Annabel Craven is receiving texts from a ghost girl named Harper who begs Anna to help her rejoin the living.

The gripping third instalment in Adam Simcox's supernatural crime DYING SQUAD series. A MISSING DETECTIVE Detective Joe Lazarus is missing. The Dying Squad are on the case, but following reports of his sighting, signs suggest he may have fallen back into his criminal ways. A DEATH IN A NIGHTCLUB A new drug is taking the world by storm. Spook allows the living to see the dead, but its effects are often fatal. The Dying Squad's visit to a Berlin nightclub quickly turns their search into an entirely more sinister case. TWO WORLDS COLLIDE Because the invention of Spook has another purpose. One that's been decades in the planning. Two worlds are on a collision course - the living and the dead's - and the Dying Squad must summon all their investigatory cunning to stop a plot that could change people's (after)lives for ever.

Middle school is a life and death experience for Annabel Craven, a girl able to communicate with the spirit world with her phone. From the author of I TEXT DEAD PEOPLE comes the second novel in the Dead Serious series! All Annabel Craven wants is to be normal. But that’s hard to do when ghosts keep texting her. And keeping her secret from her nosy new stepsister isn’t going to be easy. When a ghost girl named Harper begs Anna to help her rejoin the living, Anna warns her that it’s impossible. Once you’re dead, you can’t just start living again . . . or can you? Includes morbidly-cute black-and-white illustrations! "Goosebumps lite, featuring mean girls, machinations, and cell phones with unusual apps." --Booklist

"As if living in a creepy house on cemetery grounds weren't horrible enough, Annabelle accidentally becomes a guide that bridges the gap between the living and the dead with her cell phone. Which means she is pestered by the deceased 24/7. And until she helps them with their absurd unresolved issues and ridiculous requests, no one will be able to rest in peace."--

It's March 1966: not quite the Summer of Love. When Rennie's best friend, rock singer Prax McKenna, is busted for being at two savage crime scenes---one of them backstage at the newly opened Fillmore Auditorium---despite her own problems (her failed marriage and getting established in the rock biz), Rennie sets out to clear her friend's name. But nobody expects what happens next. Especially not Rennie.

An award-winning exploration of the presence of the dead in the lives of the living A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead. Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.

Jessica Moore, demure governess to a spoiled young girl who is expecting a marriage proposal from the Earl of Rutherford, a guest in her father's home, is unwise enough to creep downstairs to the library one night when she cannot sleep, to choose a book to read. There she is discovered, first by the earl, and then by her employer. Though she is quite innocent of any wrongdoing, she is dismissed without notice and without a character. The earl, conscience-stricken, tries to make amends by offering her a position as his mistress, but when she refuses, he gives her a letter to take to his grandmother in London. In it he begs his grandmother to find employment for Miss Moore. Neither he nor Jessica expects that the offered employment will be as his wife.

Thrills and chills descend on the town of Nightshade during Halloween in this fourth book in the series, following Dead Is So Last Year. As the creepy little town of Nightshade prepares to celebrate its 200th anniversary—on Halloween, of course—many of its paranormal residents are receiving mysterious blackmail letters. Psychic teen Daisy Giordano and her sisters set out to find out who is behind the threats. But launching an investigation isn’t easy for Daisy with her overprotective father watching her every move. Though she’s is happy to have him back after the years he spent being held captive by an anti-paranormal group called the Scourge, Dad is having a difficult time adjusting to home life—and the fact that his little girl is now a senior in high school. He even disapproves of Daisy’s boyfriend, Ryan. Can their relationship take the strain? And Daisy’s got even more on her plate: A talented amateur chef, she has won cooking lessons with celebrity chef Circe Silvertongue. After nosing around (with a little help from Circe’s pet pig), Daisy begins to suspect the temperamental chef’s secrets aren’t only in her ingredients . . . Praise for the Dead Is series “[Perez] delivers a wise-cracking, boy-lusting, determined sleuth of a high school protagonist . . . this quick, lighter-than-air spoof of the undead, cheerleaders and popularity is pure pleasure.”—Publishers Weekly “A fun ride from start to finish. Perez’s smart and sassy style soars.”—Mary E. Pearson, author of the Remnant Chronicles “[A] quick, lively romp . . . Teens looking for a breezy read will find plenty to like here.”—Booklist

The conclusion to the Burn Cycle is “an engaging, page-turning read . . . [for] those who enjoy their steampunk tech with a high dose of technofantasy” (Tor.com). The city of Veridon used Jacob Burn horribly. The Council, the Church, even his family betrayed his trust, and still Burn risked everything to save their lives. For his sacrifice, he lost his tenuous ties to lawful society, his place in the criminal underworld, and the only woman he ever loved. Now, to survive, Burn runs small-time jobs, like his latest gig, delivering a seemingly innocuous package to the Fehn. The Fehn are a symbiotic race that dwell peacefully under the murky Reine River, colonizing any body that slips beneath its dark waters. But moments after Burn makes his delivery, swarms of dead Fehn clog the Reine. More terrifying are the horde of pearl-white cogdead Fehn who still walk, crawling out of the river to violently ransack the city. Once again, Burn is responsible for Veridon’s survival, and the Fehn are just one of many threats the city suddenly faces. Burn thought he had nothing to lose, but protecting Veridon could cost him the one thing he has left . . . his life. “Very fast-moving, full of action, color, and invention . . . It is fun, and it is interesting, and it sets a template for what could be an ongoing series in the noir detective/action fashion.” —SF Site “Just when you think you know what’s going on, suddenly you’re not so sure. Akers writes a mean action sequence as well which stirs things up beautifully.” —Graeme’s Fantasy Book Review

Sixth-grader Sofia Becker writes a blog about everything she overhears in the girls' bathroom, especially mean things about the super-popular Mia, but comes to realize that gossip has consequences and popularity is hard to achieve.