The Trespass of the Sign offers an account of the relations between deconstruction and theology. Kevin Hart argues that, contrary to popular thought on the topic, deconstruction does not have an antitheological agenda. Rather, deconstruction seeks to question the metaphysics of any theology. Hart pays particular attention to mystical theology as nonmetaphysical theology. --From publisher's description.

An evil woman steals an identity and uses it to acquire caregiving positions in which she does the unthinkable. It is up to Kinsey Millhone to discover the truth.

The vast majority of our country is entirely unknown to us because we are banned from setting foot on it. By law of trespass, we are excluded from 92 per cent of the land and 97 per cent of its waterways, blocked by walls whose legitimacy is rarely questioned. But behind them lies a story of enclosure, exploitation and dispossession of public rights whose effects last to this day. The Book of Trespass takes us on a journey over the walls of England, into the thousands of square miles of rivers, woodland, lakes and meadows that are blocked from public access. By trespassing the land of the media magnates, Lords, politicians and private corporations that own England, Nick Hayes argues that the root of social inequality is the uneven distribution of land. Weaving together the stories of poachers, vagabonds, gypsies, witches, hippies, ravers, ramblers, migrants and protesters, and charting acts of civil disobedience that challenge orthodox power at its heart, The Book of Trespass will transform the way you see the land.

This book is a collection of engaging, entertaining, and often confronting dialogues with nine thinkers of faith in postmodernity, some of them more prominent than others, all of them possessing the rare quality or gift of thinking rigorously-tentatively-passionately: John D. Caputo, Kevin Hart, Robyn Horner, Richard Kearney, Catherine Keller, Kate Rigby, Mark C. Taylor, Mark I. Wallace, and Merold Westphal. The project was driven by two ambitions: to seek out their thoughts on the question of the gift, which has become a hot topic since the early 1990s in philosophy, theology, and a whole range of academic disciplines, and which was the subject of the interviewer's doctoral work; and, more generally, to examine key elements of these thinkers' most important works. Hence, the dialogues traverse a splendid range of issues - philosophical, theological, ecological, hermeneutical, biblical, scientific, and more. What's more, the dialogical medium has the advantage of casting complex issues in extremely accessible terms, thereby making this collection a must-read for anyone interested in contemporary Continental theory.

In Dante and the Sense of Transgression, William Franke combines literary-critical analysis with philosophical and theological reflection to cast new light on Dante's poetic vision. Conversely, Dante's medieval masterpiece becomes our guide to rethinking some of the most pressing issues of contemporary theory. Beyond suggestive archetypes like Adam and Ulysses that hint at an obsession with transgression beneath Dante's overt suppression of it, there is another and a prior sense in which transgression emerges as Dante's essential and ultimate gesture. His work as a poet culminates in the Paradiso in a transcendence of language towards a purely ineffable, mystical experience beyond verbal expression. Yet Dante conveys this experience, nevertheless, in and through language and specifically through the transgression of language, violating its normally representational and referential functions. Paradiso's dramatic sky-scapes and unparalleled textual performances stage a deconstruction of the sign that is analyzed philosophically in the light of Blanchot, Levinas, Derrida, Barthes, and Bataille, as transgressing and transfiguring the very sense of sense.

* THE NO. 1 BESTSELLER (The Times) * SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2023 ** WINNER OF THE BRITISH BOOK AWARDS BOOK OF THE YEAR: DEBUT FICTION ** WINNER OF THE AN POST IRISH BOOK AWARDS NOVEL OF THE YEAR 2022 ** SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2022 ** AN OBSERVER BEST DEBUT NOVELIST OF 2022 ** A BBC RADIO 4 BOOK AT BEDTIME *_______________'Like Sally Rooney mixed with a political thriller' RUSSELL KANE'Intense, unflinchingly honest, it broke my heart a million times' MARIAN KEYES'Absolutely loved it' MAX PORTER 'A beautiful, devastating novel' NICK HORNBYOne by one, she undid each event, each decision, each choice. If Davy had remembered to put on a coat.If Seamie McGeown had not found himself alone on a dark street.If Michael Agnew had not walked through the door of the pub on a quiet night in February in his white shirt. There is nothing special about the day Cushla meets Michael, a married man from Belfast, in the pub owned by her family. But here, love is never far from violence, and this encounter will change both of their lives forever.As people get up each morning and go to work, school, church or the pub, the daily news rolls in of another car bomb exploded, another man beaten, killed or left for dead. In the class Cushla teaches, the vocabulary of seven-year-old children now includes phrases like 'petrol bomb' and 'rubber bullets'. And as she is forced to tread lines she never thought she would cross, tensions in the town are escalating, threatening to destroy all she is working to hold together.Tender and shocking, Trespasses is an unforgettable debut of people trying to live ordinary lives in extraordinary times.______________A 2022 BOOK OF THE YEAR FOR: THE TIMES * SUNDAY TIMES * GUARDIAN * TELEGRAPH * NEW STATESMAN * DAILY MAIL * IRISH TIMES * IRISH INDEPENDENT * BELFAST TELEGRAPH

The only consensus that has been reached on Hosea 1-3 is that it is a notoriously 'problematic' text. Sherwood unpicks this rather vague statement by examining the particular complexities of the text and frictions between the text and reader that conspire to produce such a disorientating effect. Four dimensions of the 'problem' are considered: the conflict between text and reader over the 'improper' relationship between Hosea and Gomer; the bizarre prophetic sign-language that conscripts people into a cosmic charade; the text's propensity to subvert its central theses; and the emergent tensions between the feminist reader and the text. Aiming to bring together literary criticism and biblical scholarship, this book provides lucid introductions to ideological criticism, semiotics, deconstruction and feminist criticism, and looks at the implications of these approaches not only for the book of Hosea but for biblical studies in general.

List of members in v. 1-

The central contention of Christian faith is that in the incarnation the eternal Word or Logos of God himself has taken flesh, so becoming for us the image of the invisible God. Our humanity itself is lived out in a constant to-ing and fro-ing between materiality and immateriality. Approaching different aspects of two distinct movements between the image and the word, in the incarnation and in the dynamics of human existence itself, Trevor Hart presents a clearer understanding of each and explores the juxtapositions with the other.