Middle school is a life and death experience for Annabel Craven, a girl able to communicate with the spirit world with her phone. From the author of I TEXT DEAD PEOPLE comes the second novel in the Dead Serious series! All Annabel Craven wants is to be normal. But that’s hard to do when ghosts keep texting her. And keeping her secret from her nosy new stepsister isn’t going to be easy. When a ghost girl named Harper begs Anna to help her rejoin the living, Anna warns her that it’s impossible. Once you’re dead, you can’t just start living again . . . or can you? Includes morbidly-cute black-and-white illustrations! "Goosebumps lite, featuring mean girls, machinations, and cell phones with unusual apps." --Booklist

The gripping third instalment in Adam Simcox's supernatural crime DYING SQUAD series. A MISSING DETECTIVE Detective Joe Lazarus is missing. The Dying Squad are on the case, but following reports of his sighting, signs suggest he may have fallen back into his criminal ways. A DEATH IN A NIGHTCLUB A new drug is taking the world by storm. Spook allows the living to see the dead, but its effects are often fatal. The Dying Squad's visit to a Berlin nightclub quickly turns their search into an entirely more sinister case. TWO WORLDS COLLIDE Because the invention of Spook has another purpose. One that's been decades in the planning. Two worlds are on a collision course - the living and the dead's - and the Dying Squad must summon all their investigatory cunning to stop a plot that could change people's (after)lives for ever.

Annabel Craven is receiving texts from a ghost girl named Harper who begs Anna to help her rejoin the living.

When Alana first came to Dr. Shea's office, she claims that her mother is interfering in her life. Which sounds normal, except that her mother is dead. Bit by bit, Alana sees herself taking on the physical characteristics of her mother. But the more Dr. Shea looks into Alana's claims, the more he comes to believe that she might be right after all--and the more he comes to fear for both her life and his own.

"As if living in a creepy house on cemetery grounds weren't horrible enough, Annabelle accidentally becomes a guide that bridges the gap between the living and the dead with her cell phone. Which means she is pestered by the deceased 24/7. And until she helps them with their absurd unresolved issues and ridiculous requests, no one will be able to rest in peace."--

It's March 1966: not quite the Summer of Love. When Rennie's best friend, rock singer Prax McKenna, is busted for being at two savage crime scenes---one of them backstage at the newly opened Fillmore Auditorium---despite her own problems (her failed marriage and getting established in the rock biz), Rennie sets out to clear her friend's name. But nobody expects what happens next. Especially not Rennie.

An award-winning exploration of the presence of the dead in the lives of the living A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead. Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.

Staci's brother Matt is a football player. Some kids think Matt cheated, and he's so big and strong because he used steroids. Staci doesn't want to believe that. Lately Matt gets angry easily. Is it just stress, or is something else going on?

The conclusion to the Burn Cycle is “an engaging, page-turning read . . . [for] those who enjoy their steampunk tech with a high dose of technofantasy” (Tor.com). The city of Veridon used Jacob Burn horribly. The Council, the Church, even his family betrayed his trust, and still Burn risked everything to save their lives. For his sacrifice, he lost his tenuous ties to lawful society, his place in the criminal underworld, and the only woman he ever loved. Now, to survive, Burn runs small-time jobs, like his latest gig, delivering a seemingly innocuous package to the Fehn. The Fehn are a symbiotic race that dwell peacefully under the murky Reine River, colonizing any body that slips beneath its dark waters. But moments after Burn makes his delivery, swarms of dead Fehn clog the Reine. More terrifying are the horde of pearl-white cogdead Fehn who still walk, crawling out of the river to violently ransack the city. Once again, Burn is responsible for Veridon’s survival, and the Fehn are just one of many threats the city suddenly faces. Burn thought he had nothing to lose, but protecting Veridon could cost him the one thing he has left . . . his life. “Very fast-moving, full of action, color, and invention . . . It is fun, and it is interesting, and it sets a template for what could be an ongoing series in the noir detective/action fashion.” —SF Site “Just when you think you know what’s going on, suddenly you’re not so sure. Akers writes a mean action sequence as well which stirs things up beautifully.” —Graeme’s Fantasy Book Review

Angie Meyers left a legacy of blood during her Nashville serial killing spree, and yet, the ghost hunting gang known as NashVegas Paranormal has survived her summer betrayal against them. A year later, things are finally looking up for the group. A potential hit reality TV series based on NVP's haunting investigations is in the offing. But once a tour of the most famous Civil War battlegrounds and graveyards begins in late November, a new menace arises from the shadows surrounding these favorite haunts. Someone has taken great offense to the legion of ghost hunters participating in the tour and the TV episodes that follow each visit to the famed Civil War sites on tour. Soon, the body count rivals the carnage wrought by their deranged former colleague. Jimmy and Fiona are left with the task of finding and exposing the killers before it's too late.... Before they and their close friends end up with the same fate as the spirits they seek. Dead.