All her life, Seattle reporter Kristin Reed sought her breakout story. She never thought she'd find it in the crimson lair of a real-life creature of the night. Kristin never believed vampires existed—until with dark brooding eyes and a decadent chocolate scent, Dmitri Dionotte called out to her…. Dmitri and his clan's true nature was cloaked in secrecy until a warring vampire order threatened their existence. Kristin was just the woman he needed. She couldn't resist their story…or Dmitri. Her blood pulsed hot and furious when he touched her, and with his kiss, all logic fled. But each night she spent with her vampire lover brought her closer to death and destruction. A death not even an immortal could triumph over.

The Truth About Vampires By: M L Martin After the death of her father, Grace finds herself without a husband, inheritance, or dowry. Now her fate rests in the hands of her beloved brother, Ethan, and her cruel sister-in-law, Lilith, who feels threatened by Grace’s presence in the house. So, she arranges for Grace to disappear, ordering she be taken to a slave auction in another part of the world—never to be heard from again. When her abductor takes pity on her and asks his estranged brother to give her a job, Grace is offered the position of chatelaine at Hightower House, working for the handsome, wealthy, and enigmatic Gabriel Ross, who runs a salon frequented by influential male patrons. There’s only one catch to her new position. Don’t enter the salon during its operating hours. Simple enough. But, as Grace’s chemistry with her new boss grows, she soon learns there’s more to Gabriel Ross and his business than what lies on the surface. And there’s a reason the salon is only open at night.

Tales of mysterious blood drinkers & life-stealing phantoms have fascinated & terrified people from all over the world for centuries. What is the truth behind the legends of the undead? For the first time ever, here is convincing evidence that vampires really exist- & that the actual truth about vampires is stranger than anything you may have read, heard or dreamed about! Vampires: The Occult Truth contains first-hand accounts of encounters with vampires & vampirism of all types-the ancient undead of folklore, contemporary mortal blood drinkers who believe themselves to be vampires, & the most dangerous of all: psychic vampires who intentionally drain the life force from their victims. Vampires is the first book to consider vampires from an occultists point of view, & to present solid esoteric theories to explain their existence. Youll read case histories of real modern & historical contacts with vampires & victims of vampirism-including those personally encountered by the author himself- & youll learn a simple yet powerful technique that will protect you from attacks by psych.

This book, about real vampires and the communities they have formed, explores the modern world of vampirism in all its amazing variety. Long before Dracula, people were fascinated by vampires. The interest has continued in more recent times with Anne Rice's Lestat novels, Buffy the Vampire Slayer, the HBO series True Blood, and the immensely popular Twilight. But vampires are not just the stuff of folklore and fiction. Based upon extensive interviews with members of the Atlanta Vampire Alliance and others within vampire communities throughout the United States, this fascinating book looks at the details of real vampire life and the many expressions of vampirism as it now exists. In Vampires Today: The Truth about Modern Vampirism, Joseph Laycock argues that today's vampires are best understood as an identity group, and that vampirism has caused a profound change in how individuals choose to define themselves. As vampires come "out of the coffin," as followers of a "religion" or "lifestyle" or as people biologically distinct from other humans, their confrontation with mainstream society will raise questions, as it does here, about how we define "normal" and what it means to be human.

This book is the first study of the vampires in silent cinema, presenting a detailed academic yet accessible discussion of the films themselves and their sources. For the very first time, The Fire Elemental from the Wharton brothers’ The Mysteries of Myra (1916) is identified as cinema’s original vampire, his appearance initiating a rich and variegated period of film production that is currently missing from studies of horror cinema. Exciting and ground-breaking, Vampires on the Silent Screen also discusses Drakula Halála / Dracula’s death (1920), the first ever filmic female vampire in Erich Kober’s Lilith and Ly (1919), and the Dracula lookalike, Count Merlin in Alexander Korda’s Magic (1917) as well as many other productions. A socio-cultural framework with critical highlighting of eco-horror theory is used throughout to draw these unique discoveries together. This project is a must read for any horror enthusiasts out there.

Since the publication of Dracula in 1897, Bram Stoker's original creation has been a source of inspiration for artists, writers, and filmmakers. From Universal's early black-and-white films and Hammer's Technicolor representations that followed, iterations of Dracula have been cemented in mainstream cinema. This anthology investigates and explores the far larger body of work coming from sources beyond mainstream cinema reinventing Dracula. Draculas, Vampires and Other Undead Forms assembles provocative essays that examine Dracula films and their movement across borders of nationality, sexuality, ethnicity, gender, and genre since the 1920s. The essays analyze the complexity Dracula embodies outside the conventional landscape of films with which the vampire is typically associated. Focusing on Dracula and Dracula-type characters in film, anime, and literature from predominantly non-Anglo markets, this anthology offers unique perspectives that seek to ground depictions and experiences of Dracula within a larger political, historical, and cultural framework.

Examines the enormous popular appeal of vampires from early Greek and Slavic folklore to present-day popular culture.

Why have vampires become such a feature of modern culture? Can vampire-like conditions be explained by medical research? Is there a connection between vampirism and Freud? The Psychology of Vampires presents a captivating look at the origins of vampires in myth and history, and the psychological theories which try to explain why they fascinate us. It traces the development of vampires from the first ever vampire tale, written by John Polidori in 1819, to their modern cultural legacy. Together with historical detail about Polidori’s eventful life, the book also examines the characteristics of vampires, and explores how and why people might identify as vampires today. From sanguinarians who drink blood, to psychic vampires who suck the energy from those around them, The Psychology of Vampires explores the absorbing connections between vampirism and psychology, theology, medicine and culture.