"With past and future hinging on a critical moment when time broke once before in the distant star cluster known as the Myriad, Admiral John Farragut returns to the space battleship 'Merrimack' in an attempt to head off the impending temporal catastrophe"--Back cover.

For fans of explosive military science fiction with complex worldbuilding. • "Rousing far-future sci-fi novel…grand old-fashioned space opera.” ―Publishers Weekly (starred) In the year 2448, the interstellar Empire of Rome spans an area almost as wide as the far-flung colonial worlds of the United States of America. Caesar Numa Pompeii is still rebuilding his shredded empire after the catastrophic war that his predecessor, Caesar Romulus, waged against the United States. War’s end left Romulus in a nanovirus-induced coma, captive of Caesar Numa. Numa has under his command a powerful living weapon—a patterner, an augmented man capable of synthesizing vast amounts of data into actionable intelligence. Now, Numa has lost his prisoner, and his patterner may have turned on him, while the U.S.S. Merrimack has lost the commander of her Fleet Marines, Colonel T. R. Steele. Events take a Mobius turn when fanatical devotees of Romulus rescue their fallen leader from his tortured captivity and fashion him into the most capable patterner ever created. Romulus is back, more insanely brilliant than ever. But without his queen, all the power in the universe means nothing. Romulus will move heaven and Earth and space and time to rescue his beloved Claudia. Admiral John Farragut returns to the space battle­ship Merrimack in an attempt to head off the impend­ing temporal catastrophe. Past and future hinge on a critical moment when time broke once before in the distant star cluster known as the Myriad.

The soldiers who occupied Germany after the Second World War were not only liberators: they also brought with them a new threat, as women throughout the country became victims of sexual violence. In this disturbing and carefully researched book, the historian Miriam Gebhardt reveals for the first time the scale of this human tragedy, which continued long after the hostilities had ended. Discussion in recent years of the rape of German women committed at the end of the war has focused almost exclusively on the crimes committed by Soviet soldiers, but Gebhardt shows that this picture is misleading. Crimes were committed as much by the Western Allies – American, French and British – as by the members of the Red Army. Nor was the suffering limited to the immediate aftermath of the war. Gebhardt powerfully recounts how raped women continued to be the victims of doctors, who arbitrarily granted or refused abortions, welfare workers, who put pregnant women in homes, and wider society, which even today prefers to ignore these crimes. Crimes Unspoken is the first historical account to expose the true extent of sexual violence in Germany at the end of the war, offering valuable new insight into a key period of 20th century history.

Fifth in the hard-hitting military science-fiction series. On the distant world of Zoe, an expedition finds DNA-based life. When alien invaders are also discovered, Glenn Hamilton calls on the U.S.S. Merrimack for help. But the Ninth Circle and the Palatine Empire have also found Zoe. Soon everyone will be on a collision course to determine the fate of this planet.

Does Jerusalem Stand? It was the question all human star travelers asked one another. The ancient city of Jerusalem, holy to three human religions, had become the touchstone for anyone not yet absorbed into the Na’id Empire, under its twin banner of Galactic Dominion/Human Supremacy. Iry— A planet out of myth, whose very existence could bring down an empire. Alihahd— The captain was a notorious rebel runner. To most of the known galaxy hewas a legend without a face, to the rest, a face without a name. He was called Alihahd. “He left.” It was the word Na’id enforcers heard when they demanded to know where the rebel had gone—always one step ahead—as if he knew his enemy very well. Hero, villain, coward. Three times a legend on both sides of the same war.

In her new book about the men who were instrumental in establishing the Rome of the Emperors, Colleen McCullough tells the story of a famous love affair and a man whose sheer ability could lead to only one end -- assassination. As The October Horse begins, Gaius Julius Caesar is at the height of his stupendous career. When he becomes embroiled in a civil war between Egypt's King Ptolemy and Queen Cleopatra, he finds himself torn between the fascinations of a remarkable woman and his duty as a Roman. Though he must leave Cleopatra, she remains a force in his life as a lover and as the mother of his only son, who can never inherit Caesar's Roman mantle, and therefore cannot solve his father's greatest dilemma -- who will be Caesar's Roman heir? A hero to all of Rome except to those among his colleagues who see his dictatorial powers as threats to the democratic system they prize so highly, Caesar is determined not to be worshiped as a god or crowned king, but his unique situation conspires to make it seem otherwise. Swearing to bring him down, Caesar's enemies masquerade as friends and loyal supporters while they plot to destroy him. Among them are his cousin and Master of the Horse, Mark Antony, feral and avaricious, priapic and impulsive; Gaius Trebonius, the nobody, who owes him everything; Gaius Cassius, eaten by jealousy; and the two Brutuses, his cousin Decimus, and Marcus, the son of his mistress Servilia, sad victim of his mother and of his uncle Cato, whose daughter he marries. All are in Caesar's debt, all have been raised to high positions, all are outraged by Caesar's autocracy. Caesar must die, they decide, for only when he is dead will Rome return to her old ways, her old republican self. With her extraordinary knowledge of Roman history, Colleen McCullough brings Caesar to life as no one has ever done before and surrounds him with an enormous and vivid cast of historical characters, characters like Cleopatra who call to us from beyond the centuries, for McCullough's genius is to make them live again without losing any of the grandeur that was Rome. Packed with battles on land and sea, with intrigue, love affairs, and murders, the novel moves with amazing speed toward the assassination itself, and then into the ever more complex and dangerous consequences of that act, in which the very fate of Rome is at stake. The October Horse is about one of the world's pivotal eras, relating as it does events that have continued to echo even into our own times.

The U.S.S. Merrimack was the finest battleship class spaceship in Earth's fleet, able to stand up against the best the Palatine Empire could throw at them, even able to attack and kill swarms of the seemingly unstoppable Hive. But nothing could have prepared the captain and crew of the Merrimack to face the Myriad-three colonized worlds in the midst of a globular cluster that the Hive had somehow overlooked.

This “captivating biography” of the great Roman general “puts Caesar’s war exploits on full display, along with his literary genius” and more (The New York Times) Tracing the extraordinary trajectory of the Julius Caesar’s life, Adrian Goldsworthy not only chronicles his accomplishments as charismatic orator, conquering general, and powerful dictator but also lesser-known chapters during which he was high priest of an exotic cult and captive of pirates, and rebel condemned by his own country. Goldsworthy also reveals much about Caesar’s intimate life, as husband and father, and as seducer not only of Cleopatra but also of the wives of his two main political rivals. This landmark biography examines Caesar in all of these roles and places its subject firmly within the context of Roman society in the first century B.C. Goldsworthy realizes the full complexity of Caesar’s character and shows why his political and military leadership continues to resonate thousands of years later.

“People who take God seriously will not remain silent about their faith. They will often disagree about doctrine or policy, but they won’t be quiet. They can’t be. They’ll act on what they believe, sometimes at the cost of their reputations and careers. Obviously the common good demands a respect for other people with different beliefs and a willingness to compromise whenever possible. But for Catholics, the common good can never mean muting themselves in public debate on foundational issues of human dignity. Christian faith is always personal but never private. This is why any notion of tolerance that tries to reduce faith to private idiosyncrasy, or a set of opinions that we can indulge at home but need to be quiet about in public, will always fail.” —From the Introduction Few topics in recent years have ignited as much public debate as the balance between religion and politics. Does religious thought have any place in political discourse? Do religious believers have the right to turn their values into political action? What does it truly mean to have a separation of church and state? The very heart of these important questions is here addressed by one of the leading voices on the topic, Charles J. Chaput, Archbishop of Philadelphia. While American society has ample room for believers and nonbelievers alike, Chaput argues, our public life must be considered within the context of its Christian roots. American democracy does not ask its citizens to put aside their deeply held moral and religious beliefs for the sake of public policy. In fact, it requires exactly the opposite. As the nation’s founders knew very well, people are fallible. The majority of voters, as history has shown again and again, can be uninformed, misinformed, biased, or simply wrong. Thus, to survive, American democracy depends on an engaged citizenry —people of character, including religious believers, fighting for their beliefs in the public square—respectfully but vigorously, and without apology. Anything less is bad citizenship and a form of theft from the nation’s health. Or as the author suggests: Good manners are not an excuse for political cowardice. American Catholics and other persons of goodwill are part of a struggle for our nation’s future, says Charles J. Chaput. Our choices, including our political choices, matter. Catholics need to take an active, vocal, and morally consistent role in public debate. We can’t claim to personally believe in the sanctity of the human person, and then act in our public policies as if we don’t. We can’t separate our private convictions from our public actions without diminishing both. In the words of the author, “How we act works backward on our convictions, making them stronger or smothering them under a snowfall of alibis.” Vivid, provocative, clear, and compelling, Render unto Caesar is a call to American Catholics to serve the highest ideals of their nation by first living their Catholic faith deeply, authentically.

Parenti presents a story of popular resistance against entrenched power and wealth. As he carefully weighs the evidence in the murder of Caesar, he sketches in the background to the crime with fascinating detail about Roman society.