This catalogue provides an authoritative guide to the different major coinages of William IV, Victoria, Edward VII, George V and George VI, with detailed colour illustrations of each coin. This work is based upon that of Major Pridmore (The Coins of the British Commonwealth of Nations. Part 4 India) and has been authored by Dr Paul Stevens and Randy Weir. The authors aim to share their wealth of knowledge, experience and passion for these coins with collectors both old and new.

The introductory material on denominations, reverse types, mints, mintmarks and dating presents a useful background, as do the succinct biographical details that precede the listing of coins issued by emperors and members of the imperial family. Previous editions have been acknowledged by collectors, Roman historians and scholars alike as the most

This unusual study combines two books in one: the 1794 autobiographical travel narrative of an Indian, Dean Mahomet, recalling his years as camp-follower, servant, and subaltern officer in the East India Company's army (1769 to 1784); and Michael H. Fisher's portrayal of Mahomet's sojourn as an insider/outsider in India, Ireland, and England. Emigrating to Britain and living there for over half a century, Mahomet started what was probably the first Indian restaurant in England and then enjoyed a distinguished career as a practitioner of "oriental" medicine, i.e., therapeutic massage and herbal steam bath, in London and the seaside resort of Brighton. This is a fascinating account of life in late eighteenth-century India—the first book written in English by an Indian—framed by a mini-biography of a remarkably versatile entrepreneur. Travels presents an Indian's view of the British conquest of India and conveys the vital role taken by Indians in the colonial process, especially as they negotiated relations with Britons both in the colonial periphery and the imperial metropole. Connoisseurs of unusual travel narratives, historians of England, Ireland, and British India, as well as literary scholars of autobiography and colonial discourse will find much in this book. But it also offers an engaging biography of a resourceful, multidimensional individual.

The present book is an authoritative and authentic source for the study of Indian coins. It not only describes the coins but also studies them critically in all their aspects. The points which are dealth with here are on numismatic studies in India; Satamana and Sana; Kautilya and Buddhaghosa on coins; silver coins of Vasisthiputra Satakarni; alleged coins of the Mahisa kings; coins of semi-independent rulers; date of Isvaradatta's coins; Petluripalem hoard; some problems of tribal coins; coins of Kumaragupta I, Harigupta and Ramagupta; coins of Muhammad bin Sam and Prthviraja; coins of Kakatiya Prataparudra I; Gajapati Pagoda, Ganga Fanam and Ramatanka; coins of Bhairavasimha; Maratha mint under the Peshwas; Cowrie-shell, rupee and pice. In describing the features of a particular class of coins from the standpoint of standard, style and fabric or in discussing the significance of the numismatic terms, the author has utilized the literary data which have a bearing on them.

Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.