A witty, witchy fantasy murder mystery packed with ancient magic and fiendish puzzles. Mallory, Diana, Cornelia and Theodore are hired to solve a murder on a TV shoot by the victim herself. Perfect for fans of supernatural mysteries and cosy crime by authors such as Ben Aaronovitch, Josiah Bancroft and Tammie Painter. Five months after they stopped The Whistler, business is booming for the Undetectables. Just not work that requires magical forensic investigators. So when Diana’s ex asks them to solve a murder – her own – Diana, Mallory and Cornelia can’t say no. Going undercover to investigate the set of the TV show, Undead Complex, Diana returns to her life as a propmaker. But even the appearance of a genuine-article Francine Leon dollhouse leaves her feeling pulled down a path of crime-solving she doesn't want to walk forever. Meanwhile, Theodore's coming apart at the seams – literally – and Mallory is running out of ways to help him. Especially as he seems to be keeping secrets from her. As the clues – and the bodies – keep piling up, each one making less and less sense, the Undetectables find themselves in a race against time to find out what, exactly, the killer is up to – before the final cut.

Dive into the enigmatic world of the undead with "The Undead Psyche", the ultimate guide to understanding the intricate mind of zombies. This eBook presents a thought-provoking exploration into the depths of zombie psychology, offering readers a comprehensive analysis of the cognitive functions, behavior patterns, and neural networks that drive these enigmatic creatures. Starting with a historical perspective on zombies, "The Undead Psyche" takes you through the evolution of zombie lore, from ancient myths to modern interpretations. Learn why understanding the psychology of zombies is not just a matter of curiosity, but a crucial subject for survival in a world where the line between life and undeath is increasingly blurred. The chapters meticulously dissect the origin and development of zombie behavior, examining how these beings perceive their surroundings and interact with the living. Delve into the structure and function of the zombie brain, and discover fascinating case studies that reveal the impacts of brain damage on zombie actions. Sensory processing and motor skills are rigorously analyzed, showcasing the unique ways zombies navigate and react to their environment. The book investigates whether zombies can form memories or learn from their experiences, and what drives their relentless hunger and aggression. "The Undead Psyche" also tackles the social dynamics of zombies, questioning whether these creatures experience emotions, form packs, or establish hierarchies. By understanding their problem-solving abilities and decision-making processes, readers gain insights into the illusion of free will in zombies and how environmental factors influence their behavior. For those concerned with survival, detailed chapters on defensive strategies, evasion techniques, and combat measures are provided to help you fortify your defenses and enhance your survival tactics. Learn to manipulate zombie behavior, read their body language, and prepare for prolonged encounters with advanced counter-zombie measures. Explore the ethical considerations of zombie experimentation and the role of media in shaping public perception. With futuristic insights into potential cures and technological advances in zombie research, "The Undead Psyche" culminates in a thought-provoking conclusion that leaves readers equipped with vital survival tips and an enriched understanding of the undead. Prepare yourself for an intellectual odyssey like no other. "The Undead Psyche" is your definitive guide to the fascinating and perilous realm of zombie psychology. Are you ready to uncover the secrets of the undead mind?

‘A state of mourning is something that the late twentieth century has been uniquely unable to achieve. A culture based on the interchongeobility of products and people, a throw-away culture, is not conducive to mourning...Inanimate objects hove replaced human ideals. A culture of ‘virtual reality’ which finds it difficult to distinguish between the living and the inanimate has been created - a culture of the undead. This culture is not grounded on human relationships but in the destruction of them.’ In this book, Christina Wieland offers the reader a far-reaching and devastating critique of masculinity, femininity, and contemporary culture. Drawing inspiration from the work of Melanie Klein, the author demonstrates how the Western psyche is based upon denial of the power of the mother, and the elevation of the fother into a repressive, authoritorion figure. This act of universal motricide has wrought havoc throughout Western culture. As Wieland graphically illustrates, both women and men ore denied the opportunity to mourn their separation from the mother, but must contend instead with the guilt that surrounds her murder, and the ever-present terror of her vengeful return – as ‘the undead mother’. Re-appraising masculinity and femininity, the author re-visits a wide and fascinating range of myths, fairytales and stories. Her critique casts new light on the writings of Freud, Klein, Kristeva and Irigaray. Her vivid presentations of clinical material also show how ihe undead mother mokes her presence felt in the consuhing room, and the steps which con be taken towards more genuine, reparative mourning.

Through analysis of three case study videogames – Left 4 Dead 2, DayZ and Minecraft – and their online player communities, Digital Zombies, Undead Stories develops a framework for understanding how collective gameplay generates experiences of narrative, as well as the narrative dimensions of players' creative activity on social media platforms. Narrative emergence is addressed as a powerful form of player experience in multiplayer games, one which makes individual games' boundaries and meanings fluid and negotiable by players. The phenomenon is also shown to be recursive in nature, shaping individual and collective understandings of videogame texts over time. Digital Zombies, Undead Stories focuses on games featuring zombies as central antagonists. The recurrent figure of the videogame zombie, which mediates between chaos and rule-driven predictability, serves as both metaphor and mascot for narrative emergence. This book argues that in the zombie genre, emergent experiences are at the heart of narrative experiences for players, and more broadly demonstrates the potential for the phenomenon to be understood as a fundamental part of everyday play experiences across genres.

This book explores the central role of the zombie in contemporary popular culture as they appear in video games. Moving beyond traditional explanations of their enduring appeal – that they embody an aesthetic that combines horror with a mindless target; that lower age ratings for zombie games widen the market; or that Artificial Intelligence routines for zombies are easier to develop – the book provides a multidisciplinary and comprehensive look at this cultural phenomenon. Drawing on detailed case studies from across the genre, contributors from a variety of backgrounds offer insights into how the study of zombies in the context of video games informs an analysis of their impact on contemporary popular culture. Issues such as gender, politics, intellectual property law, queer theory, narrative storytelling and worldbuilding, videogame techniques and technology, and man’s relation to monsters are closely examined in their relation to zombie video games. Breaking new ground in the study of video games and popular culture, this volume will be of interest to researchers in a broad range of areas including media, popular culture, video games, and media psychology.

In this study of representations of children and childhood, a global team of authors explores the theme of undeadness as it applies to cultural constructions of the child. Moving beyond conventional depictions of the undead in popular culture as living dead monsters of horror and mad science that transgress the borders between life and death, rejuvenation, and decay, the authors present undeadness as a broader concept that explores how people, objects, customs, and ideas deemed lost or consigned to the past might endure in the present. The chapters examine nostalgic texts that explore past incarnations of childhood, mementos of childhood, zombie children, spectral children, images and artefacts of deceased children, as well as states of arrested development and the inability or refusal to embrace adulthood. Expanding undeadness beyond the realm of horror and extending its meaning conceptually, while acknowledging its roots in the genre, the book explores attempts at countering the transitory nature of childhoods. This unique and insightful volume will interest scholars and students working on popular culture and cultural studies, media studies, film and television studies, childhood studies, gender studies, and philosophy.

Neighbors in an apartment complex must band together to survive a zombie plague in this post-apocalyptic horror series opener. Cali Anglin, RN, had a great life. It may have been nothing special to the rest of the world, but she loved it. That was on a Wednesday. By Friday, it was gone forever. With the government gone, electricity extinguished, and the food supply dwindling, she must face questions she’s never asked herself before—just how far would she go to save her family, her friends, and her rapidly collapsing community? Would she kill for them? Would she die for them? She’s about to find out . . . Praise for The Complex “I really enjoyed The Complex. . . . It brings a new and missing dynamic to the genre. . . . Ms. Rudolph tells a good story that left me wanting more.” —David Forsyth, author of the Sovereign Spirit Saga “This is a fantastic read that I could not recommend more!” —Tony Baker, author of Survivors of the Dead

The undead are back! In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller and A. Bowdoin Van Riper assembled a collection of essays that explored the unique intersection of two seemingly distinct genres in cinema: the western and the horror film. In this new volume, Undead in the West II: They Just Keep Coming, Miller and Van Riper expand their examination of undead Westerns to include not only film, but literature, sequential art, gaming, and fan culture (fan fiction, blogging, fan editing, and zombie walks). These essays run the gamut from comics and graphic novels such as American Vampire, Preacher, and Priest, and games like Darkwatch and Red Dead Redemption, to novels and short stories by celebrated writers including Robert E. Howard, Joe R. Lansdale, and Stephen King. Featuring a foreword by renowned science fiction author William F. Nolan (Logan’s Run) and an afterword by acclaimed game designer Paul O’Connor (Darkwatch), this collection will appeal to scholars of literature, gaming, and popular culture, as well as to fans of this unique hybrid.

Looking beyond Euro-Anglo-US centric zombie narratives, Decolonizing the Undead reconsiders representations and allegories constructed around this figure of the undead, probing its cultural and historical weight across different nations and its significance to postcolonial, decolonial, and neoliberal discourses. Taking stock of zombies as they appear in literature, film, and television from the Caribbean, Latin America, sub-Saharan Africa, India, Japan, and Iraq, this book explores how the undead reflect a plethora of experiences previously obscured by western preoccupations and anxieties. These include embodiment and dismemberment in Haitian revolutionary contexts; resistance and subversion to social realities in the Caribbean and Latin America; symbiosis of cultural, historical traditions with Western popular culture; the undead as feminist figures; as an allegory for migrant workers; as a critique to reconfigure socio-ecological relations between humans and nature; and as a means of voicing the plurality of stories from destroyed cities and war-zones. Interspersed with contextual explorations of the zombie narrative in American culture (such as zombie walks and the television series The Santa Clarita Diet) contributors examine such writers as Lowell R. Torres, Diego Velázquez Betancourt, Hemendra Kumar Roy, and Manabendra Pal; works like China Mieville's Covehithe, Reza Negarestani's Cycolonopedia, Julio Ortega's novel Adiós, Ayacucho, Ahmed Saadawi's Frankenstein in Baghdad; and films by Alejandro Brugués, Michael James Rowland, Steve McQueen, and many others. Far from just another zombie project, this is a vital study that teases out the important conversations among numerous cultures and nations embodied in this universally recognized figure of the undead.

The present book describes the methodology to set up agent-based models and to study emerging patterns in complex adaptive systems resulting from multi-agent interaction. It offers the application of agent-based models in demography, social and economic sciences and environmental sciences. Examples include population dynamics, evolution of social norms, communication structures, patterns in eco-systems and socio-biology, natural resource management, spread of diseases and development processes. It presents and combines different approaches how to implement agent-based computational models and tools in an integrative manner that can be extended to other cases.