DigiCat Publishing presents to you this special edition of "The Boy Travellers in the Far East, Part Second" (Adventures of Two Youths in a Journey to Siam and Java; With Descriptions of Cochin-China, Cambodia, Sumatra and the Malay Archipelago) by Thomas Wallace Knox. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

DigiCat Publishing presents to you this special edition of "Overland through Asia; Pictures of Siberian, Chinese, and Tartar Life" by Thomas Wallace Knox. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A village in Sierra Leone. A refugee trail over the Pyrenees in French Catalonia. A historic copper mine in Sweden. The Shuf mountains in Lebanon. The Swiss Alps. The heart of the West African diaspora in southeast London. The anthropologist Michael Jackson makes his sojourns to each of these far-flung locations, and to his native New Zealand, occasions for exploring the contradictions and predicaments of social existence. He calls his explorations “excursions” not only because each involved breaking with settled routines and certainties, but because the image of an excursion suggests that thought is always on the way, the thinker a journeyman whose views are perpetually tested by encounters with others. Throughout Excursions, Jackson emphasizes the need for preconceptions and conventional mindsets to be replaced by the kind of open-minded critical engagement with the world that is the hallmark of cultural anthropology. Focusing on the struggles and quandaries of everyday life, Jackson touches on matters at the core of anthropology—the state, violence, exile and belonging, labor, indigenous rights, narrative, power, home, and history. He is particularly interested in the gaps that characterize human existence, such as those between insularity and openness, between the things over which we have some control and the things over which we have none, and between ourselves and others as we talk past each other, missing each others’ meanings. Urging a recognition of the limits to which human existence can be explained in terms of cause and effect, he suggests that knowing why things happen may ultimately be less important than trying to understand how people endure in the face of hardship.

This book revisits the debate over manners and morals that raged in France, Britain and the United States in the late nineteenth century. It was in essence a debate about gender and sexuality, and one of the foremost figures in the transnational discussions was the French writer and lecturer Paul Blouet, alias Max O’Rell (1847–1903). Although largely forgotten today, O’Rell deserves remembrance as a major phenomenon of the fin-de-siècle publishing and entertainment world. A Frenchman living in England but catering primarily to the American market, he disseminated national and gender stereotypes in an unprecedented way. Admired for the wit deployed in his lectures and his many best-selling books, he is a colorful exemplar of the many bourgeois commentators, male and female; most of them with mainstream political, social and cultural views, who engaged in these discussions, producing dense webs of assertion and opinion across countries and even continents. The elegant French salonnière, the independent but trustworthy English girl, the bitter American spinster activist meddling in public affairs: these are just a few examples of the many caricatural representations of women thrust into the debate. Max O’Rell and his fellow observers commented on women’s position in family and society, their partnership in the couple, their education, their sexual fulfilment, their right to paid work, aspects of social etiquette, feminism, domestic abuse, adultery and prostitution. There were frequent disagreements and sometimes hostile exchanges, but this analysis of the debate reveals a fundamentally common outlook among its participants: an agreement on patriarchy as the foundation of bourgeois society, and on the necessity to confine women in carefully stereotyped roles.

Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. In The Museum of the Senses Constance Classen offers a new way of approaching the history of art through the senses, revealing how people used to handle, smell and even taste collection pieces. Topics range from the tactile power of relics to the sensuous allure of cabinets of curiosities, and from the feel of a Rembrandt to the scent of Monet's garden. The book concludes with a discussion of how contemporary museums are stimulating the senses through interactive and multimedia displays. Classen, a leading authority on the cultural history of the senses, has produced a fascinating study of sensual and emotional responses to artefacts from the middle ages to the present. The Museum of the Senses is an important read for anyone interested in the history of art as well as for students and researchers in cultural studies and museum studies.