Losing yourself is easy, it's finding yourself that becomes difficult. Have you ever desired something so wonderful and fulfilling but you couldn't wrap your hand around what it was? Trust me I know it sounds crazy, having such a huge heart with no boundaries in place is dangerous. Most people believe that it's only your enemies that hurt you, would that make your loved ones your enemies too? No matter your trails, it's important to stay grounded and never allow anyone to bring you out of your character. Being able to overcome all challenges in life, especially when you can't understand why you were chosen is such a huge accomplishment. Torn between relationships and family? God will show you, it's YOU that matters!

As part of her recovery from a devastating car accident, Grace Thomas embarks on a surprise cruise booked by her husband, Cameron. The accident still haunts Grace and she is a little anxious to be leaving her family, but excited to fulfil what has been a life-long dream of hers - cruising around the Mediterranean with some girlfriends - even if her husband's secretary, Chantelle is tagging along for the trip. Maybe this is a chance to start a fresh with this woman. But Chantelle appears to be everywhere Grace turns, and her instincts can’t all be wrong. Something is off. Not only does Chantelle resemble Grace, it soon becomes clear that she is desperate for Cameron’s attention, but at what lengths would she go to get it? Were Cameron's motives for sending Grace away on this cruise as admirable as she first thought and is her husband's relationship with the ever-present Chantelle as platonic as he claims? Grace's journey of self-discovery suddenly begins to feel rather sinister. Her friends are distant, Chantelle is incessantly playing with her mind, and Grace feels more lost and alone than ever. Then, she discovers that her husband has told the children she’s died. Grace's world is shattered. Everything she knows has been a lie and the truth has devastating consequences for everyone... Fans of T.M. Logan, C.L. Taylor and K.L. Slater won’t be able to put this one down. JA Andrews is the author of gripping twisty psychological thrillers, Mummy's Boy (2020), You Let Him In (2020) and I Let Her Go (2021). As well as writing fiction, JA Andrews enjoys reading a mix of genres, watching various reality TV and spending time with family and friends. He is a member of the Crime Writers Association.

Losing yourself is easy, it's finding yourself that becomes difficult. Have you ever desired something so wonderful and fulfilling but you couldn't wrap your hand around what it was? Trust me I know it sounds crazy, having such a huge heart with no boundaries in place is dangerous. Most people believe that it's only your enemies that hurt you, would that make your loved ones your enemies too? No matter your trails, it's important to stay grounded and never allow anyone to bring you out of your character. Being able to overcome all challenges in life, especially when you can't understand why you were chosen is such a huge accomplishment. Torn between relationships and family? God will show you, it's YOU that matters!

You’re about to enter the next few pages of my journey beyond my true feelings,the hurt, the beytral even dealing with life experiences. That has made me humble and grateful today don’t let nobody tell you you can’t be or do anything also always remember this bible verse “ Philippians 4:13 “I can do all things through christ who strengthens me”

Debby Montgomery Johnson is a woman on a mission. In her book she shares her personal experience with a love that turned into betrayal and financial disaster and she removes the mask of shame and shows others how do to the same. Many of us have something, something we're hiding, something we're ashamed of, something that through no fault of our own or through our own making, something that we keep hidden and that, in turn, keeps us hidden, from each other and the world.

The Hidden Cries Behind Her Smile is a book filled with journal entries from one woman’s journey of discovering that she was living in an emotionally, mentally and verbally abusive marriage. In this book you will find some of her deepest and rawest emotions as she began to unpack all of the pain that this abuse had left on her mind and her heart. This type of abuse is one that is not talked about a lot because you cannot see the marks that it leaves on one’s body. In the pages of this book the writer paints a picture of the wounds and the scars that emotional, mental and verbal abuse does to a person’s heart and mind. You can almost hear her cries as you read through her journal entries, the cries that were hidden behind her smile for so long.

My name is Genesis. I am a simple teenager living a simple life. I don’t do any sports and I haven’t won any awards that would make me special. My grades always were average, and I do not plan to have a big flashy future. There’s not much to me. I am an open book to those who choose to open this book and read every emotion and journey I’ve experienced. As you flip through these pages, keep in mind that these poems were written with tears in my eyes. You, the reader, are seeing my pure raw pain.

To teach the truth smilingly was, during the Renaissance, a frequently expressed goal among prose writers and poets such as Erasmus, Berni, Ronsard, Rabelais, and du Bellay, who adopted an ironic posture within their mock encomia in order to refer the reader beyond the realm of the literary structure. In this book Annette Tomarken reconstructs the history of the classical satirical eulogy as it was revived, expanded, and finally adapted to new purposes in Renaissance literature. Tracing the development of this type of paradox from its classic roots through the Neo-Latin, Italian, and French mock encomia, Tomarken examines its various forms in the Renaissance, including the Pliade "hymne-blason," the mock epitaph, and the stage "harangue." Her book provides a new context for such works as In Praise of Folly and for such literary passages as Rabelais's praise of debts and Falstaff's denunciation of honor. Dividing the eulogies into three groups--praises of vices, disease, and animals and insects--Tomarken brings humor as well as close textual analysis to her study. She finds that the practitioners of the form were aware of its history and that such self-awareness became an integral part of the works themselves. An increased sensitivity to the literary structure and history of the paradoxical encomium, Tomarken stresses, first requires and then enriches our understanding of the genre's relationship to the extra-literary domain. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The National Book Award–winning story collection from the author of The Orphan Master’s Son offers something rare in fiction: a new way of looking at the world. “MASTERFUL.”—The Washington Post “ENTRANCING.”—O: The Oprah Magazine “PERCEPTIVE AND BRAVE.”—The New York Times Throughout these six stories, Pulitzer Prize winner Adam Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal, giving voice to the perspectives we don’t often hear. In “Nirvana,” a programmer whose wife has a rare disease finds solace in a digital simulacrum of the president of the United States. In “Hurricanes Anonymous,” a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. “George Orwell Was a Friend of Mine” follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind. WINNER OF THE STORY PRIZE • A NEW YORK TIMES NOTABLE BOOK NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The Miami Herald • San Francisco Chronicle • USA Today AND ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Marie Claire • St. Louis Post-Dispatch • BuzzFeed • The Daily Beast • Los Angeles Magazine • The Independent • BookPage • Kirkus Reviews “Remarkable . . . Adam Johnson is one of America’s greatest living writers.”—The Huffington Post “Haunting, harrowing . . . Johnson’s writing is as rich in compassion as it is in invention, and that rare combination makes Fortune Smiles worth treasuring.”—USA Today “Fortune Smiles [blends] exotic scenarios, morally compromised characters, high-wire action, rigorously limber prose, dense thickets of emotion, and, most critically, our current techno-moment.”—The Boston Globe “Johnson’s boundary-pushing stories make for exhilarating reading.”—San Francisco Chronicle

Therese is the saint most fitted for our day, a model for those of us whom, whether we like it or not, God has called to hidden lives of holy sacrifce.