This volume provides a lengthy introduction and detailed translation and commentary for the first two tablets of the Baal Cycle, which witnesses to both the religious worldview of Ugarit and many of the formative religious concepts and images in the Bible.

The Ugaritic Baal Cycle, Volume II provides a new edition, translation and commentary on the third and fourth tablets of the Baal Cycle, the most important religious text found at Ugarit.

The Ugaritic Baal Cycle offers a translation and the first commentary on the Ugaritic Baal Cycle. The longest and most important religious text from ancient Ugarit, the Baal Cycle witnesses to both the religious worldview of Ugarit and the larger background to many of the formative religious concepts and images in the Bible. The volume treats introductory matters such as date, order and continuity of the tablets, the history of interpretation, and finally a new proposal for the interpretation of text drawing on the insights of previous views as well as newer evidence. The commentary proper provides bibliography, text, textual notes, literary structure and detailed commentary for each column in the first two tablets.

This second volume of the commentary on the Baal Cycle, the most important Canaanite religious text from Ugarit, in Syria, analyzes KTU/CAT 1.3 and 1.4, the tablets that contain the long episode about how Baal secured permission from El to build his royal palace and how the palace was built. It includes a new edition of the tablets, supplemented by a DVD-ROM with 92 images and superimposible drawings, a comprehensive introduction, new translation and vocalized text, and detailed commentary. The authors develop an interpretation of the episode which places it into the larger context of the Baal Cycle as a whole.

Baal and the Politics of Poetry provides a thoroughly new interpretation of the Ugaritic Baal Cycle that simultaneously inaugurates an innovative approach to studying ancient Near Eastern literature within the political context of its production. The book argues that the poem, written in the last decades of the Bronze Age, takes aim at the reigning political-theological norms of its day and uses the depiction of a divine world to educate its audience about the nature of human politics. By attuning ourselves to the specific historical context of this one poem, we can develop more nuanced appreciation of how poetry, politics, and religion have interacted—in antiquity, and beyond.

Since 1929, scholars have been concerned with the interpretation of certain Canaanite literary materials found at Ras Shamra in North Syria, known as Ugarit in ancient times. Attention has been paid, primarily, to certain linguistic and cultural parallels between this corpus of literature and sections of the Old Testament. But despite the numerous treatments of the isolated points of contact between Ugaritic and biblical thought, one major question has not received an adequate answer. How and to what extent are the Ugaritic texts, and especially the Baal texts, relevant for an appreciation of the fundamentals of the Israelite religion? Professor Habel seeks to answer at least part of this question by translating pertinent segments of the Baal texts, according to the sequence of G. R. Driver, summarizing their context, and considering their import, thought sequence, and basic ideas in relation to appropriate materials from the early faith of Israel. The succinct results of this comparison are provocative, to say the least. The author begins by isolating the major features of an underlying “conflict tradition.” The conflict between Israel’s beliefs and the religious forces of its environment was a vital influence in the formulation of Israel’s earliest religious faith and experience. The content of this faith as summarized in the concise wording of Exodus 19:3–6 is shown to be virtually identical with that of Israel’s earliest poetic heritage where a lively polemic against the Canaanite religious is discernible. One of the highlights of Professor Habel’s comparison of the Baal texts with Israel’s archaic poetic traditions is his contribution to the understanding of Exodus 15. In this connection he discovers a clearly defined sequence of ideas common to certain Baal texts and Exodus 15:1–18. By skillfully utilizing the work of other scholars the author sheds additional light on the polemical and theological import of several passages depicting theophanies of Yahweh. A similar evaluation of the relevance of the Ugaritic texts for the cultic practices of Israel is made possible by a sober evaluation of the pertinent texts.

Critically tests Mowinckel's hypothesis about the 'enthronement festival of Yahweh' and asks whether this theory finds any support in the epic literature of Ugarit. Petersen tests Sigmund Mowinckel's classical hypothesis about the enthronement festival of Yahweh and especially whether this theory, as urged by the followers of Mowinckel, finds any support in the epic literature of Ugarit. A careful study of the two corpora of texts, the Old Testament Psalms and the Ugaritic Baal-cycle, together with a discussion of the methodology of the cultic interpretation, shows the weaknesses of the hypothesis. In the history of scholarship, the idea of an enthronement festival of Marduk has been arbitrarily transferred from Babylon to Jerusalem and hence to Ugarit with little basis in the relevant texts. In fact, the method of 'cultic interpretation' is to be rejected, since its circularity of argumentation determines the result of the analysis beforehand.