Stanley Booth, a member of the Rolling Stones' inner circle, met the band just a few months before Brian Jones drowned in a swimming pool in 1968. He lived with them throughout their 1969 tour across the United States, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies. His thrilling account culminates with their final concert at Altamont Speedway—a nightmare of beating, stabbing, and killing that would signal the end of a generation's dreams of peace and freedom. But while this book renders in fine detail the entire history of the Stones, paying special attention to the tragedy of Brian Jones, it is about much more than a writer and a rock band. It has been called—by Harold Brodkey and Robert Stone, among others—the best book ever written about the 1960s. In Booth's afterword, he finally explains why it took him 15 years to write the book, relating an astonishing story of drugs, jails, and disasters. Updated to include a foreword by Greil Marcus, this 30th anniversary edition is for Rolling Stones fans everywhere.

Stanley Booth, a member of the Rolling Stones' inner circle, met the band just a few months before Brian Jones drowned in a swimming pool in 1968. He lived with them throughout their 1969 American tour, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies. His thrilling account culminates with their final concert at Altamont Speedway--a nightmare of beating, stabbing, and killing that would signal the end of a generation's dreams of peace and freedom. But while this book renders in fine detail the entire history of the Stones, paying special attention to the tragedy of Brian Jones, it is about much more than a writer and a rock band. It has been called--by Harold Brodkey and Robert Stone, among others--the best book ever written about the sixties. In Booth's new afterword, he finally explains why it took him 15 years to write the book, relating an astonishing story of drugs, jails, and disasters.

"One of the greatest rock books ever written." -- GQ Thirty years ago, the Rolling Stones swept America, taking Exile on Main Street to Main Streets across the nation. Everyone held their breath to see what would happen; the Stones' previous U.S. tour had been a chaotic circus culminating in the infamous death of a fan at Altamont. And this tour (the "Stones Touring Party") was rumored to be wilder than ever: bigger shows in major arenas, with a far larger entourage and even more drugs. Robert Greenfield went along for the ride, and came away with a riveting insider's account, called by Ian Rankin "one of the greatest rock books ever written." The reality lived up to the rumor: take one part Lee Radziwill, a dash of Truman Capote, set the scene at Hef's Playboy mansion, and toss in the county jail for good measure. That was the Stones Touring Party, the ultimate rock 'n' roll band at the height of its spectacular depravity.

This insider's account of the lives of Brian Jones, Keith Richard, and Mick Jagger in the sixties and seventies has become legendary in the years since its first publication in 1979. Tony Sanchez worked for Keith Richard for eight years - buying drugs, running errands, and orchestrating cheap thrills - and he records unforgettable accounts of the Stones' perilous misadventures: racing cars along the Cote d'Azur; murder at Altamont; nostalgic nights with the Beatles at the Stones-owned nightclub Vesuvio; frantic flights to Switzerland for blood changes; and the steady stream of women, including Anita Pallenberg, Marianne Faithfull, and Bianca Jagger. Here the Stones as never seen before, cavorting around the world, smashing Bentleys, working black magic, getting raided, having children, snorting coke, and mainlining heroin. Sanchez tells the whole truth, sparing not even himself in the process. With hard-hitting prose and candid photographs, he creates an invaluable primary source for anyone interested in the world's most famous rock and roll band.

Rich Cohen enters the Stones epic as a young journalist on the road with the band and quickly falls under their sway - privy to the jokes, the camaraderie, the bitchiness, the hard living. Inspired by a lifelong appreciation of the music that borders on obsession, Cohen's chronicle of the band is informed by the rigorous views of a kid who grew up on the music and for whom the Stones will always be the greatest rock 'n' roll band of all time. This is a non-fiction book that reads like a novel filled with the greatest musicians, agents and artists of the most indelible age in pop culture. It's a book only Rich, with his unique access, experience and love of the band could write.

In this definitive biography of Brian Jones, Laura Jackson - the first to insist that Jones was murdered and the first to identify his killer - rejects the stereotype of a narcissistic rock star who was doomed to self-destruct. Instead, she spoke to the people who knew him best: his family and friends, girlfriends and confidantes, the musicians and friends who lived and worked with him right up until his death in 1969. Jones emerges as a man of immense talent, energy and humour, but crippled by insecurities and shyness - a portrayal greatly at odds with the sordid rumours that plagued him throughout his life, which continue to this day. Jackson provides new testimony on the rivalries within the Rolling Stones and the bitter final split, together with telling details from the pathology and coroner's reports, to tell the story behind the headlines and get to the heart of the mysterious death of Brian Jones.

Here's the inside story: the history of the Rolling Stones - according to the Rolling Stones. Mick Jagger, Keith Richards, Charlie Watts, and Ronnie Wood have come together for this remarkable project. They've also opened up their personal and band archives to include many rare and intimate images that are interwoven with the text. The book gets right to the heart of what makes the Stones the Stones, as musicians, songwriters, performers, and colleagues. They describe how their music has evolved and how it has affected and changed their lives. They also reveal, with refreshing frankness, how their own lives have helped, or hindered, their music-making. The Stones' own words - insightful, funny, poignant, surprising, and above all, completely authentic - are complemented by insider reflections from key players in their story over the years such as Ahmet Ertegun, David Bailey, and Cameron Crowe. A comprehensive reference section including discography, and chronology, studded with the Stones' personal comments on the music and memories, completes this must-read volume. Here, in their own words and images, is the life and work of a band which has played the soundtrack of our lives for the last forty years.

The longtime bass player for the Rolling Stones combines firsthand reminiscences with personal memorabilia to provide an insider's look at four decades or rock 'n' roll history.

An account of the long-term Rolling Stone member's career also describes his relationships with Mick Jagger, Keith Richards, and Charlie Watts; his evolution as a musician at the height of the band's success; and his perspectives on the music scene of the 1960s.

Let it Bleed takes you where no Rolling Stones book has before. Author and photographer Ethan Russell was one of only sixteen people--including the Rolling Stones--who made up the 1969 tour. He was with them in their hotel rooms, at rehearsals, and on stage. He tells the story of this monumental and historic tour firsthand, including recollections from band members, crew, security, and other sixties icons--like Abbie Hoffman and Little Richard--they met along the way. And he also includes amazing photos of the performers who toured with the Stones that year: the legendary Tina Turner and B. B. King. Through vivid quotes taken from his interviews with the band and crew, and through more than 220 revealing photographs, Russell takes you behind the scenes for an uncensored look inside the Rolling Stones' world at the end of the sixties. It was an idealistic time, with an overarching belief that music could bring us all together. But the events that led to the terrible violence and stabbing death at Altamont would change rock and roll forever.