A very English rendering of the classic Spanish novel La burlada Aminta y venganza del honor (Mocked Aminta and honor's vengence). Behn's story has a somewhat different beginning and a completely altered ending. Aminta, in her very early teens, becomes a rich orphan of Segovia. Her uncle, following her fathers will, takes charge of the property and brings his niece with him to Burgos...

Behn's novels, though, discard Zayas's pessimistic views and supernatural accounts; using wit and satire, they completely subvert the original texts."--BOOK JACKET.

Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn's work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.

The last twenty years have witnessed the rediscovery of a large number of women writers of the early modern period. This process of recovery has had a major impact on early modern studies for, by beginning to restore women to the history of the period, it provides new insight into the formative years of the modern era. This collection amply demonstrates the diversity as well as the literary and historical significance of early women's writing. It brings together studies by an impressive range of critics, including Elaine Hobby, Catherine Gallagher, Jane Spencer and Laura Brown, and examines the major works of five of the most important women writers of the seventeenth and early eighteenth centuries: Mary Wroth, Katherine Philips, Margaret Cavendish, Aphra Behn and Anne Finch. The range of authors it covers, and the challenging critical work it presents, make Early Women Writers: 1600-1720 essential reading for students of feminist theory, Women's Studies and Cultural Studies, as well as for all those interested in the history and literature of the early modern period.

Had B.G. MacCarthy's criticism been available, Showalter's A Literature of Their Own would have been a very different kind of book...In some ways, contemporary could be ten years ahead if we had started the climb from MacCarthy's groundwork." —Maggie Humm, University of East London Back in print for the first time since the 1940's, this classic work of pre-feminist literary criticism is a challenging and authoritative assessment of women's contributions to English literature. B. G. MacCarthy, widely praised for the originality of her scholarship, challenges the dominant picture of mascaline literary history created by T. S. Eliot and F. R. Leavis. Written with crisp humor and irony, her exploration of women's writing. Focusing on a wide range of authors including Lady Mary Wroath, Eliza Hayward, Aphra Behn, Maria Edgeworth, Mary Wollstonecraft, Elizabeth Inchbald, Margaret Cavendish and Jane Austen- illustrates that these women attempted almost every genre of fiction, enriched many, and initiated some of the most important. Often savagely witty, The Female Pen discusses a vast array of fictional forms, including picturesque, moralistic, oriental, domestic, and gothic novels.

'Fascinating scholarship. Todd conveys Behn's vivacious character and the mores of the time' New York Times 'All women together ought to let flowers fall upon the tomb of Aphra Behn; for it was she who earned them the right to speak their minds,' said Virginia Woolf. Yet that tomb, in Westminster Abbey, records one of the few uncontested facts about this Restoration playwright, poet of the erotic and bisexual, political propagandist, novelist and spy: the date of her death, 16 April 1689. For the rest secrecy and duplicity are almost the key to her life. She loved codes, making and breaking them; writing her life becomes a decoding of a passionate but playful woman. In this revised biography, Janet Todd draws on documents she has rediscovered in the Dutch archives, and on Behn's own writings, to tell a story of court, diplomatic and sexual intrigue, and of the rise from humble origins of the first woman to earn her living as a professional writer. Aphra Behn's first notable employment was as a royal spy in Holland; she had probably also spied in Surinam. It was not until she was in her thirties that she published the first of the nineteen plays and other works which established her fame (though not riches) among her 'good, sweet, honey-candied readers'. Many of her works were openly erotic, indeed as frank as anything by her friends Wycherley and Rochester. Some also offered an inside view of court and political intrigues, and Todd reveals the historical scandals and legal cases behind some of Behn's most famous 'fictions'. Janet Todd, novelist and internationally renowned scholar, was president of Lucy Cavendish College, Cambridge, and a Professor at Rutgers, NJ. An expert on women's writing and feminism, she has written about many writers, including Jane Austen, the Shelley Circle, Mary Wollstonecraft, and Aphra Behn. 'Ground-breaking it reads quickly and lightly. Even Todd's throwaway lines are steeped in learning' Women's Review of Books 'A major biography; of interest to everyone who cares about women as writers' Times Higher Education Supplement

The specially commissioned essays in Women and Poetry, 1660-1750 address the multiplicity of female poetic practice and the public image of the woman poet between the Restoration and mid-eighteenth century. The volume includes biographically informative accounts of individual poets alongside detailed essays which discuss the different contexts and poetic traditions shaping women's poetry in this key period in literary history. Women and Poetry, 1660-1750 draws together a wealth of recent scholarship from a strong cast of contributors (including Germaine Greer) into one accessible volume aimed at both students and specialist readers.

This book answers three simple questions. First, what mistaken assumptions do we make about the early modern period when we ignore women's literary contributions? Second, how might we come to recognise women's influence on the history of literature and culture, as well as those instances of outright pathbreaking mastery for which they are so often responsible? Finally, is it possible to see some women writers as world-makers in their own right, individuals whose craft cut into cultural practice so incisively that their shaping authority can be traced well beyond their own moment? The essays in this volume pursue these questions through intense archival investigation, intricate close reading, and painstaking literary-historical tracking, tracing in concrete terms sixteen remarkable women and their world-shaping activities.