From David Puttnam—producer of such modern film classics as Chariots of Fire, The Killing Fields, Midnight Express, and The Mission, and the only European to have run a major Hollywood studio—an insightful and provocative history that explains the personalities and events which shaped film's transformation from a technological curiosity into one of the world's most powerful cultural and economic forces. From the early rivalry between its inventors to the power-brokering and political influence of today's mega-stars; from Zukor and Laemmle to Ovitz and Eisner; from the serendipitous discovery of Los Angeles ("flagstaff no good," wired Cecil B. De Mille. "want authority to rent barn for $75 a month in place called hollywood") to the exploitation and depredation of Europe's film culture in the name of the marketplace, Puttnam captures the urgency and wonder that swept through a young industry and set it spinning on an axis of money and power. Movies and Money chronicles the unprecedented collision between art and commerce, and incisively analyzes its implications in today's global arena. Puttnam's engaging history is also an impassioned polemic: From the moment Thomas Edison stole the first crude attempt at a movie camera from the French scientist Étienne Jules Marey, Hollywood and Europe have existed, the author claims, in a state of undeclared hostility—hostility that has occasionally erupted into open battle for control of the century's most powerful artistic medium. And this battle, he contends, will ultimately determine the nature of Europe's cultural identity. He also argues forcefully for the intelligent application of the language and techniques of cinema to education, urging filmmakers to make films that challenge and inspire as well as entertain. Ten years after his abrupt departure from Columbia, Puttnam re-enters the debate about cinema with characteristic audacity, with the irreverence of an iconoclast and the canniness of a seasoned player. Movies and Money is a book that will change our understanding of the history—and future—of film.

An account of the way in which Hollywood has achieved almost total sovereignty over the world's movies. It tells of a battle which has seen Hollywood establish itself as a global cultural and economic force, and in the process, devastate the national industries of many other countries.

Discusses America's retreat from the cities, back to Thomas Jeferson's vision of an agrarian utopia, and the economic and social consequences at the beginning of a new millennium.

Undeclared Wars with Israel examines a spectrum of antagonism by the East German government and West German radical leftist organizations - ranging from hostile propaganda and diplomacy to military support for Israel's Arab armed adversaries - from 1967 to the end of the Cold War in 1989. This period encompasses the Six-Day War (1967), the Yom Kippur War (1973), Israel's invasion of Lebanon in 1982, and an ongoing campaign of terrorism waged by the Palestine Liberation Organization against Israeli civilians. This book provides new insights into the West German radicals who collaborated in 'actions' with Palestinian terrorist groups, and confirms that East Germany, along with others in the Soviet Bloc, had a much greater impact on the conflict in the Middle East than has been generally known. A historian who has written extensively on Nazi Germany and the Holocaust, Jeffrey Herf now offers a new chapter in this long, sad history.

The first full account for a generation of the war against French colonialism in Algeria, setting out the long-term causes of the war from the French occupation of Algeria in 1830 onwards

Discusses the controversy between a declared war and an undeclared war and whether or not the President and Congress has a right to send troops according to the Constitution. The author suggests that to this very day almost all U.S. laws about the appropriate constitutional control over using force face serious challenges from developments such as future weapons technology and information technology since they originated out of the eighteenth century.