Death can’t stop Love She lost her fiancé years ago. He’s looking for something that feels like home. When they meet at the Halloween Fest, will they embrace the supernatural elements bringing them together and give love a second chance? Trixie: I lost the love of my life days before Halloween, only hours after he proposed, and every year since then he’s come to visit me in my dreams—except this year. So, when a stranger (who reminds me of him in every way) comes to down with his sights set on me, I have to wonder if he is a trick or a treat. If he’s a trick—well, my heart's already broken. But if he’s a treat—he’s the happily ever-after I thought I lost years ago. What do I have to lose, besides my mind, if I play trick-or-treat with the new guy in town? Treat: I woke up from a coma three months ago, and nothing of my previous life has felt right. So, I follow my instincts into the Sangre de Cristo mountains to a little town hosting a Halloween Festival, and suddenly everything feels right. Right place, right time, and right girl who shines like a beacon in an otherwise muted world. The closer I get to her, the more I realize the man on the inside is not the man on the outside, and if I want to stay, I have to convince her to risk her heart and love me as the man she once loved. This is a Contemporary Romance with a Paranormal Twist - just in time for Halloween!

When you gamble with kingdoms, all bets are off. Legends are born in this thrilling and New York Times bestselling spy saga from the fantasy author who is legend herself: Tamora Pierce. Aly is from a family known for great deeds. She is the daughter of Alanna, the famed knight and King’s Champion of Tortall. But even though she is bold and brave, like her mother, her true talents lie on her father’s side, in the art of spying. When Aly is captured by pirates and sold as a slave to an exiled royal family in the faraway Copper Isles, she strikes a bargain with the trickster god. If she can keep young noblewomen Sarai and Dove safe for the summer, then he will return Aly to her family. The task should be simple, but Sarai and Dove are anything but. It’s a time of murderous plotting at court, and Aly will need to rely on her training and the insights of a strange young man named Nawat to survive in a world where trust can cost you your life. “Tamora Pierce’s books shaped me not only as a young writer but also as a young woman. She is a pillar, an icon, and an inspiration. Cracking open one of her marvelous novels always feels like coming home.” —SARAH J. MAAS, #1 New York Times bestselling author “Tamora Pierce didn’t just blaze a trail. Her heroines cut a swath through the fantasy world with wit, strength, and savvy. Her stories still lead the vanguard today. Pierce is the real lioness, and we’re all just running to keep pace.” —LEIGH BARDUGO, #1 New York Times bestselling author

This is the third anthology of Halloween stories from the pumpkin-master himself, the Trickster! Our tricky theme this year 'The Seven Deadly Sins' means for each of the 7 sins, we've gathered a crop of 7 spooky stories of 700 words each, giving you a real treat of 49 short stories! All proceeds this year go to Charity: Water. Artwork by horror writer and artist Greg Chapman, and edited by an international lineup of 2 co-editors and 7 sub editors (one for each 'sin') and assisted by Steve Dillon from 'Things in the Well'.

Manifestations of the Trickster persona such as cryptids, elementals, werewolves, demons, vampires and dancing devils have permeated human experience since before the dawn of civilization. But today, very little is publicly known about The Tricksters. Who are they? What is their agenda? Known by many names including fools, sages, Loki, men-in-black, skinwalkers, shapeshifters, jokers, jinn, sorcerers, and witches, Tricksters provide us with a direct conduit to the unknown in the 21st century. Can these denizens of phenomenal events be attempting to communicate a warning to humanity in this uncertain age of prophesied change? Take a journey around the world stalking the tricksters! Since 1992 Christopher O’Brien has investigated the mysterious San Luis Valley (in CO/NM)-possibly America’s most anomalous region. Among the many high-strange events he has investigated there and elsewhere are dozens of reports of unusual “trickster” characters including: Bigfoot, devils, crypto-creatures, and witches. He also has experience with other fantastic trickster-like phenomena worldwide. O’Brien’s Mysterious Valley book series and numerous TV and radio appearances have been appreciated by millions. Join him on this intriguing quest to identify the tricksters impacting the world in the modern age.

2010 Maverick Award winner, 2011 Aesop Prize Winner – Children's folklore section, and a 2011 Eisner Award Nominee. All cultures have tales of the trickster – a crafty creature or being who uses cunning to get food, steal precious possessions, or simply cause mischief. He disrupts the order of things, often humiliating others and sometimes himself. In Native American traditions, the trickster takes many forms, from coyote or rabbit to raccoon or raven. The first graphic anthology of Native American trickster tales, Trickster brings together Native American folklore and the world of comics. In Trickster, 24 Native storytellers were paired with 24 comic artists, telling cultural tales from across America. Ranging from serious and dramatic to funny and sometimes downright fiendish, these tales bring tricksters back into popular culture.

View our feature on Rob Thurman’s Trick of the Light.When Trixa learns of a powerful artifact known as the Light of Life, she knows she’s hit the jackpot. Both sides—angel and demon—would give anything for it. But first she has to find it. And as Heaven and Hell ready for an apocalyptic throwdown, Trixa must decide where her true loyalty lies, and what she’s ready to fight for. Because in her world, if you line up on the wrong side, you pay with more than your life…

Paranormal and supernatural events have been reported for millennia. They have fostered history’s most important cultural transformations (e.g., via the miracles of Moses, Jesus, Mohammed). Paranormal phenomena are frequently portrayed in the world’s greatest art and literature, as well as in popular TV shows and movies. Most adults in the U.S. believe in them. Yet they have a marginal place in modern culture. No university departments are devoted to studying psychic phenomena. In fact, a panoply of scientists now aggressively denounces them. These facts present a deeply puzzling situation. But they become coherent after pondering the trickster figure, an archaic being found worldwide in mythology and folklore. The trickster governs paradox and the irrational, but his messages are concealed. This book draws upon theories of the trickster from anthropology, folklore, sociology, semiotics, and literary criticism. It examines psychic phenomena and UFOs and explains why they are so problematical for science.

An engrossing study of Leo Africanus and his famous book, which introduced Africa to European readers Al-Hasan al-Wazzan--born in Granada to a Muslim family that in 1492 went to Morocco, where he traveled extensively on behalf of the sultan of Fez--is known to historians as Leo Africanus, author of the first geography of Africa to be published in Europe (in 1550). He had been captured by Christian pirates in the Mediterranean and imprisoned by the pope, then released, baptized, and allowed a European life of scholarship as the Christian writer Giovanni Leone. In this fascinating new book, the distinguished historian Natalie Zemon Davis offers a virtuoso study of the fragmentary, partial, and often contradictory traces that al-Hasan al-Wazzan left behind him, and a superb interpretation of his extraordinary life and work. In Trickster Travels, Davis describes all the sectors of her hero's life in rich detail, scrutinizing the evidence of al-Hasan's movement between cultural worlds; the Islamic and Arab traditions, genres, and ideas available to him; and his adventures with Christians and Jews in a European community of learned men and powerful church leaders. In depicting the life of this adventurous border-crosser, Davis suggests the many ways cultural barriers are negotiated and diverging traditions are fused.

Coyote. Anansi. Brer Rabbit. Trickster characters have long been a staple of folk literature. Twenty-six authors, including Holly Black (The Spiderwick Chronicles), Charles de Lint (Little (Grrl) Lost), Ellen Klages, (The Green Glass Sea), Kelly Link (Pretty Monsters), Patricia A, McKillip (Ombria in Shadow), and Jane Yolen, have crafted stories and poems drawing from cultures and traditions all over the world—each surprising, engrossing, and thought provoking. Terri Windling provides a comprehensive introduction to the trickster myths of the world, and the entire book is highlighted by the remarkable decorations of Charles Vess. The Coyote Road, like its companions The Green Man (winner of the World Fantasy Award) and The Faery Reel (a World Fantasy Award Finalist), is essential reading for anyone interested in contemporary fantasy fiction.

Women have been tricking men for thousands of years, and female tricksters have been appearing in classic and popular texts at least since the Thousand and One Nights. While there are many studies of tricksters, few have focused on the chicanery of women, and none have dealt with the ways in which the female trickster is constructed in America. Madcaps, Screwballs, and Con Women is the first book to explore the cultural work performed by female tricksters in the "new country" of American mass consumer culture. Beginning with such nineteenth-century novels as Capitola the Madcap and moving through twentieth-century novels, films, radio, and television shows, Lori Landay looks at how popular heroines use craft and deceit to circumvent the limitations of femininity. She considers texts of the 1920s such as Elinor Glyn's It and Anita Loos's Gentlemen Prefer Blondes; films of Mae West, as well as other Depression-era and wartime film comedy; the postwar television series I Love Lucy; and such contemporary texts as "Roseanne," "Ellen," and "Batman." In addition, Landay explores the connections between these texts and advertisements selling products that encourage female deception and trickery.