The first full-scale literary trial in Britain's history - re-counted by the ever-charming and inimitable Sybille Bedford.

In May 2005 Penguin will publish 70 unique titles to celebrate the company's 70th birthday. The titles in the Pocket Penguins series are emblematic of the renowned breadth of quality of the Penguin list and will hark back to Penguin founder Allen Lane's vision of good books for all'. In 1960, thirty years after D. H. Lawrence's death, Penguin moved to publish his most provocative novel Lady Chatterley's Lover for the first time. What followed was the most significant literary obscenity trial of the twentieth century, as Penguin called upon a string of expert witnesses including E. M. Forster and Sir Allen Lane to triumphantly defend the book's literary merit, in a case that compellingly reflected the changing face of contemporary society.

"Powerful, moving, brilliant . . . an utterly captivating read, and I came away from it with this astonished thought: There's nothing this writer can't do." --Elizabeth Gilbert For readers of A Gentleman in Moscow and Z: A Novel of Zelda Fitzgerald, an ambitious, spellbinding historical novel about sensuality, censorship, and the novel that set off the sexual revolution. On the glittering shores of the Mediterranean in 1928, a dying author in exile races to complete his final novel. Lady Chatterley's Lover is a sexually bold love story, a searing indictment of class distinctions, and a study in sensuality. But the author, D.H. Lawrence, knows it will be censored. He publishes it privately, loses his copies to customs, and dies bereft. Booker Prize-longlisted author Alison MacLeod brilliantly recreates the novel's origins and boldly imagines its journey to freedom through the story of Jackie Kennedy, who was known to be an admirer. In MacLeod's telling, Jackie-in her last days before becoming first lady-learns that publishers are trying to bring D.H. Lawrence's long-censored novel to American and British readers in its full form. The U.S. government has responded by targeting the postal service for distributing obscene material. Enjoying what anonymity she has left, determined to honor a novel she loves, Jackie attends the hearing incognito. But there she is quickly recognized, and FBI Director J. Edgar Hoover takes note of her interest and her outrage. Through the story of Lawrence's writing of Lady Chatterley's Lover, the historic obscenity trial that sought to suppress it in the United Kingdom, and the men and women who fought for its worldwide publication, Alison MacLeod captures the epic sweep of the twentieth century from war and censorship to sensuality and freedom. Exquisite, evocative, and grounded in history, Tenderness is a testament to the transformative power of fiction.

A comprehensive history of censorship in modern Britain For Victorian lawmakers and judges, the question of whether a book should be allowed to circulate freely depended on whether it was sold to readers whose mental and moral capacities were in doubt, by which they meant the increasingly literate and enfranchised working classes. The law stayed this way even as society evolved. In 1960, in the obscenity trial over D. H. Lawrence's Lady Chatterley's Lover, the prosecutor asked the jury, "Is it a book that you would even wish your wife or your servants to read?" Christopher Hilliard traces the history of British censorship from the Victorians to Margaret Thatcher, exposing the tensions between obscenity law and a changing British society. Hilliard goes behind the scenes of major obscenity trials and uncovers the routines of everyday censorship, shedding new light on the British reception of literary modernism and popular entertainments such as the cinema and American-style pulp fiction and comic books. He reveals the thinking of lawyers and the police, authors and publishers, and politicians and ordinary citizens as they wrestled with questions of freedom and morality. He describes how supporters and opponents of censorship alike tried to remake the law as they reckoned with changes in sexuality and culture that began in the 1960s. Based on extensive archival research, this incisive and multifaceted book reveals how the issue of censorship challenged British society to confront issues ranging from mass literacy and democratization to feminism, gay rights, and multiculturalism.

In Dirt for Art's Sake, Elisabeth Ladenson recounts the most visible of modern obscenity trials involving scandalous books and their authors. What, she asks, do these often-colorful legal histories have to tell us about the works themselves and about a changing cultural climate that first treated them as filth and later celebrated them as masterpieces? Ladenson's narrative starts with Madame Bovary (Flaubert was tried in France in 1857) and finishes with Fanny Hill (written in the eighteenth century, put on trial in the United States in 1966); she considers, along the way, Les Fleurs du Mal, Ulysses, The Well of Loneliness, Lady Chatterley's Lover, Tropic of Cancer, Lolita, and the works of the Marquis de Sade. Over the course of roughly a century, Ladenson finds, two ideas that had been circulating in the form of avant-garde heresy gradually became accepted as truisms, and eventually as grounds for legal defense. The first is captured in the formula "art for art's sake"-the notion that a work of art exists in a realm independent of conventional morality. The second is realism, vilified by its critics as "dirt for dirt's sake." In Ladenson's view, the truth of the matter is closer to -dirt for art's sake-"the idea that the work of art may legitimately include the representation of all aspects of life, including the unpleasant and the sordid. Ladenson also considers cinematic adaptations of these novels, among them Vincente Minnelli's Madame Bovary, Stanley Kubrick's Lolita and the 1997 remake directed by Adrian Lyne, and various attempts to translate de Sade's works and life into film, which faced similar censorship travails. Written with a keen awareness of ongoing debates about free speech, Dirt for Art's Sake traces the legal and social acceptance of controversial works with critical acumen and delightful wit.

George Polk Award Winner: This account of American book banning and the battles against it is "a tour de force to fascinate lawyers and laymen alike” (The New York Times Book Review). Up until the 1960s, depending on your state of residence, your copy of Henry Miller’s Tropic of Cancer might be seized by the US Postal Service before reaching your mailbox. Selling copies of Cleland’s Fanny Hill in your bookstore was considered illegal. Lady Chatterley’s Lover by D. H. Lawrence was, according to the American legal system, pornography with no redeeming social value. Today, these novels are celebrated for their literary and historic worth. The End of Obscenity is Charles Rembar’s account of successfully arguing the merits of such great works of literature in front of the Supreme Court. As the lead attorney on the case, he—with the support of a few brave publishers—changed the way Americans read and honor books, especially the controversial ones. Filled with insight from lawyers, justices, and the authors themselves, The End of Obscenity is a lively tour de force. Racy testimony and hilarious asides make Rembar’s memoir not only a page-turner but also an enlightening look at the American legal system. “[Rembar’s] book deals not with the why of obscenity laws but with the how . . . many of his anecdotal digressions into history and law are sharp and amusing.” —The New Republic

Born into the fringes of the Bloomsbury Group, Jeremy Hutchinson served under Lord Mountbatten in the Second World War, and went on to become the greatest criminal barrister of the 1960s, '70s and '80s. His cases of the period changed society for ever and provide a fascinating look into Britain's post-war social, political and cultural history. From the sex and spying scandals which contributed to Harold Macmillan's resignation in 1963 to the fight against the secret state and literary censorship through his defence of Lady Chatterley's Lover, Fanny Hill and Last Tango in Paris, Hutchinson was involved in many of the great trials of the times. He also defended George Blake, Christine Keeler, Great Train Robber Charlie Wilson, art faker Tom Keating and Howard Marks. Case Histories provides entertaining, vivid and revealing insights into what was really going on in those celebrated courtroom dramas that defined an age, as well as painting a picture of a remarkable life.

A Favourite of the Gods is the story of two generations of a single family, united by a strong matrilineal bond but divided by the customs of their differing nationalities. Anna Howland, the matriarch and American heiress, born in the 1870s to a prominent, liberal New England family marries an Italian prince and makes her home in Rome; her daughter Constanza, the favorite of the title, inherits her mother’s beauty, intelligence, and wealth, along with her father’s Catholicism, which she soon rejects. When disaster strikes, Anna and the prince fall back on the standards of behavior of their disparate cultures; Constanza, with her European upbringing, is free to plot her own course, and she does so with daring, making an unconventional life for herself in England and on the continent during and after the First World War. Her own daughter Flavia is the heroine of A Compass Error, which begins where the first novel concludes. Flavia too is a brilliant young woman, though both more brash and more faltering than her mother, studying for her entrance exam to Oxford when she becomes involved with a mysterious woman whose arrival at a sensitive moment in Flavia’s adolescence will alter both her and her mother’s lives forever.