A hardback collection of some of the funniest strips in British comics, from legendary humour cartoonist Tom Paterson! Scottish artist Tom Paterson is one of the most inventive and influential cartoonists British comics have produced. Inspired by the work of George Martin, Leo Baxendale and Ken Reid, Tom became a comic artist at a young age, working for Fleetway and DC Thomsons on such classic strips as Sweeny Toddler, Calamity James, Buster, Grimly Feendish, The Numskulls, Bananaman and Dennis the Menace. At the beginning of his career Tom was ghosting artists like Baxendale, but his own style and sense of humour quickly developed and Tom’s work soon became unmistakable. His trademark stinky, striped sock often appeared in the panels of his work – a useful identifier born out of an age where publishers frowned upon artists signing their work. Along with the sock came the additional, visual comedic gags scattered throughout the strips, giving each one that instant re-readability. This collection features some of Tom’s outstanding colour and black & white strip work for IPC/Fleetway from titles like Buster, Whoopee!, Jackpot, Whizzer & Chips and Oink! amongst others. With quotes from the man himself and some extra, added treasures, this is a must have for fans of British humour comics both young and old!

Arguing that British comics are distinct from their international counterparts, a unique showcase of the major role they have played in the imaginative lives of British youth—and some adults. In this entertaining cultural history of British comic papers and magazines, James Chapman shows how comics were transformed in the early twentieth century from adult amusement to imaginative reading matter for children. Beginning with the first British comic, Ally Sloper—known as “A Selection, Side-splitting, Sentimental, and Serious, for the Benefit of Old Boys, Young Boys, Odd Boys generally, and even Girls”—British Comics goes on to describe the heyday of comics in the 1950s and ’60s, when titles such as School Friend and Eagle sold a million copies a week. Chapman also analyzes the major genres, including schoolgirl fantasies and sports and war stories for boys; the development of a new breed of violent comics in the 1970s, including the controversial Action and 2000AD; and the attempt by American publisher, Marvel, to launch a new hero for the British market in the form of Captain Britain. Considering the work of important contemporary comic writers such as Alan Moore, Grant Morrison, Ian Edginton, Warren Ellis, and Garth Ennis, Chapman’s history comes right up to the present and takes in adult-oriented comics such as Warrior, Crisis, Deadline,and Revolver, and alternative comics such as Viz. Through a look at the changing structure of the comic publishing industry and how comic publishers, writers, and artists have responded to the tastes of their consumers, Chapman ultimately argues that British comics are distinctive and different from American, French, and Japanese comics. An invaluable reference for all comic collectors and fans in Britain and beyond, British Comics showcases the major role comics have played in the imaginative lives of readers young and old.

Discover the true purpose of your life with a patented nine-step process. In Deeper, Richer, Fuller, Tom Paterson, world-renowned business strategist, inventor, and mentor, demonstrates how Christians can become everyday saints, learning to love and help others by living out God’s purpose. Through Patterson’s patented LifePlan process you can: - Identify important milestones in your spiritual journey - Discover your spiritual roadblocks - Create a life of joyous fulfillment - Deepen your relationship with God Peppered with personal stories from a lifetime of interactions with world and spiritual leaders—from U.S. presidents to Walt Disney to famous CEOs—Deeper, Richer, Fuller delivers an extraordinary process of spiritual transformation, allowing you to chart your course for the future.

Black widows, femme fatales, mad scientists and giant spiders abound in this collection of horrifying Misty stories, all drawn by horror comics maestro Jaume Rumeu Perera! Fall into a web of terror! The Jaume Rumeu Collection is packed with four terrifying tales from the pages of Misty, which showcase the stunning art of Jaume Rumeu Perera, also known as Homero! Black widows, femme fatales, mad scientists and giant spiders abound in this nightmarish volume of classic Misty tales. This collection celebrates one of the most iconic villains in British girls' comics: the lethal Mrs. Webb, a raging femme fatale with killer style and a bone to pick with the British Establishment. Determined to take over the country with her army of giant arachnids, only two schoolgirls stand between her and global domination! Full of stunning artwork, terrifying twists, beautiful - but deadly - women, and, of course - giant spiders, this is an essential comic for any horror connoisseur.

Discloses secrets and corruption the watchdog group has discovered in the Obama administration through various legal battles, sharing insights into activities related to terrorism, illegal immigration, and the health-care initiative.

This is a new edition of the sold out edition of the long lost classic from the hugely popular and long running Buster comic. Ken Reid is consistently name-checked by the greats of comics - from Alan Moore to Kevin O'Neill, John Wagner to Pat Mills - for his unique art that is matched only by his enduring sense of humour. In a hardcover edition befitting his status as one of the all-too-forgotten greats of British comics, we present his timeless Faceache - the humorous adventures of Ricky Rubberneck, the boy with a "bendable bonce" whose skin stretches like rubber. At will, he could scrunge his face into anything, whether it's mimicing others or turning into grotesque creatures - but always coming a cropper!

THE COMIC WORLD'S GREATEST MENACE! Sweeny Toddler was his greatest creation for IPC - a two-year-old terror who manages to cause mayhem from beyond his pram and cot.

All-ages omnibus featuring classic humour characters from yesteryear brought back with brand new stories from the top humour comics talent of today! Britain's golden age of humour comics returns for the 21st century, with brand new stories by today’s top talents. Featuring characters like Kid Kong, Grimly Feendish, Faceache, and Frankie Stein are given new life in this compendium of hilarity by Neil Googe (The Flash), Cavan Scott (Doctor Who), Tom Paterson (The Beano, The Dandy), Shelli Paroline (Adventure Time) and Hilary Barta (DC Comics Plastic Man)!

This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

A New York Times Notable Book for 2011 One of The Economist's 2011 Books of the Year People speak different languages, and always have. The Ancient Greeks took no notice of anything unless it was said in Greek; the Romans made everyone speak Latin; and in India, people learned their neighbors' languages—as did many ordinary Europeans in times past (Christopher Columbus knew Italian, Portuguese, and Castilian Spanish as well as the classical languages). But today, we all use translation to cope with the diversity of languages. Without translation there would be no world news, not much of a reading list in any subject at college, no repair manuals for cars or planes; we wouldn't even be able to put together flat-pack furniture. Is That a Fish in Your Ear? ranges across the whole of human experience, from foreign films to philosophy, to show why translation is at the heart of what we do and who we are. Among many other things, David Bellos asks: What's the difference between translating unprepared natural speech and translating Madame Bovary? How do you translate a joke? What's the difference between a native tongue and a learned one? Can you translate between any pair of languages, or only between some? What really goes on when world leaders speak at the UN? Can machines ever replace human translators, and if not, why? But the biggest question Bellos asks is this: How do we ever really know that we've understood what anybody else says—in our own language or in another? Surprising, witty, and written with great joie de vivre, this book is all about how we comprehend other people and shows us how, ultimately, translation is another name for the human condition.