The Triumph Of Art For The Public 1785 1848
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Author |
: Elizabeth Basye Gilmore Holt |
Publisher |
: |
Total Pages |
: 616 |
Release |
: 1980 |
ISBN-10 |
: UOM:39076000587563 |
ISBN-13 |
: |
Rating |
: 4/5 (63 Downloads) |
Synopsis The Triumph of Art for the Public by : Elizabeth Basye Gilmore Holt
Author |
: Elizabeth Basye Gilmore Holt |
Publisher |
: |
Total Pages |
: 530 |
Release |
: 1983 |
ISBN-10 |
: 0691003491 |
ISBN-13 |
: 9780691003498 |
Rating |
: 4/5 (91 Downloads) |
Synopsis The Triumph of Art for the Public, 1785-1848 by : Elizabeth Basye Gilmore Holt
European documents depict the relationship among the artists, critics, and public and provide a background to understanding the art world of today
Author |
: Dan Karlholm |
Publisher |
: Peter Lang |
Total Pages |
: 280 |
Release |
: 2006 |
ISBN-10 |
: 3039109588 |
ISBN-13 |
: 9783039109586 |
Rating |
: 4/5 (88 Downloads) |
Synopsis Art of Illusion by : Dan Karlholm
To survey art history as a whole was a pressing task for a generation of German scholars around the mid-nineteenth century. Their projections of a historicist chain of artworks ranged from textual narratives without illustrations, to separate picture compendia as well as images of a more allegorical kind. Other means with which to picture art history as part of a virtually all-encompassing cultural history were the museums of art erected in Germany at the time, in Berlin and Munich especially. This book deals with practices of representing art history in various media. This includes post-Hegelian texts and engravings of art history from the 1840s onwards, by Franz Kugler, Julius Schnorr and others. In addition, works of art of the late twentieth century, by Andy Warhol, Anselm Kiefer and others, provide opportunities to speculate on the after-effects and discursive traces of the old regime. Extending the concept of historiography to include not just textual or institutional endeavours, but a host of different images as well, from reproductive prints to pop paintings and visual archives of the digital era, this study is intended to contribute in new ways to a critical historiography of the field of art history and visual culture today.
Author |
: Andrew McClellan |
Publisher |
: John Wiley & Sons |
Total Pages |
: 240 |
Release |
: 2008-04-15 |
ISBN-10 |
: 9780470776711 |
ISBN-13 |
: 0470776714 |
Rating |
: 4/5 (11 Downloads) |
Synopsis Art and Its Publics by : Andrew McClellan
Bringing together essays by museum professionals and academics from both sides of the Atlantic, Art and its Publics tackles current issues confronting the museum community and seeks to further the debate between theory and practice around the most pressing of contemporary concerns. Brings together essays that focus on the interface between the art object, its site of display, and the viewing public. Tackles issues confronting the museum community and seeks to further the debate between theory and practice. Presents a cross-section of contemporary concerns with contributions from museum professionals as well as academics. Part of the New Interventions in Art History series, published in conjunction with the Association of Art Historians.
Author |
: Joseph Leo Koerner |
Publisher |
: Reaktion Books |
Total Pages |
: 330 |
Release |
: 2009-11-15 |
ISBN-10 |
: 9781861897503 |
ISBN-13 |
: 1861897502 |
Rating |
: 4/5 (03 Downloads) |
Synopsis Caspar David Friedrich and the Subject of Landscape by : Joseph Leo Koerner
Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him, but what he sees within him.” This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic. Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters. “This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject.”—Independent
Author |
: John Zarobell |
Publisher |
: Penn State Press |
Total Pages |
: 218 |
Release |
: 2010 |
ISBN-10 |
: 9780271034430 |
ISBN-13 |
: 0271034432 |
Rating |
: 4/5 (30 Downloads) |
Synopsis Empire of Landscape by : John Zarobell
"Explores visual culture and the social history of art through an analysis of French images of nineteenth-century Algeria"--Provided by publisher.
Author |
: John Bender |
Publisher |
: Stanford University Press |
Total Pages |
: 551 |
Release |
: 2010-01-20 |
ISBN-10 |
: 9780804745055 |
ISBN-13 |
: 0804745056 |
Rating |
: 4/5 (55 Downloads) |
Synopsis The Culture of Diagram by : John Bender
This book defines diagrams as tools manipulated by users to produce new kinds of understanding and demonstrates that a modern diagrammatic knowledge emerged in eighteenth-century visual culture to become the foundation of later nineteenth-century science.
Author |
: |
Publisher |
: princeton alumni weekly |
Total Pages |
: 1038 |
Release |
: 1985 |
ISBN-10 |
: PRNC:32101081978155 |
ISBN-13 |
: |
Rating |
: 4/5 (55 Downloads) |
Synopsis Princeton Alumni Weekly by :
Author |
: Gabriel P. Weisberg |
Publisher |
: Syracuse University Press |
Total Pages |
: 416 |
Release |
: 1987-12-01 |
ISBN-10 |
: 0815624107 |
ISBN-13 |
: 9780815624103 |
Rating |
: 4/5 (07 Downloads) |
Synopsis The Documented Image by : Gabriel P. Weisberg
Author |
: Peter Collier |
Publisher |
: Yale University Press |
Total Pages |
: 382 |
Release |
: 1994-01-01 |
ISBN-10 |
: 0300060092 |
ISBN-13 |
: 9780300060096 |
Rating |
: 4/5 (92 Downloads) |
Synopsis Artistic Relations by : Peter Collier
In this innovative volume, literary critics and art historians explore the relationship between literature and the visual arts in 19th-century France. Eighteen leading scholars, including Pierre Bourdieu, Germaine Greer, Segolene Le Men, Roger Cardinal and Mary Ann Caws analyse contemporary forms of representation to reveal the rich variety of factors that link image and text.