For years, a moldy slice of the upper crust has been slumming it in disguise. Sitting on stoops, smoking up, and trying to blend in with the common broke folk by wearing worn-out jeans (though really stylishly distressed), drinking PBR (even though the family owns a vineyard), and not paying rent (that’s what parents are for). Meet the Trustafarian counter-counter-culture. These young men and women have gone from the country club to the community pool--by choice, to look cool. They’ve adopted the free-spiritedness and outward appearance of the hippie, Rasta, and Bohemian sets . . . while retaining a few minor perks from their privileged upbringing, the 7-series, the summer home, and the money to burn. Inside, you will learn everything you ever wanted to know about the Trustafarian culture--from information on their formative years to their fashion choices to their fornication rituals. Get the scoop on Impostafarians, Brohemians, Fauxlanthropists, and their kept, but unkempt brethren. And next time, you’ll be in the know rather than scratching your head when you see that homeless-looking guy hop into his brand-new Audi.

A New York Times bestseller. “With pages of tips and twelve DIY projects, the book makes the free-spirited style easy to achieve.” —Architectural Digest In The New Bohemians, LA-based designer Justina Blakeney defines the New Bohemians as creative individuals who are boutique owners and bloggers, entrepreneurs and ex-pats, artists and urban farmers. They embrace free-spirited, no-rules lifestyles and apply that attitude to all areas of their existence, including their homes. With little distinction between work and play, the new boho home often includes an office, art gallery, showroom, photography studio, restaurant, or even a pop-up shop. The New Bohemians explores 20 homes located primarily on the East and West coasts. Exclusive interviews with the owners, 12 DIY projects created by Blakeney and inspired by objects found in the homes, and a “Plant-O-Pedia” offer insight into achieving this aesthetic. In addition, each home is accompanied by an Adopt-an-Idea section that offers general decor, styling, and shopping tips for easy duplication in your own home. “The New Bohemians is sure to inspire readers to create, to reuse, to grow, to let loose, and to invite some cool and collected energy into their own homes.” —California Home+Design “A colorful and endlessly inspiring cover-to-cover read . . . From the dreamy homes of twenty stylesetters across the country to easy DIY projects, The New Bohemians is our new favorite coffee table book for home inspiration.” —One Kings Lane “Fans of Justina’s style will be glad to see [the book] reads like a how-to for finding one’s own inner bohemian . . . the book is as functional as it is gorgeous.” —Apartment Therapy

What is emo? For starters it's a form of melodic, confessional, or EMOtional punk rock. But emo is more than a genre of music–it's the defining counterculture movement of the '00s. EVERYBODY HURTS is a reference book for emo, tracing its angsty roots all the way from Shakespeare to Holden Caufield to today's most popular bands. There's nothing new about that perfect chocolate and peanut butter combination––teenagers and angst. What is new is that emo is the first cultural movement born on the internet. With the development of early social networking sites like Make Out Club (whose mission is to unite "like–minded nerds, loners, indie rockers, record collectors, video gamers, hardcore kids, and artists through friendship, music, and sometimes even love") outcast teens had a place to find each other and share their pain, their opinions, and above all, their music–which wasn't available for sale at the local record store. Authors Leslie Simon and Trevor Kelley lead the reader through the world of emo including its ideology, music, and fashion, as well as its influences on film, television, and literature. With a healthy dose of snark and sarcasm, EVERYBODY HURTS uses diagrams, illustrations, timelines, and step–by–step instructions to help the reader successfully achieve the ultimate emo lifestyle. Or, alternately, teach him to spot an emo kid across the mall in order to mock him mercilessly.

Kirkus' Best Fiction of 2017 From New York Times bestselling author Cory Doctorow, an epic tale of revolution, love, post-scarcity, and the end of death. "Walkaway is now the best contemporary example I know of, its utopia glimpsed after fascinatingly-extrapolated revolutionary struggle." —William Gibson Hubert Vernon Rudolph Clayton Irving Wilson Alva Anton Jeff Harley Timothy Curtis Cleveland Cecil Ollie Edmund Eli Wiley Marvin Ellis Espinoza—known to his friends as Hubert, Etc—was too old to be at that Communist party. But after watching the breakdown of modern society, he really has no where left to be—except amongst the dregs of disaffected youth who party all night and heap scorn on the sheep they see on the morning commute. After falling in with Natalie, an ultra-rich heiress trying to escape the clutches of her repressive father, the two decide to give up fully on formal society—and walk away. After all, now that anyone can design and print the basic necessities of life—food, clothing, shelter—from a computer, there seems to be little reason to toil within the system. It’s still a dangerous world out there, the empty lands wrecked by climate change, dead cities hollowed out by industrial flight, shadows hiding predators animal and human alike. Still, when the initial pioneer walkaways flourish, more people join them. Then the walkaways discover the one thing the ultra-rich have never been able to buy: how to beat death. Now it’s war – a war that will turn the world upside down. Fascinating, moving, and darkly humorous, Walkaway is a multi-generation SF thriller about the wrenching changes of the next hundred years...and the very human people who will live their consequences. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Chronicles the adventures of a woman who turned a vacant lot in downtown Oakland into a thriving urban farm, complete with chickens, turkey, bees, and pigs.

Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.

Spinning off directly from the hit CW television series ARROW comes the Emerald Archerer in these digital-first adventures! Show creators Andrew Kreisberg and Marc Guggenheim team with some of the industry's best artists, including Mike Grell (GREEN ARROW: THE LONGBOW HUNTERS), Phil Hester (GREEN ARROW: QUIVER) and others to fill in the gaps between episodes of one of TV's hottest new series. Collects ARROW #1-6 and ARROW: SPECIAL EDITION #1.

"I love my FedEx guy 'cause he's a drug dealer and he don't even know it . . . and he's always on time." --Mitch Hedberg Talking about weed? It never gets old. There's just a whole lot to be said. And in this book, you'll find more than a thousand hilarious, half-baked quotes about marijuana and its (medicinal, calming, overall awesome) influence on movies, people, politics, and pop culture from well-known stoners like Tommy Chong to closet inhalers like Jennifer Aniston. Within these papers (er, pages), you'll be treated to tasty nuggets of wisdom from Jay Leno ("Forty million Americans smoke marijuana and the only ones who didn't like it were Judge Ginsburg, Clarence Thomas, and Bill Clinton.") to Bob Marley ("When you smoke the herb, it reveals you to yourself.") and every pothead in between. As you roll through these words of wisdom, picking up new knowledge to drop on your friends, you'll wish you thought of these killer buds first. So gather around the bong, grab some snacks to share, and burn through this collection of essential pothead wisdom.

This unique textbook explores the complex topic of social class, explaining the many psychological nuances of class and classism in people’s lives as subjective and phenomenological experiences. Social class can be a deeply personal, complicated topic that is often frustrating and uncomfortable to discuss, and as such has often been a blind spot in teaching and academic literature. For the first time, Noonan and Liu look to address this in one comprehensive text, using a combination of first-person narratives, academic approaches to class, and psychology’s contributions to the subject. Across seven chapters, the book introduces a highly accessible theoretical model of the psychology of social class, Liu’s own Social Class Worldview Model. Using vivid autobiographical texts to bring the theoretical model to life, the authors show how our worldviews develop through interactions with our social class and economic environment and provide a unique array of methods and skill sets to help incorporate the model into teaching. Each section of the book guides the reader through core concepts in the area, from socioeconomic factors, social structures, poverty, race, racism, White privilege, and White supremacy. Featuring activity suggestions, discussion questions, and writing prompts to help apply theory to real-life narratives, this is the ideal resource for students and instructors across psychology, sociology, health economics, and social work, as well as anyone taking courses on examining social class.