This concise guide to media law provides core information without patronizing those with existing knowledge or bamboozling those with little expertise. Each chapter covers substantive 'black letter law' and regulation/ethics, acknowledging the difference in duties and obligations between words and pictures, print and broadcasting.

"In late 2004 in Britain, a little, self-published book called The Pocket Book of Patriotism created a publishing sensation in the United Kingdom. Rejected by every major British publisher because "patriotism is an obsolete concept." Written initially for his own three boys, Courtauld was appalled that British children didn't know basic facts of their history and set out to create a simple book that would make his children proud of their heritage. The result, The Pocket Book of Patriotism, is a bare-bones, uniquely British timeline of historic events, with no judgement or padding, brought to life by soul-stirring quotations and placing British history along side the rest of the world in a simple history chart. From Stonehenge 2000 BC to the England rugby team's World Cup triumph in 2003, The Pocket Book of Patriotism contains the essential dates, quotes and speeches of British history." from the publisher.

Researching for the Media: Television, Radio and Journalism is an essential guide to researching for the media industry. It explains the role of the researcher and journalist within radio, television and journalism exploring key areas of what to expect in the job. Researching for the Media: Television, Radio and Journalism offers advice and instruction on practical, ethical and legal issues which affect anyone working in these industries. Beginning with suggestions on how to think up ideas and how to devise treatments, through to general research methods and techniques and guidance on working on location at home and abroad, it uses real examples of good and bad practice from the industry. Written by an experienced researcher, writer and producer, Researching for the Media includes: Tips on finding contributors from contestants, experts and specialists through to audiences and celebrities How to find photographs, picture and film clips and the ethical and legal issues involved Advice on finding and using music and copyright issues How the media uses the internet and social media such as Twitter, Facebook, Instagram A discussion of risk assessment, codes of conduct, ethical behaviour and legal and safety issues A glossary of media terms, further reading and a list of helpful websites. Discover more at www.adeleemm.com

Why tax law is not just a pocketbook issue but a reflection of what and whom we, as a society, value. Most of us think of tax as a pocketbook issue: how much we owe, how much we'll get back, how much we can deduct. In Our Selfish Tax Laws, Anthony Infanti takes a broader view, considering not just how taxes affect us individually but how the tax system reflects our culture and society. He finds that American tax laws validate and benefit those who already possess power and privilege while starkly reflecting the lines of difference and discrimination in American society based on race, ethnicity, socioeconomic class, gender, sexual orientation and gender identity, immigration status, and disability. Infanti argues that instead of focusing our tax reform discussions on which loopholes to close or which deductions to allow, we should consider how to make our tax system reflect American ideals of inclusivity rather than institutionalizing exclusion. After describing the theoretical and intellectual underpinnings of his argument, Infanti offers two comparative case studies, examining the treatment of housing tax expenditures and the unit of taxation in the United States, Canada, France, and Spain to show how tax law reflects its social and cultural context. Then, drawing on his own work and that of other critical tax scholars, Infanti explains how the discourse surrounding tax reform masks the many ways that the American tax system rewards and reifies privilege. To counter this, Infanti urges us to work together to create a society with a tax system that respects and values all Americans.

The second edition of the Health and Safety Pocket Book has been fully revised and updated to include all the relevant legal, HSE ACoP/Guidance and practice references. It remains a handy reference tool for practising health and safety professionals, auditors, managers, HR personnel, employee representatives and anyone with health and safety responsibilities. The book is an essential compilation of guidance, data and checklists covering a wide range of health and safety topics, supported by extensive key glossary terms. The A–Z arrangement within the chapters and extensive cross-referencing make it easy to navigate, while its size and scope make it the ideal volume for ready reference and site visits. The book will also be useful for health and safety courses at all levels. Key features include: The principal health and safety legal requirements for every industry Safety management elements and systems Checklists for major hazards affecting all industries A wealth of charts, hard-to-remember details and data A glossary of the main concepts of health and safety A list of important health and safety courses, publications and organisations Revision tips for key examination themes.

This book attacks the conventional history of the press as a story of progress; offers a critical defence and history of public service broadcasting; provides a myth-busting account of the internet; gives a subtle account of the impact of social media; and explores key debates about the role and politics of the media. Power Without Responsibility has become a standard textbook on media and other courses, but it has also gone beyond an academic audience to reach a wider public. Hailed as a book that has ‘cracked the canon’ by the Times Higher Educational Supplement, it has been translated into five languages. In 2019, it was awarded the International Communication Association's Fellows Book Award. This ninth edition is based on a major overhaul of its content to take account of new developments (such as generative AI) and new scholarship in the field. It also contains a new chapter on the transformed opportunity for a reformed and buccaneering public service broadcasting in the face of automated misinformation and social division, locally, nationally and internationally. This trailblazing text is essential reading for all students and scholars interested in British media and contemporary media and society.

Building Surveyor’s Pocket Book is an accessible encyclopaedia of matters vital to building surveyors. Well-illustrated with diagrams, pictures, tables, and graphs, it covers all essential elements of building pathology, building performance, and building construction terminology in a simple, accessible way for the practitioner and student. This Pocket Book provides a practical and portable reference text, working as a first-stop publication for those wishing to refresh their knowledge or in need of guidance on surveying practice. Working through fundamental principles in key practice areas, the book is not overly bound by the regulation and legislation of one region, and the principles can be applied internationally. This book is ideal reading for individual surveyors, practitioners, and students in building surveying, facilities management, refurbishment, maintenance, renovation, and services management. It is also of use for those interested in building forensics, building performance, pathology, and anyone studying for their RICS APC. Many other professions in architecture, contracting, engineering, and safety will also find the book of use when undertaking similar practice.

The Critical Legal Pocketbook provides the tools for law students to uncover the hidden intricacies of law. Law creates an ethical and rational facade for itself, but beneath the surface you will find that it has its monsters; the leviathan of the state, the golems of racism and misogyny, the hydra of coloniality, the vampire of capitalism. These roam throughout law's subterranean structures. At the same time, law is often painted as a heroic defence of the innocent against these terrors. Legal education likes to forget the ways that law was essential in generating structures of domination and subjection. The Critical Legal Pocketbook casts a different light on the law, illuminating some of the ways in which law (and legal education in particular) nourishes its monsters - and sometimes works to make these monsters look tame and docile. Drawing on recent developments in critical legal theory, it considers other dimensions of law: its ambiguity, susceptibility to capture, and its potential as a site of rupture. Edited by students at the University of Warwick, and written by expert critical legal researchers and practitioners, the Critical Legal Pocketbook is essential reading for law students in the UK and other common law jurisdictions. The Pocketbook includes twenty five substantive chapters on traditional legal subjects from Contract Law to Human Rights, and from Mooting to Property Law. Interspersed among these are fifteen key concept notes that aim to help students grasp the complexity and plurality of critical analyses of law.

Interviewing for Journalists focuses on the central journalistic skill of how to ask the right questions in the right way. It is a practical and concise guide for all print and online journalists – professionals, students and trainees – who write news stories and features for newspapers, magazines and online publications. In the age of digital journalism, where computer-based research is easily available, this new edition seeks to emphasise the value of getting out there, engaging with people directly and building relationships to create original and meaningful media content. Interviewing for Journalists highlights the many different approaches to interviewing, from vox pops and press conferences to news interviews and in-depth profiles. This third edition features brand new interviews with some of the most successful journalists in the industry, including Camilla Long of The Sunday Times, Heidi Blake of BuzzFeed UK, Brian Viner of the Daily Mail and award-winning freelance writers Cole Moreton and Stephanie Rafanelli. It covers every stage of interviewing, such as research, fixing interviews, structuring questions, body language, how to get vivid quotes and how to handle challenging interviews. The third edition of Interviewing for Journalists includes: advice on how to carry out face-to-face, telephone and online interviews; tips on taking notes, shorthand and recording interviews; guidance on dealing with different interviewees, such as celebrities, politicians and vulnerable people; interviewing tasks to put your journalistic skills into practice; a discussion of ethical and legal issues by Professor Tim Crook of Goldsmiths, University of London.

“Biographical Television Drama breaks new ground as, to my knowledge, the first book-length exploration of the terms in which television engages in biographical storytelling. Backed by robust research in biography studies and British television history, Hannah Andrews deftly unravels the complexities behind the accessibility of biographical television drama. Her book tackles key questions head-on, notably rhetorics and style, narrative and performance and, innovatively, ethics, while also shedding light on the interconnections with other biographical screen forms through a rich corpus. This is an essential critical study that vindicates television drama’s unique place in the histories and practices of screen biography.” -Belén Vidal, Senior Lecturer in Film Studies at King’s College London and co-editor of The Biopic in Contemporary Film Culture This book explores what happens when biography and television meet, in a novel fusion of the two fields of study. Andrews compares core concepts in biography and television studies such as intimacy, the presentation of the self and the uneasy relationship between fact and fiction. The book examines biographical drama’s generic hybridity, accounting for the influence of the film biopic, docudrama, melodrama and period drama. It discusses biographical television drama’s representation of real lives in terms of visual style, performance and self-reflexivity. Andrews also assesses how life stories are shaped for televisual narrative formats and analyses the adaptation process for the biographical drama. Finally, the book considers various kinds of reputation – of the broadcast institution, author, biographical subject – in relation to the ethics of televisual biography.