The honeymoon is over—and it’s time for Mike Shayne to prepare for Miami’s killing season For years, Mike Shayne has tangled with the toughest crooks the country has to offer, outsmarting some and outpunching the rest. He was good at his job, but he had no one to come home to—until he met Phyllis. After rescuing his damsel in distress more than once, the hard-boiled PI found himself falling in love, and before he knew it, they were married and on their honeymoon in Cuba. Unfortunately for the lovebirds, their migration home to Miami marks the height of tourist season, when every gangster in America travels south to play. He may be a married man, but Mike Shayne won’t be spending this balmy winter cozied up at home. When a real-estate developer tries to hire Shayne to break into his home as part of an insurance-fraud scam, the scheme quickly turns to murder. With more deaths on the horizon, Shayne will have to be careful if he doesn’t want to celebrate his first wedding anniversary behind bars. The Uncomplaining Corpses is the 3rd book in the Mike Shayne Mysteries, but you may enjoy reading the series in any order.

A mentally ill woman is accused of killing her mother in this classic Mike Shayne novel from the legendary detective author. Mike Shayne has just poured himself a drink when Phyllis Brighton tries to throw herself out the window of his downtown apartment. Luckily, he blocks her just before she can launch herself over the sill. She tried to warn him she was crazy, but he didn’t listen. Her doctor and her new stepfather, on the other hand, both believe Phyllis is suffering from a kind of Electra complex— a fixation with her mother that is so intense that Phyllis would rather kill her than share her with anyone else. Shayne agrees to do whatever he can to keep Phyllis from killing her mother, but that doesn’t ensure that the woman will live. When Mrs. Brighton is found with a knife buried in her back, all signs point to the Phyllis’s guilt. But this hard-boiled private investigator didn’t stop someone from jumping out a window just to send her to the electric chair. And it doesn’t take a degree in psychology to find a killer—it takes brains, eyes, and two strong fists. Mike Shayne is just the man for the job. Dividend on Death is the 1st book in the Mike Shayne Mysteries, but you may enjoy reading the series in any order.

A disappearing corpse draws Miami PI Mike Shayne into a deadly political conspiracy in this hardboiled mystery that inspired the film Kiss Kiss Bang Bang. A year after marrying the toughest PI in Miami, Phyllis Shayne longs for a few weeks alone with her husband. She and Mike are about to board a train to New York when a client shows up at the door. Her face gray and her voice slurred, the mysterious woman passes out before she’s able to get through her story. Mike carries the stranger to his spare bedroom and, trying to save his wife from worry, tells Phyllis to go on to the train station without him; he’ll meet her in a few days. When he goes back to check on the woman, she is dead, with one of her stockings wrapped tightly around her throat. Something is fishy, but it’s about to get far more complicated when the body disappears. The woman arrived just after Mike took a call from Sam Marsh, a close friend who’s in a mayoral race that’s about to turn bloody. To save his friend’s campaign and keep himself out of jail, Mike will have to find the killer—but he’ll have to find the body first. Bodies Are Where You Find Them is the 5th book in the Mike Shayne Mysteries, but you may enjoy reading the series in any order.

Many of the 20th century's most celebrated fictional sleuths appeared in Hollywood movie mystery series of the forties. This volume focuses on 19 series (146 films): The Saint, The Lone Wolf, Sherlock Holmes, The Shadow, Nick Carter, Michael Shayne, Ellery Queen, Boston Blackie, The Falcon, Mr. District Attorney, Wally Benton, Crime Doctor, The Whistler, Inner Sanctum, Dick Tracy, Philip Marlowe, Jack Packard and Doc Long, Steve Wilson and Lorelei Kilbourne and John J. Malone. For each series, there is an overview of the source material, the individual films, and the performers who acted in them. An overall review of each film is included, with a critique of the film's quality and the cohesiveness of its plot. For movies based on written works, a comparison between the film and its literary original is offered.

The origins of literature’s finest crime fighters, told by their creators themselves Their names ring out like gunshots in the dark of a back alley, crime fighters of a lost era whose heroic deeds will never be forgotten. They are men like Lew Archer, Pierre Chambrun, Flash Casey, and the Shadow. They are women like Mrs. North and the immortal Nancy Drew. These are detectives, and they are some of the only true heroes the twentieth century ever knew. In this classic volume, Otto Penzler presents essays written by the authors who created these famous characters. We learn how Ed McBain killed—and resurrected—the hero of the 87th Precinct, how international agent Quiller wrote his will, and how Dick Tracy first announced that “crime does not pay.” Some of these heroes may be more famous than others, but there is not one whom you wouldn’t like on your side in a courtroom, a shootout, or an old-fashioned barroom brawl.

Bruce Murphy's Encyclopedia of Murder and Mystery is a comprehensive guide to the genre of the murder mystery that catalogues thousands of items in a broad range of categories: authors, titles, plots, characters, weapons, methods of killing, movie and theatrical adaptations. What distinguishes this encyclopedia from the others in the field is its critical stance.

The hard-boiled private detective is among the most recognizable characters in popular fiction since the 1920s--a tough product of a violent world, in which police forces are inadequate and people with money can choose private help when facing threatening circumstances. Though a relatively recent arrival, the hard-boiled detective has undergone steady development and assumed diverse forms. This critical study analyzes the character of the hard-boiled detective, from literary antecedents through the early 21st century. It follows change in the novels through three main periods: the Early (roughly 1927-1955), during which the character was defined by such writers as Carroll John Daly, Dashiell Hammett and Raymond Chandler; the Transitional, evident by 1964 in the works of John D. MacDonald and Michael Collins, and continuing to around 1977 via Joseph Hansen, Bill Pronzini and others; and the Modern, since the late 1970s, during which such writers as Loren D. Estleman, Liza Cody, Sara Paretsky, Sue Grafton and many others have expanded the genre and the detective character. Themes such as violence, love and sexuality, friendship, space and place, and work are examined throughout the text. Instructors considering this book for use in a course may request an examination copy here.

This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.