"In 1920 the war to end all wars was over - enter the age of jazz and cocktails, of Cole Porter songs and motor cars, and fun at all costs. Rebellious youth kicked up its heels and Charlestoned to the saxophones of Negro bands or the gurgle of 'Ain't we got fun' on the wind-up gramophone. Apparently nice young women, liberated from the past by wartime years of work in hospitals, munitions factories, and on the trams, bobbed their hair, raised their hems, and painted their faces. . . Vogue mirrored 'This Freedom' with its accustomed wit and sophistication and many an ironic wink, on all aspects of life in the Twenties - on the changing social scene, entertainment, and the arts." -- Introduction.

Accurate record of actual dress of the Roaring Twenties in over 150 pages of mail-order catalogs, selected and with text by Stella Blum. Over 750 illustrations, captions.

"A major study...one that thorougly interweaves the philosophies and fads, the people and movements that combined to give a small segment of Afro America a brief place in the sun."—The New York Times Book Review.

'There isn't a more comprehensive source to Twenties fashion that I can think of ... An absolute must for anyone interested in Twenties fashion or art deco' Style High Club 'A source of all the styles, colours, shapes, and silhouettes of the Golden Twenties' Vogue From the glitz and glamour of the Roaring Twenties came a fashion revolution. The 1920s is a decade synonymous with social change, reflected in its groundbreaking fashions: from the daring elegance of the 'New Woman' to never-before-seen silhouettes, the styles of the Roaring Twenties still capture the imagination a century later. Sumptuously illustrated with over 500 original photographs, sketches and prints, this extensive sourcebook documents the season-by-season fashions of the Jazz Age. Follow the evolving fashion trends and uncover a fascinating analysis of the progression from haute couture to ready-to-wear in this essential handbook for all fashion historians, students and vintage enthusiasts. Authored and edited by renowned design historian, Charlotte Fiell, this volume also contains an authoritative introduction by fashion historian Emmanuelle Dirix, as well as the biographies of the key designers and fashion houses of the period.

Now an original movie on Prime Video starring Anne Hathaway and Nicholas Galitzine! When Solène Marchand, the thirty-nine-year-old owner of a prestigious art gallery in Los Angeles, takes her daughter, Isabelle, to meet her favorite boy band, she does so reluctantly and at her ex-husband’s request. The last thing she expects is to make a connection with one of the members of the world-famous August Moon. But Hayes Campbell is clever, winning, confident, and posh, and the attraction is immediate. That he is all of twenty years old further complicates things. What begins as a series of clandestine trysts quickly evolves into a passionate relationship. It is a journey that spans continents as Solène and Hayes navigate each other’s disparate worlds: from stadium tours to international art fairs to secluded hideaways in Paris and Miami. And for Solène, it is as much a reclaiming of self, as it is a rediscovery of happiness and love. When their romance becomes a viral sensation, and both she and her daughter become the target of rabid fans and an insatiable media, Solène must face how her new status has impacted not only her life, but the lives of those closest to her.

An illuminating portrait of this imaginative, charming, and talented man, and his contribution to the world of photography. Cecil Beaton was a man of dazzling charm and style, and his talents were many. At the age of twenty he sent Vogue an out-of focus snap of a college play, and for the next half-century and more he kept readers of the magazine up to date on all the various activities of his career. Condé Nast, the owner of Vogue, convinced Beaton to abandon his pocket Kodak, and his resulting photographic work earned him a place among the great chroniclers of fashion. Witty and inventive, he also designed settings for plays and films—and for himself—and as a writer he was an eloquent champion of stylish living. This book includes articles, drawings, and photographs by Beaton dating from the 1920s to the 1970s. Beaton loved Vogue, and his contributions testify to the wit, imagination, and professionalism that he and the magazine always had in common.

A celebration of the work of legendary fashion stylist Grace Coddington in her first 30 years at Vogue UK and US With the reissue of Grace: Thirty Years at Vogue, Phaidon Press publishes the first of two volumes showcasing the definitive collection of work by the legendary fashion stylist Grace Coddington. The edition includes a special, illustrated and autographed letter by Grace. The 408-page collection of Grace Coddington's greatest work as a fashion stylist and sittings editor is not just a monograph of her first 30 years at Vogue, it is also a visual reminiscence of 30 years of British and American Vogue's best work. The photographers whose work is included: Irving Penn, Cecil Beaton, Helmut Newton, Guy Bourdin, Snowdon, Horst, Norman Parkinson, Ellen von Unwerth, Bruce Weber, Mario Testino, Steven Meisel, Arthur Elgort, Steven Klein, Annie Leibovitz, Hans Feurer, Sarah Moon, Peter Lindbergh, Patrick Demarchelier, Peter Knap, Clive Arrowsmith, Sheila Metzner, Terence Donovan, Barry Lategan, Sacha, Alex Chatelain, Duc, Paolo Roversi, and Herb Ritts. An introduction by Michael Roberts, former fashion editor for Tatler, Vanity Fair, and The New Yorker is included as is a foreword by Anna Wintour.

Nearly lost after its anonymous publication in 1926 and only recently rediscovered, When Washington Was in Vogue is an acclaimed love story written and set during the Harlem Renaissance. When bobbed-hair flappers were in vogue and Harlem was hopping, Washington, D.C., did its share of roaring, too. Davy Carr, a veteran of the Great War and a new arrival in the nation's capital, is welcomed into the drawing rooms of the city's Black elite. Through letters, Davy regales an old friend in Harlem with his impressions of race, politics, and the state of Black America as well as his own experiences as an old-fashioned bachelor adrift in a world of alluring modern women -- including sassy, dark-skinned Caroline. With an introduction by Adam McKible and commentary by Emily Bernard, this novel, a timeless love story wonderfully enriched with the drama and style of one of the most hopeful moments in African American history, is as "delightful as it is significant" (Essence).