Illustrated throughout, this fact-filled and funny encyclopedia reveals the best of British comics, discussing how these quirky and colourful creations have shaped the lives of British children since the seventies.

Includes episodes of "Battle's" stories.

British comics' take on War of the Worlds beams down for some classic comics carnage! SPACE INVADERS! 1984. Skeletal-looking alien warriors have invaded the Earth, bringing many large cities like London to the brink of total destruction! Taken by surprise, mankind must now dig deep to survive! In Britain the tough-as-boots military outfit known as Storm Squad mount the fightback against the 'Spooks' while professor Ed Lomax looks into a way of permanently ridding the plant of this unearthly foe for good!

Visually amazing, this critical history of comic books, manga, and graphic novels is a must-have for any comic buff or collector. Over the centuries, comic books and their offshoots, such as graphic novels, manga, and bandes dessinées, have evolved into a phenomenally popular, influential, and unique art form with which we can express our opinions, our fantasies, our nightmares, and our dreams. In short: comics are emphatically no longer just for kids. This diverse, constantly evolving medium is truly coming into its own in the 21st century, from Hollywood's blockbuster adaptations of super-powered caped crusaders to the global spread of Japan's manga and its spinoffs, and from award-winning graphic novels such as Maus and Persepolis to new forms such as online webcomix. This volume is the perfect introduction to a dynamic and globally popular medium, embracing every graphic genre worldwide to assess the very best works of sequential art, graphic literature, comics, and comic strips, past and present. An international survey, this engaging volume is organized according to the year of first publication in the country of origin. An opening section acknowledges pioneering pre-1900 masterpieces, followed by sections divided by decade, creating a fascinating year-by-year chronicle of the graphic medium worldwide. The material includes the very earliest one-off albums to the latest in online comics and features some series and characters that have run for decades. Packed with fantastic reproductions of classic front covers and groundbreaking panels, this book is visually stunning as well as a trove of information--perfect for the passionate collector and casual fan alike.

Jason Aaron and Ron Garney re-team after their success on WOLVERINE: WEAPON X for a brand new Captain America story set in the Ultimate Universe.

Arguing that British comics are distinct from their international counterparts, a unique showcase of the major role they have played in the imaginative lives of British youth—and some adults. In this entertaining cultural history of British comic papers and magazines, James Chapman shows how comics were transformed in the early twentieth century from adult amusement to imaginative reading matter for children. Beginning with the first British comic, Ally Sloper—known as “A Selection, Side-splitting, Sentimental, and Serious, for the Benefit of Old Boys, Young Boys, Odd Boys generally, and even Girls”—British Comics goes on to describe the heyday of comics in the 1950s and ’60s, when titles such as School Friend and Eagle sold a million copies a week. Chapman also analyzes the major genres, including schoolgirl fantasies and sports and war stories for boys; the development of a new breed of violent comics in the 1970s, including the controversial Action and 2000AD; and the attempt by American publisher, Marvel, to launch a new hero for the British market in the form of Captain Britain. Considering the work of important contemporary comic writers such as Alan Moore, Grant Morrison, Ian Edginton, Warren Ellis, and Garth Ennis, Chapman’s history comes right up to the present and takes in adult-oriented comics such as Warrior, Crisis, Deadline,and Revolver, and alternative comics such as Viz. Through a look at the changing structure of the comic publishing industry and how comic publishers, writers, and artists have responded to the tastes of their consumers, Chapman ultimately argues that British comics are distinctive and different from American, French, and Japanese comics. An invaluable reference for all comic collectors and fans in Britain and beyond, British Comics showcases the major role comics have played in the imaginative lives of readers young and old.

Subject: Exhiibtion catalogue published "on the occasion of the British Library exhibition ... 2 May-19 August 2014"--Title page verso

Mammoth Books: From history to manga, true crime to sci-fi, these anthologies feature top-name contributors and award-winning editors.

Given incredible superpowers Ð and six months to live Ð by the sexually-transmitted G+ Virus, three Londoners kick back against the spectre of death with everything theyÕve got. Washed-up indie guitarist Weasel tries to make amends for a life thatÕs totally f****d Ð but changing the direction of a lifetime can be murder! Comedian and media personality Monty tests the limits of his new powers of persuasion with horrifying resultsÉ and, after her explosive activation, Verity is on the run from the government Ð but can her nascent abilities keep her one step ahead of a crack team of GCHQ operatives?