David Michael Hertz explicates the rela­tionship between the music and poetry of the Symbolist movement, tracing it from its inception in Baudelaire’s verse and Wagner’s music to its final transformation into Modernism in the works of Schoen­berg. Hertz begins by examining the con­cept of the period, the well-rounded phrase of verse or music, which was at­tacked first in Wagner’s use of the leitmo­tif and unusual intervals such as the tritone. ­Such musical elements created a feel­ing of emotion directly expressed, un­hampered by convention. This approach was further developed by Mallarmé, who stripped his verse of its conventional framework in an attempt to create images of pure emotion. Mallarmé in turn in­fluenced Debussy. Hertz shows that in setting Mallarmés verse, Debussy moved further away from the standard har­monic structures of the nineteenth cen­tury, particularly in his use of tonal ambiguity. ­Hertz explores the aesthetic of the Symbolist movement as embodied in the unique forms that characterized the era, the tone poem and the lyric play. He dem- onstrates the particular importance of Maeterlinck’s Pelléas et Mé1isande, which was scored by Debussy. A revolutionary work difficult to characterize, it speaks gracefully of the transformation of Ro­manticism into Modernism. Citing examples of art, literature, and music, Hertz finds ultimately that the Symbolist aesthetic came to encompass the entire artistic world. Only a scholar thoroughly at home in both the literary and musical realms and possessing a sov­ereign command of the cultural climate and currents of the period would be able to deliver exactly what his subtitle prom­ises: a musico- literary poetics of the Sym­bolist movement.

Ruslan Mitkov's highly successful Oxford Handbook of Computational Linguistics has been substantially revised and expanded in this second edition. Alongside updated accounts of the topics covered in the first edition, it includes 17 new chapters on subjects such as semantic role-labelling, text-to-speech synthesis, translation technology, opinion mining and sentiment analysis, and the application of Natural Language Processing in educational and biomedical contexts, among many others. The volume is divided into four parts that examine, respectively: the linguistic fundamentals of computational linguistics; the methods and resources used, such as statistical modelling, machine learning, and corpus annotation; key language processing tasks including text segmentation, anaphora resolution, and speech recognition; and the major applications of Natural Language Processing, from machine translation to author profiling. The book will be an essential reference for researchers and students in computational linguistics and Natural Language Processing, as well as those working in related industries.

The Adaptive Brain, II: Vision, Speech, Language, and Motor Control focuses on a unified theoretical analysis and predictions of important psychological and neurological data that illustrate the development of a true theory of mind and brain. The publication first elaborates on the quantized geometry of visual space and neural dynamics of form perception. Discussions focus on reflectance rivalry and spatial frequency detection, figure-ground separation by filling-in barriers, and disinhibitory propagation of functional scaling from boundaries to interiors. The text then takes a look at neural dynamics of perceptual grouping and brightness perception. Topics include simulation of a parametric binocular brightness study, smoothly varying luminance contours versus steps of luminance change, macrocircuit of processing stages, paradoxical percepts as probes of adaptive processes, and analysis of the Beck theory of textural segmentation. The book examines the neural dynamics of speech and language coding and word recognition and recall, including automatic activation and limited-capacity attention, a macrocircuit for the self-organization of recognition and recall, role of intra-list restructuring arid contextual associations, and temporal order information across item representations. The manuscript is a vital source of data for scientists and researchers interested in the development of a true theory of mind and brain.

Dramatic and documentary narratives about aggressive and garrulous women often cast such women as reckless and ultimately unsuccessful usurpers of cultural authority. Contending narratives, however, sometimes within the same texts, point to the effective subversion and undoing of the normative restrictions of social and gender hierarchies. Words Like Daggers explores the scolding invectives, malevolent curses, and ecstatic prophesies of early modern women as attested to in legal documents, letters, self-narratives, popular pamphlets, ballads, and dramas of the era. Examining the framing and performance of violent female speech between the 1590s and the 1660s, Kirilka Stavreva dismantles the myth of the silent and obedient women who allegedly populated early modern England. Blending gender theory with detailed historical analysis, Words Like Daggers asserts the power of women's language--the power to subvert binaries and destabilize social hierarchies, particularly those of gender--in the early modern era. In the process Stavreva reconstructs the speech acts of individual contentious women, such as the scold Janet Dalton, the witch Alice Samuel, and the Quaker Elizabeth Stirredge. Because the dramatic potential of women's powerful rhetorical performances was recognized not only by victims and witnesses of individual violent speech acts but also by theater professionals, Stavreva also focuses on how the stage, arguably the most influential cultural institution of the Renaissance, orchestrated and aestheticized women's fighting words and, in so doing, showcased and augmented their cultural significance.

This book is a comprehensive and authoritative guide to voice user interface (VUI) design. The VUI is perhaps the most critical factor in the success of any automated speech recognition (ASR) system, determining whether the user experience will be satisfying or frustrating, or even whether the customer will remain one. This book describes a practical methodology for creating an effective VUI design. The methodology is scientifically based on principles in linguistics, psychology, and language technology, and is illustrated here by examples drawn from the authors' work at Nuance Communications, the market leader in ASR development and deployment. The book begins with an overview of VUI design issues and a description of the technology. The authors then introduce the major phases of their methodology. They first show how to specify requirements and make high-level design decisions during the definition phase. They next cover, in great detail, the design phase, with clear explanations and demonstrations of each design principle and its real-world applications. Finally, they examine problems unique to VUI design in system development, testing, and tuning. Key principles are illustrated with a running sample application. A companion Web site provides audio clips for each example: www.VUIDesign.org The cover photograph depicts the first ASR system, Radio Rex: a toy dog who sits in his house until the sound of his name calls him out. Produced in 1911, Rex was among the few commercial successes in earlier days of speech recognition. Voice User Interface Design reveals the design principles and practices that produce commercial success in an era when effective ASRs are not toys but competitive necessities.

A new and innovative paradigm for RF frequency synthesis and wireless transmitter design Learn the techniques for designing and implementing an all-digital RF frequency synthesizer. In contrast to traditional RF techniques, this innovative book sets forth digitally intensive design techniques that lead the way to the development of low-cost, low-power, and highly integrated circuits for RF functions in deep submicron CMOS processes. Furthermore, the authors demonstrate how the architecture enables readers to integrate an RF front-end with the digital back-end onto a single silicon die using standard ASIC design flow. Taking a bottom-up approach that progressively builds skills and knowledge, the book begins with an introduction to basic concepts of frequency synthesis and then guides the reader through an all-digital RF frequency synthesizer design: Chapter 2 presents a digitally controlled oscillator (DCO), which is the foundation of a novel architecture, and introduces a time-domain model used for analysis and VHDL simulation Chapter 3 adds a hierarchical layer of arithmetic abstraction to the DCO that makes it easier to operate algorithmically Chapter 4 builds a phase correction mechanism around the DCO such that the system's frequency drift or wander performance matches that of the stable external frequency reference Chapter 5 presents an application of the all-digital RF synthesizer Chapter 6 describes the behavioral modeling and simulation methodology used in design The final chapter presents the implementation of a full transmitter and experimental results. The novel ideas presented here have been implemented and proven in two high-volume, commercial single-chip radios developed at Texas Instruments: Bluetooth and GSM. While the focus of the book is on RF frequency synthesizer design, the techniques can be applied to the design of other digitally assisted analog circuits as well. This book is a must-read for students and engineers who want to learn a new paradigm for RF frequency synthesis and wireless transmitter design using digitally intensive design techniques.