'Gloria' is the third part of the "long story" of 'The Triple Goddess [a simply divine comedy]', the first and second being 'Ophelia' and 'Arbella'. Although the three books comprising 'The Triple Goddess' have separate plots, they share themes of Hell, Purgatory and Paradise, good and evil, love, ancient myth and history, life-death-rebirth, and the nature (or un-nature) of Time. The tales are filled with magic and fantastical invention, and "stories within the story" in the manner of 'The Arabian Nights'. The year is 2032 A.D., and the worldwide State is in the grip of a faceless oligarchy, Central. Hugo Bonvillain 4285D is the young prodigy Director of the Exeat Institute, where he experiments upon Slaves of the S Class in an attempt to extract from their un-biologically adulterated bodies the secret to eternal life. Bonvillain's obsessive work ethic is leavened only by his dreams of the mysterious and mesmerizing Gloria Mundy 2042M, Ward One's nursing Sister...

Goddess as Nature makes a significant contribution to elucidating the meaning of a female and feminist deity at the beginning of the twenty-first century. Bridging the gap between the emergent religious discourse of thealogy - discourse about the Goddess - and a range of analytical concerns in the philosophy of religion, the author argues that thealogy is not as incoherent as many of its critics claim. By developing a close reading of the reality-claims embedded within a range of thealogical texts, one can discern an ecological and pantheistic concept of deity and reality that is metaphysically novel and in need of constructive philosophical, thealogical and scholarly engagement. Philosophical thealogy is, in an age concerned with re-conceiving nature in terms of agency, chaos, complexity, ecological networks and organicism, both an active possibility and a remarkably valuable academic, feminist and religious endeavour.

This collection of accessible essays relates the stories of individual goddesses from around the world, exploring their roles in the cultures from which they came, their histories and status today, and the controversies surrounding them. Goddesses in World Culture brings readers the fascinating stories of close to 100 of the world's goddesses, ranging from the immediately recognizable to the obscure. These figures, many of whom derive from ancient cultures and civilizations, serve as points of departure for examining questions that go well beyond the role of women in religion and spirituality to include social organization, environmental awareness, historical developments, and psychological archetypes. Each volume of this groundbreaking set is composed of 20–25 previously unpublished articles written by expert contributors from diverse disciplines. Volume one covers Asia and Africa, volume two covers the Eastern Mediterranean and Europe, and volume three covers Australia and the Americas. Goddesses from cultures often overlooked in texts on religion, such as those of the Australian Aborigines, Korea, Nepal, and the Caribbean, are included here. In addition, the work offers new translations of ancient texts, introduces little-known folklore, and suggests new approaches to contemporary religious practices.

Lyle is perfectly happy living with the Primms on East 88th St. until irritable Mr. Grumps next door changes all that.

A genre-blending story of modern witchcraft, a police state and WTF characters, for fans of Alice Hoffman and Madeline Miller. -- In the state of Liberty, water is rationed at alarming prices, free speech is hardly without a cost, and Texas has just declared itself its own country. In this society, paranoia is well-suited because eyes and ears are all around, and they are judging. Always judging. This terrifying (and yet somehow vaguely familiar) terrain is explored via Eleanor – a young woman eagerly learning about the gifts of her magic through the support of her coven. But being a white witch is not as easy as they portray it in the books, and she’s already been placed under ‘house arrest’ with a letch named Stan, a co-worker who wronged her in the past and now exists in the form of a cat. A talking cat who loves craft beers, picket lines, and duping and ‘shooting’ people. Eleanor has no time for Stan and his shenanigans, because she finds herself helping another coven locate a missing witch which she thinks is mysteriously linked to the shortage of water in Liberty.

With this important new book, Susan Suleiman lays the foundation for a postmodern feminist poetics and theory of the avant-garde. She shows how the figure of Woman, as fantasy, myth, or metaphor, has functioned in the work of male avant-garde writers and artists of this century. Focusing also on women's avant-garde artistic practices, Suleiman demonstrates how to read difficult modern works in a way that reveals their political as well as their aesthetic impact. Suleiman directly addresses the subversive intent of avant-garde movements from Surrealism to postmodernism. Through her detailed readings of provocatively transgressive works by André Breton, Georges Bataille, Roland Barthes, Alain Robbe-Grillet, Marcel Duchamp, Max Ernst, and others, Suleiman demonstrates the central role of the female body in the male erotic imagination and illuminates the extent to which masculinist assumptions have influenced modern art and theory. By examining the work of contemporary women avantgarde artists and theorists--including Hélène Cixous, Marguerite Duras, Monique Wittig, Luce Irigaray, Angela Carter, Jeanette Winterson, Leonora Carrington, Barbara Kruger, Jenny Holzer, and Cindy Sherman--Suleiman shows the political power of feminist critiques of patriarchal ideology, and especially emphasizes the power of feminist humor and parody. Central to Suleiman's revisionary theory of the avant-garde is the figure of the playful, laughing mother. True to the radically irreverent spirit of the historical avant-gardes and their postmodernist successors, Suleiman's laughing mother embodies the need for a link between symbolic innovation and political and social change.

A theological suspense novel about the reemergence of the divine feminine. Deftly balancing a taut and tenuous line between fiction and nonfiction, literary fantasy and theology, The God Children explores previously uncharted interconnections within American society. One quickly bonds with the protagonist as she tries to raise her daughters according to contemporary American social customs, but these children have other ideas. This is a story about hope, about imagining the possible, and about the personal consciousness of spirit and soul that ultimately awaits us all. The God Children was originally published in Apsaras Review, Kremena Publishing, Reykjavik, Iceland, 2003-2004. The author recommends this book for ages 16 and up, due to the intense nature of its subject matter. Its genre is theological suspense, a category that would include such books as The Da Vinci Code and The Celestine Prophecy.

The spiritual dimensions in the fantastic works of both firmly established and newer writers--including such talents as Marion Zimmer Bradley, Alice Walker, Patricia Kennealy, Octavia Butler, Toni Morrison and Ntozake Shange--are examined in this book. The author links their fantastic novels to actual currents within the feminist spirituality movement, addressing the genre's use of goddess worship, psychic phenomena, and reverence for the earth. Special emphasis is given to both the struggle to provide an alternative to men-centered experience and to the need to articulate ways in which feminists can achieve personal and social power.

This literary companion surveys the young adult works of American author Marion Zimmer Bradley, primarily known for her work in the fantasy genre. An A to Z arrangement includes coverage of novels (The Catch Trap, Survey Ship, The Fall of Atlantis, The Firebrand, The Forest House and The Mists of Avalon), the graphic narrative Warrior Woman, the Lythande novella The Gratitude of Kings, and, from the Darkover series, The Shattered Chain, The Sword of Aldones and Traitor's Sun. Separate entries on dominant themes--rape, divination, religion, violence, womanhood, adaptation and dreams--comb stories and longer works for the author's insights about the motivation of institutions that oppress marginalized groups, especially women.

Women have made an enormous impact on life on the planet. They are deified and remembered in song, story, legend, and statues since at least 30,000 BC. We are, and have always been, brilliant inventors, innovators, and leaders for hundred and thousands of years. We are the survivors of everything that came our way and passed on our culture. Women are the creators of life! A woman can create life inside her own body, give birth to another human being, and make milk from her own breasts to feed her newborn life. The Goddesses are real mothers, actual women who lived, and created beautiful handiwork and incredible usable things from next to nothing; such as: spinning and weaving, making pots from dirt, farming, medicine, and writing. What a history! What a Gift to Civilization! Women were, and continue to be, the true Mothers of Invention! Stone Age Divas in the true sense of the word. If every girl in the world reads about the Goddesses found in this book, she will have a firm foundation of self-esteem and inspiration to make wise choices in her life. Since time immemorial, women have bonded together in sisterhood to fight for noble causes in nonviolent ways. Women have always been, and continue to be, great benefactors of humanity. 'Stone Age Divas: Their Mystery and Their Magic', takes an astonishing look at human beginnings never before attempted. It challenges our basic assumptions about gender, religion, and our civilization. Warning: This book may be dangerous to your beliefs!