Baring the Truth in Your Memoir When you write a memoir or personal essay, you dare to reveal the truths of your experience: about yourself, and about others in your life. How do you expose long-guarded secrets and discuss bad behavior? How do you gracefully portray your family members, friends, spouses, exes, and children without damaging your relationships? How do you balance your respect for others with your desire to tell the truth? In The Truth of Memoir, best-selling memoirist Kerry Cohen provides insight and guidelines for depicting the characters who appear in your work with honesty and compassion. You'll learn how to choose which details to include and which secrets to tell, how to render the people in your life artfully and fully on the page, and what reactions you can expect from those you include in your work--as well as from readers and the media. Featuring over twenty candid essays from memoirists sharing their experiences and advice, as well as exercises for writing about others in your memoirs and essays, The Truth of Memoir will give you the courage and confidence to write your story--and all of its requisite characters--with truth and grace. "Kerry Cohen's The Truth of Memoir is a smart, soulful, psychologically astute guide to first-person writing. She reveals everything you want to know--but were afraid to ask--about telling your life story." --Susan Shapiro, author of eight books including Only As Good as Your Word, and co-author of The Bosnia List

In this perfect companion for anyone beguiled by memoirs or embarking on writing one, nine distinguished authors -- Russell Baker, Jill Ker Conway, Annie Dillard, Ian Frazier, Henry Louis Gates, Jr., Alfred Kazin, Frank McCourt, Toni Morrison, and Eileen Simpson -- reflect on the writing process.

INSTANT NATIONAL BESTSELLER A critically acclaimed, intimate and no-holds-barred memoir by Canada’s top defence lawyer, Nothing But the Truth weaves Marie Henein’s personal story with her strongly held views on society’s most pressing issues. Marie Henein, arguably the most prominent lawyer in the country, has written a memoir that is at once raw, beautiful, and altogether unforgettable. Her story, as an immigrant from a tight-knit Egyptian-Lebanese family, demonstrates the value of strong role models—from her mother and grandmother, to her brilliant uncle Sami who died of AIDS. She learned the value of hard work, being true to herself and others, and unapologetically owning it all. Marie Henein shares here her unvarnished view on the ethical and practical implications of being a criminal lawyer, and how the job is misunderstood and even demonized. Ironically, her most successful cases made her a “lightning rod” in some circles, confirming her belief that much of the public’s understanding of democracy and the justice system is based on popular culture and social media, and decidedly not the rule of law. As she turns fifty and struggles with the corrosive effect becoming invisible has on women, Marie doubles down on being even more highly visible and opinionated as she deconstructs, among other things, the otherness of the immigrant experience (Where are you really from?), the pros and cons of being a household name in this country, opening her own boutique law firm, and the commoditization of women’s previously unpaid labour popularized by the likes of Martha Stewart. Nothing But the Truth is refreshingly unconstrained and surprising—an account by a woman at the top of her game in a male-dominated world.

Originally published: New York, Arcade Pub.: The truth book: escaping a childhood of abuse among Jehovah's Witnesses: a memoir, 2005.

A memoir-writing guide offers writing lessons and examples for those interested in putting their memories down on paper, explains the difference between remembering and imagining, and describes the language of truth.

“A riveting and infuriating examination of criminal prosecutions, revealing how easy it is to convict the wrong person and how nearly impossible it is to undo the error.” —Washington Post "No one has illuminated this problem more thoughtfully and persistently." —Bryan Stevenson, author of Just Mercy Jim McCloskey was at a midlife crossroads when he met the man who would change his life. A former management consultant, McCloskey had grown disenchanted with the business world; he enrolled at Princeton Theological Seminary at the age of 37. His first assignment, in 1980, was as a chaplain at Trenton State Prison. Among the inmates was Jorge de los Santos, a heroin addict who'd been convicted of murder years earlier. He swore to McCloskey that he was innocent—and, over time, McCloskey came to believe him. With no legal or investigative training to speak of, McCloskey threw himself into the case. Two years later, thanks to those efforts, Jorge de los Santos walked free, fully exonerated. McCloskey had found his calling. He established Centurion Ministries, the first group in America devoted to overturning wrongful convictions. Together with his staff and a team of forensic experts, lawyers, and volunteers—through tireless investigation and an unflagging dedication to justice—Centurion has freed 65 innocent prisoners who had been sentenced to life or death. When Truth Is All You Have is McCloskey's inspirational story, as well as those of the unjustly imprisoned for whom he has fought. Spanning the nation, it is a chronicle of faith and doubt; of triumphant success and shattering failure. It candidly exposes a life of searching and struggle, uplifted by McCloskey's certainty that he had found what he was put on earth to do. Filled with generosity, humor, and compassion, it is the soul-bearing account of a man who has redeemed innumerable lives—and incited a movement—with nothing more than his unshakeable belief in the truth.

2018 NATIONAL JEWISH BOOK AWARD BOOK OF THE YEAR In this dual autobiography, the Klarsfelds tell the dramatic story of fifty years devoted to bringing Nazis to justice For more than a century, Beate and Serge Klarsfeld have hunted, confronted, and exposed Nazi war criminals, tracking them down in places as far-flung as South America and the Middle East. It is they who uncovered the notorious torturer Klaus Barbie, known as “the Butcher of Lyon,” in Bolivia. It is they who outed Kurt Lischka as chief of the Gestapo in Paris, the man responsible for the largest deportation of French Jews. And it is they who, with the help of their son, Arno, brought the Vichy police chief Maurice Papon to justice. They were born on opposite sides of the Second World War. Beate’s father was in the Wehrmacht, while Serge’s father was deported to Auschwitz because he was a Jew. But when Serge and Beate met on the Paris metro, they instantly fell in love. They soon married and have since dedicated their lives to “hunting the truth”—both as world-famous Nazi hunters and as meticulous documenters of the fate of the innocent French Jewish children who were killed in the death camps. They have been jailed and targeted by letter bombs, and their car was even blown up. Yet nothing has daunted the Klarsfelds in their pursuit of justice. Beate made worldwide headlines at age twenty-nine by slapping the high-profile ex–Nazi propagandist Chancellor Kurt Georg Kiesinger and shouting “Nazi!” Serge intentionally provoked a neo-Nazi in a German beer hall by wearing an armband with a yellow star on it, so that the press would report on the assault. When Pope John Paul II met with Austria’s then-president, Kurt Waldheim, a former Wehrmacht officer in the Balkans suspected of war crimes, the Klarsfelds’ son, dressed as a Nazi officer, stood outside the Vatican. The Klarsfelds also dedicated themselves to defeating Jean-Marie Le Pen’s National Front and his daughter Marine Le Pen’s 2017 campaign for president in France. Brave, urgent, and buoyed by a remarkable love story, Hunting the Truth is not only the dramatic memoir of bringing Nazis to justice, it is also the inspiring story of an unrelenting battle against prejudice and hate.

Cooper offers his most moving and poignant effort yet. In a memoir at once affecting, witty, and dead-on accurate, he gives us the chance to accompany him as he reinvents memory - from Theresa Sanchez, the worldly and sophisticated girl who sat behind him in ninth-grade algebra, to the events surrounding his mother's purchase of a Kenmore freezer, to his experience in 1974 with a psychiatrist who mainlined him with a truth-telling cocktail intended to "reduce the frequency and intensity" of the author's sexual fantasies involving men.

The Pulitzer Prize and National Book Award-winning author of House and the editor of Atlantic Monthly share stories from their literary friendship and respective careers, offering insight into writing principles and mechanics that they have identified as elementary to quality prose.

Although historians frequently use memoirs as source material, too often they confine such usage to the anecdotal, and there is little methodological literature regarding the genre’s possibilities and limitations. This study articulates an approach to using memoirs as instruments of historical understanding. Jennifer Jensen Wallach applies these principles to a body of memoirs about life in the American South during Jim Crow segregation, including works by Zora Neale Hurston, Willie Morris, Lillian Smith, Henry Louis Gates Jr., William Alexander Percy, and Richard Wright. Wallach argues that the field of autobiography studies, which is currently dominated by literary critics, needs a new theoretical framework that allows historians, too, to benefit from the interpretation of life writing. Her most provocative claim is that, due to the aesthetic power of literary language, skilled creative writers are uniquely positioned to capture the complexities of another time and another place. Through techniques such as metaphor and irony, memoirists collectively give their readers an empathetic understanding of life during the era of segregation. Although these reminiscences bear certain similarities, it becomes clear that the South as it was remembered by each is hardly the same place.