The Uncultured Wars is a powerful indictment of dominant American liberal-left discourse. Through twelve stylish essays Steven Salaita returns again and again to his core themes of anti-Arab racism and Islamophobia and the inadequacy of critical thought amongst the 'chattering classes', showing how racism continues to exist in the places where we would least expect it. By looking at topics as diverse as 'Is Jackass Justifiable?', 'Open Mindedness on Independence Day' and 'Ambition, Terrorism and Empathy', Salaita explores why Arabs are marginalized, and who seeks to benefit from this. He goes on to make the case that Arabs and Muslims urgently need to be included in the conversations that people have about American geopolitics. Part of a long tradition of politically engaged writing, and a trailblazer in the emerging genre of Arab-American writing, this book is eminently readable and relevant to our times.

When war broke out in Europe in August of 1914, it seemed, to observers in the United States, the height of madness. The Old World and its empires were tearing each other apart, and while most Americans blamed the Germans, pitied the Belgians, and felt kinship with the Allies, they wanted no part in the carnage. Two years into war President Woodrow Wilson won re-election by pledging to keep out of the conflict. Yet by the spring of 1917-by which point millions had been killed for little apparent gain or purpose-the fervor to head "Over There" swept the country. America wanted in. The Path to War shows us how that happened. Entry into the war resulted from lengthy debate and soul-searching about national identity, as so-called "hyphenated citizens" of Irish and German heritage wrestled with what it meant to be American. Many hoped to keep to the moral high ground, condemning German aggression while withholding from the Allies active support, offering to mediate between the belligerents while keeping clear. Others, including the immensely popular former president Theodore Roosevelt, were convinced that war offered the country the only way to assume its rightful place in world affairs. Neiberg follows American reaction to such events as the sinking of the Lusitania, German terrorism, and the incriminating Zimmermann telegram, shedding light on the dilemmas and crises the country faced as it moved from ambivalence to belligerence. As we approach the centenary of the war, the effects of the pivot from peace to war still resonate, as Michael Neiberg's compelling book makes clear. The war transformed the United States into a financial powerhouse and global player, despite the reassertion of isolationism in the years that followed. Examining the social, political, and financial forces at work as well as the role of public opinion and popular culture, The Path to War offers both a compelling narrative and the inescapable conclusion that World War One was no parenthetical exception in the American story but a moment of national self-determination.

During the late nineteenth century, magazines, newspapers, novelists, and even historians presented a revised version of the Civil War that, intending to reconcile the former foes, downplayed the issues of slavery and racial injustice, and often promoted and reinforced the worst racial stereotypes. The Reel Civil War tells the history of how these misrepresentations of history made their way into movies. More than 800 films have been made about the Civil War. Citing such classics as Birth of a Nation and Gone With the Wind as well as many other films, Bruce Chadwick shows how most of them have, until recently, projected an image of gallant soldiers, beautiful belles, sprawling plantations, and docile or dangerous slaves. He demonstrates how the movies aided and abetted racism and an inaccurate view of American history, providing a revealing and important account of the power of cinema to shape our understanding of historical truth.

A Companion to the First World War brings together an international team of distinguished historians who provide a series of original and thought-provoking essays on one of the most devastating events in modern history. Comprises 38 essays by leading scholars who analyze the current state of historical scholarship on the First World War Provides extensive coverage spanning the pre-war period, the military conflict, social, economic, political, and cultural developments, and the war's legacy Offers original perspectives on themes as diverse as strategy and tactics, war crimes, science and technology, and the arts Selected as a 2011 Outstanding Academic Title by CHOICE

"A painful and propulsive memoir delivered in the honest tones of a woman who didn’t always think she’d live to tell her story." —The New York Times A Buzzfeed Best Book of September In the vein of Educated and The Glass Castle, Daniella Mestyanek Young's Uncultured is more than a memoir about an exceptional upbringing, but about a woman who, no matter the lack of tools given to her, is determined to overcome. Behind the tall, foreboding gates of a commune in Brazil, Daniella Mestyanek Young was raised in the religious cult The Children of God, also known as The Family, as the daughter of high-ranking members. Her great-grandmother donated land for one of The Family’s first communes in Texas. Her mother, at thirteen, was forced to marry the leader and served as his secretary for many years. Beholden to The Family’s strict rules, Daniella suffers physical, emotional, and sexual abuse—masked as godly discipline and divine love—and is forbidden from getting a traditional education. At fifteen years old, fed up with The Family and determined to build a better and freer life for herself, Daniella escapes to Texas. There, she bravely enrolls herself in high school and excels, later graduating as valedictorian of her college class, then electing to join the military to begin a career as an intelligence officer, where she believes she will finally belong. But she soon learns that her new world—surrounded by men on the sands of Afghanistan—looks remarkably similar to the one she desperately tried to leave behind. Told in a beautiful, propulsive voice and with clear-eyed honesty, Uncultured explores the dangers unleashed when harmful group mentality goes unrecognized, and is emblematic of the many ways women have to contort themselves to survive.

At the time of its occurrence, the Spanish Civil War epitomized for the Western world the confrontation of democracy, fascism, and communism. An entire generation of Englishmen and Americans felt a deeper emotional involvement in that war than in any other world event of their lifetimes, including the Second World War. On the Continent, its "lessons," as interpreted by participants of many nationalities, have played an important role in the politics of both Western Europe and the People's Democracies. Everywhere in the Western world, readers of history have noted parallels between the Spanish Republic of 1931 and the revolutionary governments which existed in France and Central Europe during the year 1848. The Austrian revolt of October 1934, reminded participants and observers alike of the Paris Commune of 1871, and even the most politically unsophisticated observers could see in the Spain of 1936 all the ideological and class conflicts which had characterized revolutionary France of 1789 and revolutionary Russia of 1917. It is not surprising, therefore, that the worthwhile books on the Spanish Civil War have almost all emphasized its international ramifications and have discussed its political crises entirely in the vocabulary of the French and Russian revolutions. Relatively few of the foreign participants realized that the Civil War had arisen out of specifically Spanish circumstances. Few of them knew the history of the Second Spanish Republic, which for five years prior to the war had been grappling with the problems of what we now call an "underdeveloped nation." In Spanish Republic and the Civil War, Gabriel Jackson expounds the history of the Second Republic and the Civil War primarily as seen from within Spain.

PROSE Award- Media and Cultural Studies Finalist How diversity initiatives end up marginalizing Arab Americans and US Muslims One of Donald Trump’s first actions as President was to sign an executive order to limit Muslim immigration to the United States, a step toward the “complete shutdown of Muslims entering the United States” he had campaigned on. This extraordinary act of Islamophobia provoked unprecedented opposition: Hollywood movies and mainstream television shows began to feature more Muslim characters in contexts other than terrorism; universities and private businesses included Muslims in their diversity initiatives; and the criminal justice system took hate crimes against Muslims more seriously. Yet Broken argues that, even amid this challenge to institutionalized Islamophobia, diversity initiatives fail on their promise by only focusing on crisis moments. Evelyn Alsultany argues that Muslims get included through “crisis diversity,” where high-profile Islamophobic incidents are urgently responded to and then ignored until the next crisis. In the popular cultural arena of television, this means interrogating even those representations of Muslims that others have celebrated as refreshingly positive. What kind of message does it send, for example, when a growing number of “good Muslims” on TV seem to have arrived there, ironically, only after leaving the faith? In the realm of corporations, she critically examines the firing of high-profile individuals for anti-Muslim speech—a remedy that rebrands corporations as anti-racist while institutional racism remains intact. At universities, Muslim students get included in diversity, equity, and inclusion plans but that gets disrupted if they are involved in Palestinian rights activism. Finally, she turns to hate crime laws revealing how they fail to address root causes. In each of these arenas, Alsultany finds an institutional pattern that defangs the promise of Muslim inclusion, deferring systemic change until and through the next “crisis.”