A cold-blooded murder. A beautiful suspect. An honest judge forced to do the unthinkable. New York Times bestselling author Phillip Margolin is a master of legal suspense. In this explosive novel, a simple case of self-defense becomes a nightmare in which justice itself is held hostage. Judge Richard Quinn is young, idealistic, and honest to a fault. That's why he's handed the most sensational homicide case in Oregon history. Locked in a race for the U.S. Senate, Ellen Crease gunned down the intruder who murdered her wealthy husband. In a single, brutal instant she became a widow, a victim, and a hero. Yet disturbing questions remain. What secrets did the man who started his fortune running mortuaries keep that might have cost him his life? What about the son frozen out of his will? Or his wife's political enemies? And what about Ellen Crease herself? Soon it becomes clear that a deadly plot of murder, blackmail, passion, and double cross is unfolding around Judge Richard Quinn. And unless he breaks the rules, justice will not only be blind, it will be the final victim.

A Portland judge takes a Caribbean holiday without his wife, which turns out to be a mistake. He meets another woman, has an affair, and when she is murdered keeps quiet for fear he will be the suspect. Just what a blackmailer wanted.

On Dee Branch’s first date with Johnnie Oliver, a fourth-generation funeral director, she knew she was in for a unique relationship when he had to leave “for just a minute”—and he came back to the car with a corpse. Over twenty years later, Dee was still in love with her charming southern gentleman when he passed away suddenly in 2007. Determined to carry on Johnnie’s work, Dee earned her mortuary science degree, only to find herself no longer needed in the family business. So Dee crossed the racial divide in the most segregated industry in America and joined the staff of an African-American funeral home as a single white woman. In The Undertaker’s Wife, Oliver draws from her wealth of experience to provide candid and often hysterically funny advice on dying well and surviving the loss of those who have gone before. Her insights on the common ground of grief, survival, and the ever-present faithfulness of God (to all of us, regardless of our race, religious upbringing, or socio-economic background) will help readers prepare for one of life’s only certainties—and do it with wisdom, grace, and a healthy dose of joy.

'On the last day of 1959 my father, the Beau Brummel of morticians, piled us into his green and white Desoto in which we looked like a moving pack of Salem cigarettes. He drove away from Lanesboro, the city in which we all were born, and into a small town on the Kentucky and Tennessee border. It was only a ninety-minute drive, but it might as well have been to Alaska. When our big boat of a car glided into Jubilee we circled the town square and headed towards the residential section of Main Street. My father pulled the car over and our five dark heads turned to face a huge, slightly run down house. My parents were total strangers to this tiny enclave, but it didn't matter because my father had finally realised his dream in this old house, which was to own his own funeral home.'

This monumental study of two generations of women who married either before or after the Patriote rebellions of 1837-38 explores the meaning of the transition from wife to widowhood in early nineteenth-century Montreal. Bettina Bradbury weaves together the individual biographies of twenty women, against the backdrop of collective genealogies of over 500, to offer new insights into the law, politics, demography, religion, and domestic life of the time. She shows how women from all walks of life interacted with and shaped Montreal's culture, customs, and institutions, even as they laboured under the shifting conditions of patriarchy. Wife to Widow provides a rare window into the significance of marriage and widowhood.

Celia Carlton has been mentally and physically abused by her husband, Drew, since the death of their baby some 10 years ago. After a dinner party, Drew goes one step too far and rapes her. Celia starts to fight back and makes plans to escape from the marriage. Raising as much money as she can, and changing her appearance, she obtains false documentation showing her new identity as Chloe Armstrong. Armed with her new documentation and confidence, Celia books a world cruise, planning to leave the ship at a far off destination and begin a new life. Her plans in place, she drugs her husband then murders him. Once on board the ship, she becomes friendly with a kindly gentleman, Clive Gunnall, who falls for her and asks her to marry him. Seeing him as a way to consolidate her new identity, she agrees to marry him. However, she is drawn to the wickedly handsome Greek Captain, Andros Faldiki, and has an affair with him whilst planning her future with Clive. While Celia enjoys herself, living the life of a wealthy widow on board ship, Drew's body is discovered and a major murder hunt, led by DCI Charlie Meadows, is launched. All the evidence points to Celia as the murderer but, unable to locate Celia anywhere, the investigation loses momentum and, as other crimes are committed, the search is scaled down. After weeks at sea, undiscovered, Celia begins to believe she has gotten away with the murder. Follow Celia as she travels the world, enjoying the attentions of both Clive and the Captain and see if she finally pays the price for her crime.

During the 19th century, death shadowed daily life. A high infant mortality rate, poor sanitation, risk during childbirth, poisons, ignorance, and war kept 19th-century Americans busy practicing the ritual of mourning. The Victorian era in both Europe and America saw these rituals elevated to an art form expressing not only grief, but also religious feeling, social obligation, and even mourning fashion. Complete with period illustrations, Widow's Weeds and Weeping Veils explores how Victorians viewed death and dying as a result of the profound historical events of their time. This concise, informative work is ideal for students of Victorian-era culture and Civil War enthusiasts.

Gone, But Not Forgotten rocketed Phillip Margolin into the select company of million-selling novelists. Here he displays again the same genius for best-selling suspense in another intricate, breathtaking thriller of multiple murder in the legal community of the Pacific Northwest. Laura Rizzati, a law clerk for Oregon Supreme Court Justice Robert Griffen, is found slain late one night in the deserted courthouse. Her office is ransacked—but nothing seems to be missing. There are no suspects and no clues. The following month Griffen himself is killed by a car bomb in the driveway of his Portland home. This time, though, there is a suspect: in a shocking turn of events, Abigail Griffen, star prosecutor in the Multnomah County District Attorney's office and estranged wife of Justice Griffen, is charged with first degree murder. With the same gripping suspense that drove Gone, But Not Forgotten onto the bestseller lists, this is a complex legalthriller with a truly startling ending.

From bestselling author Phillip Margolin, a fast-paced legal thriller packed with page-turning suspense. Peter Hale is a young attorney struggling to make his own mark in his father's venerable law firm when he is presented with the opportunity of a lifetime. During the trial of a multimillion-dollar case, Peter's father, the lead counsel, suffers a heart attack and asks Peter to move for a mistrial until he's feeling better. Peter decides this is his only chance to prove to his father that he is the terrific lawyer he knows himself to be, and he chooses to carry on with the case against his father's wishes. In his zeal to prove himself, Peter neglects his client and ends up losing everything—the case, his job, and his father. Unemployed and disinherited, Peter takes the only job he is offered—that of a public defender in a small Oregon town. He hopes that if he can make good there, he can reinstate himself in his father's good graces. But his ambition again gets the best of him when he takes on a death-penalty case, representing a mentally retarded man accused of the brutal hatchet murder of a college coed. He's in way over his head, and it's only when Peter realizes that his greed and his ego may end up killing his client that he begins to understand what it really takes to be a good lawyer—and to become a man.