Aspiring photographer Dunya Noor discovers early on that her curious spirit, rebellious nature, and very curly hair are a recipe for disaster in 1980s Syria. Many years later in London, she meets Hilal, the son of a humble tailor from Aleppo and no match for Dunya, daughter of the great heart surgeon Joseph Noor. But, dreamy, restless Dunya falls in love with Hilal and they decide to return to Syria together, embarking on a journey that will change them both forever. Rana Haddad's vivid and satirical debut novel captures the essence of life under the Assad dictatorship, in all its rigid absurdity.

ELIF SHAFAK'S NEW YORK TIMES ISTANBUL READING LIST RUNCIMAN AWARD SHORTLIST ERIC HOFFER AWARD FINALIST & HONORABLE MENTION DUBLIN LITERARY AWARD LONGLIST WNBA GREAT GROUP READ SELECTION At the neighborhood café where pastry chef Kosmas, charming widower Fanis, and other Rum—Greek Orthodox Christian—friends meet regularly for afternoon tea, American-born Daphne arrives with her elderly aunt. Daphne unsettles hearts, provokes jealousies, and stirs up memories of the 1955 Istanbul pogrom, forcing Kosmas and Fanis to confront their painful history in order to risk new beginnings. A shrewd and humorous tale, A Recipe for Daphne invites the reader into the kitchens, loves, and secret lives of Istanbul's most ancient community.

Gabriel Sherlock arrives in Oman in 1982, fleeing shame and disaster back home in Ireland, and begins an intense affair with a woman whom no one else has seen. Locals insist she must be one of the jinn--a supernatural being--but Gabriel refuses to buy into the folklore, despite her sudden, unexplained disappearance. Twenty-six years later, Irishwoman Thea Kerrigan lands in Muscat, chasing her own ghosts from the past, and is approached by Gabriel, who believes she is his lost lover. Certain that they have never met before, Thea is nonetheless drawn to this deluded, and perhaps dangerous, stranger and the rumors that surround him. "Sometimes, the sunniest settings have the darkest shadows. Of Sea and Sand takes you to such a place, plays tricks with light and time--and leaves you not knowing who is real: Us, or Them? Fictional angels and vampires have had their time. Now it's the turn of the jinn."--Tim Mackintosh-Smith

November 1979. Violence has broken out in the holiest site of Islam after a charismatic rebel and his devoted followers have announced the coming of the Mahdi and seized the Grand Mosque in Mecca. Among the insurgents is a young woman, Sarab, disguised as a man. As the horror and chaos of the siege reach their peak, she escapes and encounters a French officer from the opposing side. They form an unexpected bond, as hostility turns to attraction, but the violence of both of their pasts will return to haunt them. Award-winning writer Raja Alem’s extraordinary narrative stretches from Saudi Arabia’s Najd desert to the heart of Paris. In her typical bold and captivating style, this most unusual of love stories unpicks faith and fanaticism, alienation and redemption, and ultimately what it means to be human.

LONGLISTED FOR THE BRIDPORT NOVEL AWARD In beautifully rendered prose, a mother and a daughter struggle as outsiders in Baghdad and London in this intergenerational drama set against a background of political tension and intrigue “Who would be charmed by tales of life in the beautiful old house on the banks of the Tigris—looted now no doubt, its shutters torn and the courtyard strewn with mattresses?” One night in 2003, Anglo-Iraqi psychiatrist Mona Haddad has a surprise visitor to her London office, an old acquaintance Duncan Claybourne. But why has he come? Will his confession finally lay bare what happened to her family before they escaped Iraq? Their stories begin in 1937, when Mona’s mother Diane, a lively Englishwoman newly married to Ibrahim, an ambitious Iraqi doctor, meets Duncan by chance. Diane is working as a nanny for the Iraqi royal family. Duncan is a young British Embassy officer in Baghdad. When the king dies in a mysterious accident, Ibrahim and his family suspect Diane of colluding with Duncan and the British. Summoning up the vanished world of mid-twentieth-century Baghdad, Elizabeth Loudon’s richly evocative story of one family calls into question British attitudes and policies in Iraq and offers up a penetrating reflection on cross-cultural marriage and the lives of women caught between different worlds.

It is the winter of 1915 and Iraq has been engulfed by the First World War. Hungry for independence from Ottoman rule, Ahmad leaves his peaceful family life on the banks of the Tigris to join the British-led revolt. Thousands of miles away, Welsh teenager Carwyn reluctantly enlists and is sent, via Gallipoli and Egypt, to the Mesopotamia campaign. Carwyn’s and Ahmad’s paths cross, and their fates are bound together. Both are forever changed, not only by their experience of war, but also by the parallel discrimination and betrayal they face. Ruqaya Izzidien’s evocative debut novel is rich with the heartbreak and passion that arise when personal loss and political zeal collide, and offers a powerful retelling of the history of British intervention in Iraq.

Winner of the prestigious International Prize for Arabic Fiction - The Arab Booker 2011. As he prepares to leave for work one morning, Youssef al-Firsiwi finds a mysterious letter under his door. In a single devastating line he learns that his only son, Yacine, whom he believed to be studying engineering in Paris, has been killed in Afghanistan fighting with the Islamist resistance. Yousif, the son of a cross-cultural marriage between his Moroccan father and German-born mother, is quickly caught up in a mesh of family tragedies that reflect the changing world he lives in. He turns for support to his friends Ahmad and Ibrahim, themselves enmeshed in ever more complex business and criminal dealings, and he struggles to reconnect with his father. With his world already shattered, and finding himself abandoned by his wife for another man, Yousif begins to question everything including his own values and identity.

Amira Khan has no plans to break her no-dating rule. Thirty-year-old engineer Amira Khan has set one rule for herself: no dating until her grad-school thesis is done. Nothing can distract her from completing a paper that is so good her boss will give her the promotion she deserves when she returns to work in the city. Amira leaves campus early, planning to work in the quiet basement apartment of her family’s house. But she arrives home to find that her grandmother has rented the basement to . . . a barbershop quartet. Seriously? The living situation is awkward: Amira needs silence; the quartet needs to rehearse for a competition; and Duncan, the small-town baritone with the flannel shirts, is driving her up the wall. As Amira and Duncan clash, she is surprised to feel a simmering attraction for him. How can she be interested in someone who doesn’t get her, or her family’s culture? This is not a complication she needs when her future is at stake. But when intolerance rears its ugly head and people who are close to Amira get hurt, she learns that there is more to Duncan than meets the eye. Now she must decide what she is willing to fight for. In the end, it may be that this small-town singer is the only person who sees her at all.

Winner of the EBRD Literature Prize 2019 On New Years' Eve 1938, the writer Abdulla Qodiriy is taken from his home by the Soviet secret police and thrown into a Tashkent prison. There, to distract himself from the physical and psychological torment of beatings and mindless interrogations, he attempts to mentally reconstruct the novel he was writing at the time of his arrest - based on the tragic life of the Uzbek poet-queen Oyhon, married to three khans in succession, and living as Abdulla now does, with the threat of execution hanging over her. As he gets to know his cellmates, Abdulla discovers that the Great Game of Oyhon's time, when English and Russian spies infiltrated the courts of Central Asia, has echoes in the 1930s present, but as his identification with his protagonist increases and past and present overlap it seems that Abdulla's inability to tell fact from fiction will be his undoing. The Devils' Dance brings to life the extraordinary culture of 19th century Turkestan, a world of lavish poetry recitals, brutal polo matches, and a cosmopolitan and culturally diverse Islam rarely described in western literature. Hamid Ismailov's virtuosic prose recreates this multilingual milieu in a digressive, intricately structured novel, dense with allusion, studded with quotes and sayings, and threaded through with modern and classical poetry. With this poignant, loving resurrection of both a culture and a literary canon brutally suppressed by a dictatorship which continues today, Ismailov demonstrates yet again his masterful marriage of contemporary international fiction and the Central Asian literary traditions, and his deserved position in the pantheon of both.

A wide-ranging survey of the Indian sub-continent, Modern South Asia gives an enthralling account of South Asian history. After sketching the pre-modern history of the subcontinent, the book concentrates on the last three centuries from c.1700 to the present. Jointly written by two leading Indian and Pakistani historians, Modern South Asia offers a rare depth of understanding of the social, economic and political realities of this region. This comprehensive study includes detailed discussions of: the structure and ideology of the British raj; the meaning of subaltern resistance; the refashioning of social relations along lines of caste class, community and gender; and the state and economy, society and politics of post-colonial South Asia The new edition includes a rewritten, accessible introduction and a chapter by chapter revision to take into account recent research. The second edition will also bring the book completely up to date with a chapter on the period from 1991 to 2002 and adiscussion of the last millennium in sub-continental history.