A vivid account of the tragedy of England's first black celebrity, the story of the Tahitian prince brought to England by Captain Cook's companion.

Omai was the first Polynesian to visit Britain. Picked up by one of Cook's captains, he was carried to England where he became a human curiosity and the lion of fashionable London. He was presented at Court, examined by scientists and painted by a series of artists. He learned to skate and play chess, and developed a liking for the theatre. At the end of two years he was taken back to the Pacific by Cook who left him at the island of Huahine. In this landmark book, McCormick creates a portrait of Omai and a picture of his two worlds, the Polynesian and the European.

Two Worlds is a penetrating rethinking of that view. Drawing on local tribal knowledge as well as European accounts, Anne Salmond shows those first meetings in a new light. Both Maori and European protagonists were active, all fully human, following their own practical, political and mythological agendas, 'quite unlike those of their modern-day descendants in many ways'. The result is a work of trail-blazing significance in which many popular misconceptions and bigotries to do with common perceptions of traditional Maori society are revealed. It also opens up new possibilities in the international study of European exploration and 'discovery'.

Publisher Description

The metropolis : the fable of the city sewer -- Imperial fate : the fable of torrents and oceans -- Finance : the fable of lady credit -- Capitalism : fables of a new world -- Spectacles of cultural contact : the fable of the native prince -- the orangutang, the lap dog, and the parrot : the fable of the nonhuman being.

Cook & Omai: The Cult of the South Seas draws on the Library's collections and the documentary record to explore a fascinating chapter in the history of the Pacific, and European concerns about the nature of humankind and the world as they saw it. The catalogue and exhibition provide insight into the legacy of Omai, caught, as he was, between two worlds.

Material Identities examines the way that individuals use material objects as tools for projecting aspects of their identities. Considers the way identity is fashioned, launched, used, and admired in the material world. Contributors intervene from the disciplines of art history, anthropology, design and material culture. Considers contrasting media - painting, print, sculpture, dress, coinage, architecture, furniture, luxury items, and interior design. Explores the complexity of identity through the intersection notions of gender, ethnicity, age, sexuality, and class. Reaffirms the central role of public identities and their impact on social life.