Educated by the Marist Brothers, Jacques Lacan was a pious child and acquired considerable, personal knowledge of the torments and cunning of Christian spirituality. He was wonderfully able to speak to Catholics and to bring them around to psychoanalysis.

"God is not dead." —Wall Street Journal Believe it or not, the world is more religious than ever before. Everyone seems to take it for granted that the world is getting more secular—that faith is doomed by modernity. Scientists, secularists, and atheists applaud the change; religious believers lament it. But here's the thing: they're all wrong—and the bestselling author and influential scholar of religion Rodney Stark has the numbers to prove it.The Triumph of Faith explodes the myth that people around the world are abandoning religion. Stark marshals an unprecedented body of data—surveys of more than a million people in 163 nations—to paint the full picture that both scholars and popular commentators have missed. And he explains why the astonishing growth of religion is happening and what it means for our future. Stark's bracing book is full of insights that defy the conventional wisdom. With vigorous prose he reveals: •Why claims about Millennials' lack of religion are overblown and historically ignorant •Why Islam is NOT overtaking Christianity •How 4 out of 5 people worldwide now belong to an organized religion •How 50 percent have attended a worship service in the past week •Why much-ballyhooed studies from the Pew Research Center and others get the religious landscape wrong •Why atheists remain few, anywhere—despite all the talk of the "New Atheism" As Stark shows, secularists have been predicting the imminent demise of religion for centuries. It is their unshakable faith in secularization that may be the most "irrational" of all beliefs. As the author of How the West Won, The Victory of Reason, and many other bestselling works, Rodney Stark has a richly deserved reputation for writing page-turning, myth-busting books. He is also a groundbreaking scholar who has so reshaped the social scientific study of religion that his work has become the basis of a "new paradigm." Stark puts all those talents on full display in The Triumph of Faith.This book will change how you see both religion and the forces of secularization.

John Singer Sargent's 'Triumph of Religion' at the Boston Public Library is one of the most ambitious mural cycles in the history of American art. This book, comprehensively illustrated, examines and documents Sargent Hall as an art installation and describes its restoration history.

Profiles society portrait artist John Singer Sargent and his Triumph of Religion painting for the Boston Public Library, identifying religious opposition that influenced its development in contrast with the artist's vision, and discussing the factors that ultimately prevented the painting's completion. Reprint.

How did Christianity become the dominant religion in the West? In the early first century, a small group of peasants from the backwaters of the Roman Empire proclaimed that an executed enemy of the state was God’s messiah. Less than four hundred years later it had become the official religion of Rome with some thirty million followers. It could so easily have been a forgotten sect of Judaism. Through meticulous research, Bart Ehrman, an expert on Christian history, texts and traditions, explores the way we think about one of the most important cultural transformations the world has ever seen, one that has shaped the art, music, literature, philosophy, ethics and economics of modern Western civilisation.

Celebrated religious and social historian Rodney Starktraces the extraordinary rise of Christianity through its most pivotal andcontroversial moments to offer fresh perspective on the history of the world’slargest religion. In The Triumph of Christianity, the author of God’sBattalions and The Rise of Christianity gathers and refines decadesof powerful research and discovery into one concentrated, concise, and highlyreadable volume that explores Christianity’s most crucial episodes. The uniqueformat of Triumph of Christianity allows Stark to avoid densechronologies and difficult back stories, bringing readers right to the heart ofChristian history’s most vital controversies and enduring lessons.

'A fascinating story about a religion in a surprisingly precarious position' Dan Jones, Sunday Times 'Superb storytelling ... captivating and profound' Literary Review 'A page-turner' The Spectator In the fourth century AD, a new faith exploded out of Palestine. Overwhelming the paganism of Rome, and converting the Emperor Constantine in the process, it resoundingly defeated a host of other rivals. Almost a thousand years later, all of Europe was controlled by Christian rulers, and the religion, ingrained within culture and society, exercised a monolithic hold over its population. But, as Peter Heather shows in this compelling history, there was nothing inevitable about Christendom's rise to Europe-wide dominance. In exploring how the Christian religion became such a defining feature of the European landscape, and how a small sect of isolated congregations was transformed into a mass movement centrally directed from Rome, Heather shows how Christendom constantly battled against both so-called 'heresies' and other forms of belief. From the crisis that followed the collapse of the Roman Empire, which left the religion teetering on the edge of extinction, to the astonishing revolution in which the Papacy emerged as the head of a vast international corporation, Heather traces Christendom's chameleon-like capacity for self-reinvention and willingness to mobilize well-directed force. Christendom's achievement was not, or not only, to define official Christianity, but - from its scholars and its lawyers, to its provincial officials and missionaries in far-flung corners of the continent - to transform it into an institution that wielded effective religious authority across nearly all of the disparate peoples of medieval Europe. This is its extraordinary story.

This book traces the development of religious comedy and leverages that history to justify today’s uses of religious humor in all of its manifestations, including irreverent jokes. It argues that regulating humor is futile and counterproductive, illustrating this point with a host of comedic examples. Humor is a powerful rhetorical tool for those who advocate and for those who satirize religious ideals. The book presents a compelling argument about the centrality of humor to the story of Western Christianity’s cultural and artistic development since the Middle Ages, taking a multi-disciplinary approach that combines literary criticism, religious studies, philosophy, theology, and social science. After laying out the conceptual framework in Part 1, Part 2 analyzes key works of religious comedy across the ages from Dante to the present, and it samples the breadth of contemporary religious humor from Brad Stine to Robin Williams, and from Monty Python to South Park. Using critical, historical, and conceptual lenses, the book exposes and overturns past attempts by church authorities, scholars, and commentators to limit and control laughter based on religious, ideological, or moral criteria. This is a unique look into the role of humor and comedy around religion. It will, therefore, appeal to readers interested in multiple fields of inquiry, including religious studies, humor studies, the history of ideas, and comparative literature.

The Triumph of Vulgarity in a thinker's guide to rock 'n' roll. Rock music mirrors the tradition of nineteenth-century Romaniticsm, Robert Patison says. Whitman's "barbaric yawp" can still be heard in the punk rock of the Ramones, and the spirit that inspired Poe's Eureka lives on in the lyrics of Talking Heads. Rock is vulgar, Pattison notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romaniticism, it has slipped the constraints imposed on it by refined culture and established its own loud arts. The book disassembles the various myths of rock: its roots in black and folk music; the primacy it accords to feeling and self; the sexual omnipotence of rock stars; the satanic predilictions of rock fans; and rock's high-voltage image of the modern Prometheus wielding an electric guitar. Pattison treats these myths as vulgar counterparts of their originals in refined Romantic art and offers a description and justification of rock's central place in the social and aesthetic structure of modern culture. At a time when rock lyrics have provoked parental outrage and senatorial hearings, The Triumph of Vulgarity is required reading for anyone interested in where rock comes from and how it works.

Given the unique history of African Americans and their diverse religious flowering in Black Christianity, the Nation of Islam, voodoo, and others, what is the heart and soul of African American religious life? As a leader in both Black religious studies and theology, Anthony Pinn has probed the dynamism and variety of African American religious expressions. In this work, based on the Edward Cadbury Lectures at the University of Birmingham, England, he searches out the basic structure of Black religion, tracing the Black religious spirit in its many historical manifestations. Pinn finds in the terrors of enslavement of Black bodies and subsequent oppressions the primal experience to which the Black religious impulse provides a perennial and cumulative response. Oppressions entailed the denial of personhood and creation of an object: the negro. Slave auctions, punishments, and, later, lynchings created an existential dread but also evoked a quest, a search, for complex subjectivity or authentic personhood that still fuels Black religion today. In this 20th anniversary edition of Pinn's groundbreaking work, the author offers a new reflection on the argument in retrospect and invites a panel of five contemporary scholars to examine what it means for current and future scholarship. Contributors include Keri Day, Sylvester Johnson, Anthony G. Reddie, Calvin Warren, and Carol Wayne White.