This book provides a stunning and revelatory overview of the causes behind the current world upheaval, and the immediate and long term goals of a well-developed Plan for the transfiguration of our world. It explains how the world is being guided by a co-creative effort of humanity and an interdimensional Light Alliance who are together transforming.

2023 Catholic Media Association First Place Award, Mysticism In A World Transfigured: The Mystical Journey, Philip Sheldrake demonstrates the importance of the mystical dimension of religious belief and practice. Using the words of the great theologian, Karl Rahner, Sheldrake makes the case that the Christian of the future will be either a mystic or nothing at all. In our contemporary world, this judgment applies equally to other religions as well. After chapters on the meaning of “mysticism” and the connection between mysticism and beliefs, Sheldrake describes important dimensions of mystical writings, illustrated by a range of examples. These are “Love and Desire,” “Knowing and Unknowing,” “Wonder and Beauty,” “Mysticism and Everyday Practice,” and “The Mystic as Radical Prophet.” Finally, the book briefly explores why mysticism fascinates so many people in our modern times.

Today there is a growing eagerness to enter into a deeper knowledge of the Mass, the sacraments and the whole life of the Church. A particularly rewarding insight comes from a penetration of the actual words, gestures and symbols used in worship. "The Church wants us to stop and look and be enriched by the glories she presents for our contemplation," writes Sister Laurentia. "The liturgy is God's art. For his material he uses our familiar earth, air, fire and water. In this manner our world undergoes a revelation, an epiphany-it becomes a transfigured world." More importantly, God shapes and uses these materials in order to transfigure man. Through the sacramental power of the liturgy, God comes down to man, and lifts man up to Him; to a sharing in His divine life. In order to gain an insight into the wonders of God's transfigured world, Sister Laurentia examines the relationship of art to the liturgy, and the structure of the liturgy itself. The result is an inspiring, readable book that will give the reader a deeper understanding of the beauty and meaning of worship.

WJTOW suggests that we might be better off paying less attention to Jesus' Second Coming and more to his sense of irony and his outrage with religious bigotry. The questions people need to ask about this "man of Nazareth" have a lot to do with recognizing how different our world is from the one Jesus was born into and understood so intimately. It's probably true that the 21st century world, with all of its problems and troubles, is a much better world than the first century middle east that Jesus knew, and we shouldn't be ashamed to come to Jesus with all this package of Darwin and Einstein, Hubble telescopes and Mars landers, medical miracles and quantum physics. Our modern souls are, after all, all we have to give to him. This book looks at a handful of questions that thoughtful Christians have raised with the author (and a couple of his own) in more than 50 years in serving parishes in the US and Canada. The author takes a common sense approach to these issues and assumes that Jesus knew what he has talking about. Moreover, it still makes sense even in a modern, space-age setting.

Schuon proposes a view of man contradictory to the image of modern psychology; he views human nature in relationship to God.

This study contextualizes the achievement of a strategically crucial figure in Byzantium's turbulent seventh century, the monk and theologian Maximus the Confessor (580-662). Building on newer biographical research and a growing international body of scholarship, as well as on fresh examination of his diverse literary corpus, Paul Blowers develops a profile integrating the two principal initiatives of Maximus's career: first, his reinterpretation of the christocentric economy of creation and salvation as a framework for expounding the spiritual and ascetical life of monastic and non-monastic Christians; and second, his intensifying public involvement in the last phase of the ancient christological debates, the monothelete controversy, wherein Maximus helped lead an East-West coalition against Byzantine imperial attempts doctrinally to limit Jesus Christ to a single (divine) activity and will devoid of properly human volition. Blowers identifies what he terms Maximus's "cosmo-politeian" worldview, a contemplative and ascetical vision of the participation of all created beings in the novel politeia, or reordered existence, inaugurated by Christ's "new theandric energy". Maximus ultimately insinuated his teaching on the christoformity and cruciformity of the human vocation with his rigorous explication of the precise constitution of Christ's own composite person. In outlining this cosmo-politeian theory, Blowers additionally sets forth a "theo-dramatic" reading of Maximus, inspired by Hans Urs von Balthasar, which depicts the motion of creation and history according to the christocentric "plot" or interplay of divine and creaturely freedoms. Blowers also amplifies how Maximus's cumulative achievement challenged imperial ideology in the seventh century--the repercussions of which cost him his life-and how it generated multiple recontextualizations in the later history of theology.

Can Orthodox Christianity offer unique spiritual resources especially suited to the environmental concerns of today? This book makes the case that yes, it can. In addition to being the first substantial and comprehensive collection of essays, in any language, to address environmental issues from the Orthodox point of view, this volume with contributions from the most highly influential theologians and philosophers in contemporary world Orthodoxy will engage a wide audience, in academic as well as popular circles--resonating not only with Orthodox audiences but with all those in search of a fresh approach to environmental theory and ethics that can bring the resources of ancient spirituality to bear on modern challenges.

John Dear, SJ, believes that social activism and faith are inseparable. Acting in the name of the nonviolent Jesus, Dear has been arrested more than seventy-five times, has spent more than a year of his life in jail, and has been mocked by armed U.S. soldiers standing outside the doors to his New Mexico parish. A Persistent Peace, John Dear's autobiography, invites readers to follow the decades-long journey of social activism and spiritual growth of this nationally known peace activist and to witness his bold, decisive, often unpopular actions on behalf of peace. From his conversion to Christianity, to his calling to become a Jesuit, to the extreme dangers and delights of a life dedicated to truly living out the radical, forgiving love of Jesus, John's incredible story of social activism will touch anyone who believes in the power of peace.

The most extensive collection of Grey’s visionary artwork and life’s journey in one volume • Includes a foreword by Albert Hofmann and essays on Grey’s work by renowned art critic Donald Kuspit, philosopher Ken Wilber, and Stephen Larsen, author of Joseph Campbell: A Fire in the Mind • 21,000 sold in hardcover since October 2001 Every once in a great while an artist emerges who does more than simply reflect the social trends of the time. Such an artist is able to transcend established thinking and help us redefine ourselves and our world. Today, a growing number of art critics, philosophers, and spiritual seekers believe that they have found that vision in the art of Alex Grey. Transfigurations, the follow-up to Grey’s Sacred Mirrors (1991)--one of the most successful art books of the 1990s--includes all of Grey’s major works completed in the following decade, including the masterful seven-paneled altarpiece Nature of Mind, called “the grand climax of Grey’s art” by Donald Kuspit. His portrayals of human beings blend anatomical exactitude with visionary depictions of universal life energy. Alex Grey’s striking artwork leads us on the soul’s journey from material world encasement to recovery of the divinely illuminated core.

Danto argues that recent developments in art--in particular the production of works that cannot be told from ordinary things--make urgent the need for a new theory of art. He demonstrates the relationship between philosophy and art and the connections that hold between art, social institutions, and art history.