The experiences of World War I from the perspectives of soldiers on the battle field and their families at home.

In the Trenches at Petersburg, the final volume of Earl J. Hess's trilogy of works on the fortifications of the Civil War, recounts the strategic and tactical operations around Petersburg during the last ten months of the Civil War. Hess covers all aspects of the Petersburg campaign, from important engagements that punctuated the long months of siege to mining and countermining operations, the fashioning of wire entanglements and the laying of torpedo fields to impede attacks, and the construction of underground shelters to protect the men manning the works. In the Trenches at Petersburg humanizes the experience of the soldiers working in the fortifications and reveals the human cost of trench warfare in the waning days of the struggle.

This moving book about peace, understanding, and unity is based on the real-life World War I event known as the Christmas Truce. It is cold and clear on Christmas Eve night in 1914. Suddenly, a strange sound pierces the darkness. Someone is singing a Christmas carol in German. Francis Tolliver and his fellow British soldiers are holed up in muddy trenches along the Western Front. Their enemies—German soldiers—lie in wait just across a field known as "No Man's Land." As the Germans' carol ends, Tolliver and the other British soldiers sing "God Rest Ye Merry Gentlemen." Soon carols are being sung back and forth. Then a figure emerges in the dark, carrying a small Christmas tree with lighted candles. The British and German soldiers slowly leave their trenches—and the war—behind to stand together in the open field. This haunting story is adapted by award-winning songwriter John McCutcheon from his song of the same name. Henri Sørensen's traditional, full-color oil paintings reinforce the emotional power and dignity of the story. Back matter provides more information about the historical event, and a CD featuring readings of the story and recordings of "Silent Night" and "Christmas in the Trenches" is included.

Tatiana L. Dubinskaya’s autobiographical novel of life in the Russian army marked the first major work published by a female World War I soldier in the Soviet Union. Often compared to All Quiet on the Western Front, Dubinskaya’s stark and unsparing story presents a rare look at women in combat and one of the few works of fiction set on the eastern front. Zinaida, a Russian schoolgirl, runs away from home to join the army. Sent to the front, she endures the horrors of trench warfare and the hardships of military life. Undercurrents of revolutionary thinking filter into the ranks as morale begins to crumble. Zinaida must come to grips with the havoc unleashed by the czar’s overthrow and the new socialist government’s attempts to impose revolutionary reforms on the army. Destabilization and desertion follow, and her regiment joins the chaotic mass retreat of the Russian army in the summer of 1917. In addition to Dubinskaya’s original novel, this edition includes selections from her 1936 autobiographical work, Machine Gunner, which she rewrote to satisfy Stalinist censors.

This comprehensive, illustrated survey of the latest in battlefield archaeology reveals “intimate insight into the realities of life” during WWI (Current Archaeology). Modern methods of archaeological, historical, and forensic research have transformed our understanding of the Great War. In Digging the Trenches, battlefield archaeologists Andrew Robertshaw and David Kenyon introduce the reader to this exciting new field and explore many of the remarkable projects that have been undertaken. Robertshaw and Kenyon show how archaeology can be used to reveal the positions of trenches, dugouts and other battlefield features, as well as what life on the Western Front was really like. They also show how individual soldiers are coming into focus as forensic investigation is so highly developed that individuals can be identified and their fates discovered. “An excellent introduction to the subject…Digging the Trenches is essential reading.”—Gary Sheffield, Military Illustrated “What a splendid book this is.”—Neil Faulkner, Current Archaeology

You know the Agile and Lean development buzzwords, you've read the books. But when systems need a serious overhaul, you need to see how it works in real life, with real situations and people. Lean from the Trenches is all about actual practice. Every key point is illustrated with a photo or diagram, and anecdotes bring you inside the project as you discover why and how one organization modernized its workplace in record time. Lean from the Trenches is all about actual practice. Find out how the Swedish police combined XP, Scrum, and Kanban in a 60-person project. From start to finish, you'll see how to deliver a successful product using Lean principles. We start with an organization in desperate need of a new way of doing things and finish with a group of sixty, all working in sync to develop a scalable, complex system. You'll walk through the project step by step, from customer engagement, to the daily "cocktail party," version control, bug tracking, and release. In this honest look at what works--and what doesn't--you'll find out how to: Make quality everyone's business, not just the testers. Keep everyone moving in the same direction without micromanagement. Use simple and powerful metrics to aid in planning and process improvement. Balance between low-level feature focus and high-level system focus. You'll be ready to jump into the trenches and streamline your own development process.

A history of the First World War told through the letters exchanged by ordinary British soldiers and their families.??Letters from the Trenches reveals how people really thought and felt during the conflict and covers all social classes and groups Ð from officers to conscripts and women at home to conscientious objectors.??Voices within the book include Sergeant John Adams, 9th Royal Irish Fusiliers, who wrote in May 1917:'For the day we get our letter from home is a red Letter day in the history of the soldier out here. It is the only way we can hear what is going on. The slender thread between us and the homeland.'??Private Stanley Goodhead, who served with one of the Manchester Pals battalion, wrote home in 1916: 'I came out of the trenches last night after being in 4 days. You have no idea what 4 days in the trenches means...The whole time I was in I had only about 2 hours sleep and that was in snatches on the firing step. What dugouts there are, are flooded with mud and water up to the knees and the rats hold swimming galas in them...We are literally caked with brown mud and it is in all?our food, tea etc.'??Jacqueline Wadsworth skilfully uses these letters to tell the human story of the First World War Ð what mattered to Britain's servicemen and their feelings about the war; how the conflict changed people; and how life continued on the Home Front.

2018 SABR Baseball Research Award Winner Baseball, like the rest of the country, changed dramatically when the United States entered World War I, and Jim Leeke brings these changes to life in From the Dugouts to the Trenches. He deftly describes how the war obliterated big league clubs and largely dismantled the Minor Leagues, as many prominent players joined the military and went overseas. By the war's end more than 1,250 ballplayers, team owners, and sportswriters would serve, demonstrating that while the war was "over there," it had a considerable impact on the national pastime. Leeke tells the stories of those who served, as well as organized baseball's response, including its generosity and patriotism. He weaves into his narrative the story of African American players who were barred from the Major Leagues but who nevertheless swapped their jerseys for fatigues, as well as the stories of those who were killed in action--and by diseases or accidents--and what their deaths meant to teammates, fans, and the sport in general. From the Dugouts to the Trenches illuminates this influential and fascinating period in baseball history, as nineteen months of upheaval and turmoil changed the sport--and the world--forever.

Since ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists’ commissions, however, were as captains for their patron: the US Army. The eight men—William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent—arrived in France early in 1918 with the American Expeditionary Forces (AEF). Alfred Emile Cornebise presents here the first comprehensive account of the US Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not.

“My name is Weetaltuk; Eddy Weetaltuk. My Eskimo tag name is E9-422.” So begins From the Tundra to the Trenches. Weetaltuk means “innocent eyes” in Inuktitut, but to the Canadian government, he was known as E9-422: E for Eskimo, 9 for his community, 422 to identify Eddy. In 1951, Eddy decided to leave James Bay. Because Inuit weren’t allowed to leave the North, he changed his name and used this new identity to enlist in the Canadian Forces: Edward Weetaltuk, E9-422, became Eddy Vital, SC-17515, and headed off to fight in the Korean War. In 1967, after fifteen years in the Canadian Forces, Eddy returned home. He worked with Inuit youth struggling with drug and alcohol addiction, and, in 1974, started writing his life’s story. This compelling memoir traces an Inuk’s experiences of world travel and military service. Looking back on his life, Weetaltuk wanted to show young Inuit that they can do and be what they choose. From the Tundra to the Trenches is the fourth book in the First Voices, First Texts series, which publishes lost or underappreciated texts by Indigenous writers. This new English edition of Eddy Weetaltuk’s memoir includes a foreword and appendix by Thibault Martin and an introduction by Isabelle St-Amand.