No detailed description available for "The Travels of the Infante Dom Pedro of Portugal".

The third edition of Historical Dictionary of Portugal greatly expands on the second edition through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions, as well as on significant political, economic, social, and cultural aspects.

This book offers a critical methodology for analyzing travel literature. The subject of travel literature, as well as travel literatures, have not always been regarded with respect or given much critical attention. In order to amend this lack of positive reception, Francis Tobienne Jr. analyzes the late medieval text Mandeville’s Travels, specifically the Cotton MS. This text, though not overly popular currently, was among the most popular pieces of literature for well beyond its fourteenth-century inception in some three hundred manuscripts divided into three groups as well as early printed editions; further, this text offers a way in which to approach other pieces of travel literature. To facilitate this critical process Tobienne proposes a seven-part method: 1. Identify and Define the Problem, 2. Make Observations, 3. Look for Regularities, 4. Wonder Why Regularities Exist, 5. Propose a Hypothesis, 6. Use an Experiment and 7. Have Reproducible Results. Of note, Mandeville’s Travels is both the impetus behind this seven-part method, as well as the object of study. Thus, Tobienne showcases how each element of the seven-part method is at play in the text, even as he argues for the text’s importance within medieval studies. Also included in this examination is the application of this seven-part method to medieval and post-period pieces of literature. The book culminates in an argument for the canonization and importance of Mandeville’s Travels in and beyond medieval studies.

"A welcome addition to the growing literature dedicated to 'Atlantic Studies.'. . . Recommended for the professional scholar, the university student, and the educated public."—History

Foundations of the Portuguese Empire, 1415-1580 was first published in 1977. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This account traces the history of the Portuguese overseas discoveries, following the expansion into the Atlantic island, the Madeiras, and the Azores. It continues the account with the history of Portuguese discoveries along the African coast, at Guinea, the Congo, and Good Hope, then follows the voyages of Vasco da Gama to India and to Cabra, Brazil, and the expansion in the early years of the sixteen century to Malacca, China, and the East Indies. The volume presents not only a useful narrative of the spread of Portuguese empire but also new interpretations and analyses of the Portuguese overseas history.

Matthew's Gospel reveals little about the three wealthy visitors said to have presented gifts to the infant Jesus. Yet hundreds of generations of Christians have embellished that image of the Three Kings or Magi for a myriad of social and political as well as spiritual purposes. Here Richard Trexler closely examines how this story has been interpreted and used throughout the centuries. Biblically, the Journey of the Magi presents a positive image of worldly power, depicting the faithful in progress toward their God and conveying the importance of the gift-giving laity as legitimators of their deity. With this in mind, Trexler explains in particular how Western societies have molded the story to describe and augment their own power--before the infant God and among themselves. The author demonstrates how the magi as a group functioned in Christian society. For example, magi plays, processions, and images taught people how to pray and behave in reverential contexts; they featured monarchs and heads of republics who enacted the roles of the magi to legitimate their rule; and they constrained native Americans to fall in line behind the magi to instill in them loyalty toward the European world order. However, Trexler also shows these philosopher-kings as competitive among each other, as were groups of different ages, races, and genders in society at large. Originally modeled on representations of the Roman triumphs, the magi have reached the present day as street children wearing crowns of cardboard, proving again the universality of the image for constructing, reinforcing, and even challenging a social hierarchy. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henry the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in the light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy. Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders. In 1993, she was conferred O Grao Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula.

Winner of the Dom João de Castro Prize for Portuguese History This is the story of the first and one of the greatest colonial empires: its birth, apotheosis, and decline. By approaching the history of the Portuguese empire thematically, A. J. R. Russell-Wood is able to pursue ideas and make connections that previously have been constrained by strict chronological approaches. Using the study of movement as a focus, Russell-Wood gains unique insight into the diversity, breadth, and balance between the competing interests and priorities that characterized the Portuguese culture and its expansion spanning four centuries' events on four different continents.