Everyone knows how all those fairy tales go. The princess gets beautiful, nabs her prince, falls instantly in love, lives happily ever after and leaves her evil stepsisters in the dust. But what happens when you're the ugly stepsister and your obnoxiously perfect-read pretty, smart, and, worst of all, sickeningly nice-stepsister is dating the charming, tall, devastatingly handsome guy you've had a thing for since you were nine years old? Quirky, artistic and snarky Mattie Lowe does not lead a charmed life. Her mother is constantly belittling her on Skype. Mercedes, the school mean girl, has made it her personal mission to torment Mattie. But worst of all? Her stepsister Ella is the most beautiful, popular girl in school and is dating Mattie's secret longtime crush, Jake Kingston. Tired of being left out and done with waiting for her own stupid fairy godmother to show up, Mattie decides to change her life. She'll start by running for senior class president against wildly popular Jake. Ella can keep her Prince Annoying. Mattie's going to rule the school. And no one, not even a cute and suddenly flirty Jake, is going to stop her.

When Kat accidentally rips apart an old picture book, she's magically transported into the world of Cinderella--as Katriona, one of the ugly stepsisters! Life turns upside down now that she's a highborn lady and must learn how to survive the social season, including how to get through the door in a huge metal hoop skirt. To get back, she'll have to complete the story, right to the end of happily ever after. But the odds are huge: the other stepsister is drop-dead gorgeous, the fairy godmother is nowhere to be found, and the prince, despite being insanely hot, openly dislikes balls. Can she ever return to the modern world?

This Cinderella didn't plan on a prince . . . Kat MacTaggart is a girl who has a plan for everything-including her holiday ski trip to Monterra with her best friend. Everything is going according to plan until she finds herself careening out of control down a mountainside and being rescued by a guy who looks like Superman's hotter Italian cousin. HRH Prince Nico is intrigued by the woman he saved on the slopes and her refusal to date him. He offers Kat a deal-let him show her his country and he'll pay her to write articles that will help Monterra's tourism industry. Kat agrees, but given her past and lingering distrust of men, she has one condition-absolutely no kissing. Thanks to the claims of a jealous British noblewoman and the schemes of a meddling paparazzo, Kat's rule doesn't seem to be a problem at first. But the more Kat gets to know Nico and the people around him, the harder it is to remember her keep-your-distance plan. Should she stick to it or risk everything for a chance at happily ever after?

The year is 1502, and seven-year-old Bianca de Nevada lives perched high above the rolling hills and valleys of Tuscany and Umbria at Montefiore, the farm of her beloved father, Don Vicente. One day a noble entourage makes its way up the winding slopes to the farm—and the world comes to Montefiore. In the presence of Cesare Borgia and his sister, the lovely and vain Lucrezia—decadent children of a wicked pope—no one can claim innocence for very long. When Borgia sends Don Vicente on a year's quest to reclaim a relic of the original Tree of Knowledge, he leaves Bianca under the care, so to speak, of Lucrezia. She plots a dire fate for the young girl in the woods below the farm, but in the dark forest there can be found salvation as well. . . . A lyrical work of stunning creative vision, Mirror Mirror gives fresh life to the classic story of Snow White—and has a truth and beauty all its own.

The title text is in two different typefaces, making the title appear as 'Just a friend' at first glance.

A mysterious invention causes mayhem in a coastal English village—from “my very favourite of the four Queens of Crime” (J. K. Rowling). The ancient hamlet of Saltey, once the haunt of smugglers, now hides a secret rich and mysterious enough to trap all who enter . . . and someone in town is willing to terrorize, murder, and raise the very devil to keep that secret to themselves. When a transistor thought to be the key to telepathic communication is found, Albert Campion is called to sort fact from fiction. But the device at the center of the mystery is in the possession of two schoolboys, and whether they stole it or invented it, there are others who will kill to get hold of it. “Allingham has a strong, well controlled sense of humour, a power of suggesting character with a few touches and an excellent English style. She has a sense of the fantastic, and is never dull” —Times Literary Supplement

A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW) Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.

The first in a three-book series spun off the iconic Wicked Years from multimillion-copy bestselling author Gregory Maguire, featuring Elphaba’s granddaughter, the green-skinned Rain. Ten years ago this season, Gregory Maguire wrapped up the series he began with Wicked by giving us the fourth and final volume of the Wicked Years, his elegiac Out of Oz. But “out of Oz” isn’t “gone for good.” Maguire’s new series, Another Day, is here, twenty-five years after Wicked first flew into our lives. Volume one, The Brides of Maracoor, finds Elphaba’s granddaughter, Rain, washing ashore on a foreign island. Comatose from crashing into the sea, Rain is taken in by a community of single women committed to obscure devotional practices. As the mainland of Maracoor sustains an assault by a foreign navy, the island’s civil-servant overseer struggles to understand how an alien arriving on the shores of Maracoor could threaten the stability and wellbeing of an entire nation. Is it myth or magic at work, for good or for ill? The trilogy Another Day will follow this green-skinned girl from the island outpost into the unmapped badlands of Maracoor before she learns how, and becomes ready, to turn her broom homeward, back to her family and her lover, back to Oz, which—in its beauty, suffering, mystery, injustice, and possibility—reminds us all too clearly of the troubled yet sacred terrain of our own lives.

I'm Mackenzie Wellesley, and I've spent my life avoiding the spotlight. But that was four million hits ago. . . Blame it on that grade school ballet recital, when I tripped and pulled the curtain down, only to reveal my father kissing my dance instructor. At Smith High, I'm doing a pretty good job of being the awkward freshman people only notice when they need help with homework. Until I send a burly football player flying with my massive backpack, and make a disastrous--not to mention unwelcome--attempt at CPR. Just when I think it's time for home schooling, the whole fiasco explodes on Youtube. And then the strangest thing happens. Suddenly, I'm the latest sensation, sucked into a whirlwind of rock stars, paparazzi, and free designer clothes. I even catch the eye of the most popular guy at school. That's when life gets really interesting. . .. "Fans of Meg Cabot will find Marni's voice equally charming and endearing."--Julie Kagawa, New York Times bestselling author

He's promised to another. She's promised to forget him. Eighteen-year-old Renna Degray is hopeful about love and her future after a chance encounter with a handsome stranger. Until she discovers who the mysterious man is--the Prince of Albion, betrothed to Renna's stepsister. Now Renna must try to keep her feelings for the prince in check. But he's not making it easy. The prince is charming, funny, and impossible not to fall for. Trev has no room for mistakes. He must marry the princess of New Hope and secure the marriage alliance along with his future as king. The safety of his kingdom depends on it. Duty and honor never bothered Trev before, but love has a way of changing everything. In this post-Desolation world, the Council of Essentials controls everything, including the prince. Is love more than a negotiation? Is love essential?