Changing how we look at and think about the color grey Why did many of the twentieth century’s best-known abstract painters often choose grey, frequently considered a noncolor and devoid of meaning? Frances Guerin argues that painters (including Jasper Johns, Cy Twombly, Agnes Martin, Brice Marden, Mark Rothko, and Gerhard Richter) select grey to respond to a key question of modernist art: What is painting? By analyzing an array of modernist paintings, Guerin demonstrates that grey has a unique history and a legitimate identity as a color. She traces its use by painters as far back as medieval and Renaissance art, through Romanticism, to nineteenth- and twentieth-century modernism to show how grey is the perfect color to address the questions asked by painting within art history and to articulate the relationship between painting and the historical world of industrial modernity. A work of exceptional erudition, breadth, and clarity, presenting an impressive range of canonical paintings across centuries as examples, The Truth Is Always Grey is a treatise on color that allows us to see something entirely new in familiar paintings and encourages our appreciation for the innovation and dynamism of the color grey.

In this series, a state security officer named Holger investigates an unusual case, which initially involves the kidnapping of a teenager named Mexx. When the missing person mysteriously reappears, he seems like a changed man. No one can say where he has been all this time, nor what has happened to him during this time. Now Holger and his team are set to explain the disappearance and the strange behavior of the boy. Holger already has a premonition, but it turns out to be not only correct, but much worse than he could have ever imagined. As Holger in the course of his investigations, even the victim of an abduction, he receives extensive knowledge about humanity, their ancestors and the Grey Aliens.

Humankind has a special relationship with rain. The sensory experience of water falling from the heavens evokes feelings ranging from fear to gratitude and has inspired many works of art. Using unique and expertly developed art-historical case studies – from prehistoric cave paintings up to photography and cinema – this book casts new light on a theme that is both ecological and iconological, both natural and cultural-historical. Barbara Baert’s distinctive prose makes Looking Into the Rain. Magic, Moisture, Medium a profound reading experience, particularly at a moment when disruptions of the harmony among humans, animals, and nature affect all of us and the entire planet. Barbara Baert is Professor of Art History at KU Leuven. She teaches in the field of Iconology, Art Theory & Analysis, and Medieval Art. Her work links knowledge and questions from the history of ideas, cultural anthropology and philosophy, and shows great sensitivity to cultural archetypes and their symptoms in the visual arts.

It was a happy chance that caused the authorized life of the second Earl Grey to be left half finished. And that induced the Lord Grey to assign the task to Mr. George Trevelyan.

Spirit of the Border is a historical novel. It is based on events occurring in the Ohio River Valley in the late eighteenth century. It features the exploits of Lewis Wetzel, a historical personage who had dedicated his life to the destruction of Native Americans and to the protection of nascent white settlements in that region. Riders of the Purple Sage is a Western Classic. Considered by many critics to have played a significant role in shaping the formula of the popular Western genre, the novel has been called "the most popular western novel of all time." The Rainbow Trail, also known as The Desert Crucible, is a sequel to Riders of the Purple Sage. The novel takes place ten years after events of Riders of the Purple Sage. The Lone Star Ranger is a Western novel that takes place in Texas, the Lone Star State, and several main characters are Texas Rangers, a famous band of highly capable law enforcement officers. It follows the life of Buck Duane, a man who becomes an outlaw and then redeems himself in the eyes of the law. The Border Legion tells the story of a cold hearted man named Jack Kells who falls in love with Miss Joan Randle, a girl his legion has taken captive near the Idaho border. Zane Grey (1872-1939) was an American author best known for his popular adventure novels and stories that were a basis for the Western genre in literature and the arts. With his veracity and emotional intensity, he connected with millions of readers worldwide, during peacetime and war, and inspired many Western writers who followed him. Table of Contents: Betty Zane The Spirit Of The Border The Last Trail Riders Of The Purple Sage The Rainbow Trail The Lone Star Ranger The Border Legion

The Master of the Western Novel; Zane Grey This collection of Zane Grey novels includes: Riders of the Purple Sage The Call of the Canyon The Man of the Forest The Desert of Wheat The Heritage of the Desert The Last Trail The Light of Western Stars Betty Zane The Lonestar Ranger The Mysterious Rider The Rustlers of Pecos County The Spirit of the Border Desert Gold The Border Legion The Day of the Beast The Last of Plainsmen The Rainbow Trail

Three women scorned, one wealthy, vengeful bigamist--and killer bad news no one saw coming. In Shelly Ellis’ shocking follow-up to The Three Mrs. Greys, a trio of betrayed wives finds that no one can be trusted— definitely not their wealthy, vengeful bigamist husband, and maybe not even themselves… Diamond. Noelle. Vanessa. As Cyrus Grey recovers from a near-fatal shooting, the women who each thought they were his only wife are fighting hard to make new dreams—even if it means going one dangerous step too far… On trial for Cyrus’s shooting, Diamond is determined to clear her name—and get back the husband she still loves. But uncovering the truth will reveal more secrets than she ever imagined. And unexpected desire is bringing them all too close to home… Beautiful Noelle has found happiness with new love Tariq. But Cyrus’ scheming confronts her with an unthinkable conspiracy—and an impossible choice to save all she hopes for… As seemingly sweet suburban wife Vanessa helps Cyrus recover, she's about to finish him off for good—and keep the expensive lifestyle she earned. But her manipulations will push her up against two relentless—and all-too-intimate—enemies… Now with lethal agendas clashing, passions high, and everyone's future on the line, which rules will each woman break to finally end the past—and who will survive to secure everything?

Flash Flaherty, the much-anticipated follow-up volume to The Flaherty: Decades in the Cause of Independent Cinema, offers a people's history of the world-renowned Robert Flaherty Film Seminar, an annual event where participants confront and reimagine the creative process surrounding multiple document/documentary forms and modes of the moving image. This collection, which includes a mosaic of personal recollections from attendees of the Flaherty Seminar over a span of more than 60 years, highlights many facets of the "Flaherty experience." The memories of the seminarians reveal how this independent film and media seminar has created a lively and sometimes cantankerous community within and beyond the institutionalized realm of American media culture. Editors Scott MacDonald and Patricia R. Zimmermann have curated a collective polyphonic account that moves freely between funny anecdotes, poetic impressions, critical considerations, poignant recollections, scholarly observations, and artistic insights. Together, the contributors to Flash Flaherty exemplify how the Flaherty Seminar propels shared insights, challenging debates, and actual change in the world of independent media.

Lead in Modern and Contemporary Art is the first edited volume to critically examine uses of lead as both material and cultural signifier in modern and contemporary art. The book analyzes the work of a diverse group of artists working in Europe, the Middle East, and North America, and takes into account the ways in which gender, race, and class can affect the cultural perception of lead. Bringing together contributions from a distinguished group of international contributors across various fields, this volume explores lead's relevance from a number of perspectives, including art history, technical art history, art criticism, and curatorial studies. Drawing on current art historical concerns with materiality, this volume builds on recent exhibitions and scholarship that reconsider the role of materials in shaping artistic meaning, thus giving a central relevance to the object and its physicality.