and let your imagination soar. Don't miss your chance to be transported to a world of wonder and possibility. Purchase your copy of "Astounding Stories of Super Science January 1930" today and embark on an adventure that will leave you astounded.

The best excuse for writing the history of anything is the intrinsic interest of the subject. Most men of past generations have thought, and many men still think, of politics as the warp and woof of social life. History for a long time therefore treated chiefly politics. Then came the economists to arouse the interest of scholars and of the public in the production and distribution of wealth. Economic history rightly absorbs much attention, for it illumines, with its new searchlight, many a dark corner of the past, and explains many features of present-day society. But to many men today the most interesting thing about society is its culture; just as the most interesting thing about an individual is his thought. Indeed, it has begun to be suspected that even politics and economics, each sometimes worshipped as a First Cause, are but secondary effects of somthing still deeper, namely, of the progress of man's intellectual life. The present volume aims to exhibit, as a unified whole, thestate and progress of modern culture.

In the 1930s there were close to a billion annual admissions to the cinema in Britain and it was by far the most popular paid-for leisure activity. This book is an exploration of that popularity. John Sedgwick has developed the POPSTAT index, a methodology based on exhibition records which allows identification of the most popular films and the leading stars of the period, and provides a series of tables which will serve as standard points of reference for all scholars and specialists working in the field of 1930s cinema. The book establishes similarities and differences between national and regional tastes through detailed case study analysis of cinemagoing in Bolton and Brighton, and offers an analysis of genre development. It also reveals that although Hollywood continued to dominate the British market, films emanating from British studios proved markedly popular with domestic audiences.

Content As Brazil 2014 will yet again show, the FIFA World Cup is a mega-event followed by billions of spectators around the globe. This volume is the first scholarly attempt to capture the history of the FIFA World Cup in its entirety. From the first World Cup in 1930 to the one in 2010 the tournament has exerted strong influences and acted as an important indicator of political, economic, social and cultural developments. In bringing together contributions by international experts from history, cultural studies, sociology and politics this volume explores some crucial issues linked to the World Cup: from the political exploitation of the tournament for domestic purposes to its economic ramifications for the host nation and beyond; from its role for national identity and national self-representation to its potential to realize transnational modes of identity and interdependence; from its role as a global media event to its impact on the commercialization of football on the national and transnational stage. Zum Inhalt Auch bei der kommenden Fußballweltmeisterschaft in Brasilien werden Milliarden Zuschauer überall auf der Welt das Ereignis verfolgen: Der FIFA-World Cup ist ein Megaevent. Doch seine Bedeutung geht weit über das singuläre Ereignis hinaus: Seit der ersten Austragung im Jahr 1930 war das Turnier ein wichtiger Indikator für politische, soziale und kulturelle Entwicklungen. Die behandelten Themenkomplexe von Experten aus aller Welt - überwiegend Historiker, Soziologen und Kulturwissenschaftler - reichen von politischem Missbrauch des Turniers für innenpolitische Zwecke über wirtschaftliche Faktoren, nationale Identitäten bzw. ihre Selbstrepräsentationen bis hin zu der Entwicklung eines medialen Großereignisses.

Offers a collection of classic plays by such women writers as Lillian Hellman, Gertrude Stein, Alice Childress, and Clare Boothe.