Benjamin Dewey's The Tragedy Series is an addictive collection of funny-sad comics based on the popular Tumblr blog. Welcome and good tidings, ladies, gentlemen, and all manner of upstanding, sentient beasts. The book you hold in your hands (pinchers, tentacles, paws, etc.), is a guide to avoiding the more common pitfalls that appear after parting ways with lady luck. You need not be duped by a collection of rats in an elaborate costume, dressed as a handsome suitor, or experience the embarrassment so many have already endured after bringing their ordinarily well-behaved, large sea mammal to an art gallery only to see cultural treasures defiled by inadvertent clumsiness arising from a frame better built for the confines of Poseidon's realm. More than five hundred unfortunate results of the manifold paths our life may offer have been helpfully diagramed for you along with positive affirmations of this veil's wonders and much more! Alexander the Great once remarked that "upon the conduct of each depends the fate of all" and his words may be taken as injunction to obtain this volume for your very own to ensure the continued security of our very civilization.

I'm coming for you. The whispers haunt her dreams and fill her waking hours with dread. Something odd is happening. Something...unnatural. Possession of the living. Resurrection of the dead. And Natalie Stewart is caught right in the middle. Jonathon, the one person she thought she could trust, has become a double agent for the dark side. But he plays the part so well, Natalie has to wonder just how much he's really acting. She can't even see what it is she's fighting. But the cost of losing her heart, her sanity...her soul. Praise for Darker Still, an Indie Next Selection: "Original, haunting, and romantic." -YA Bound "This chilling tale will draw you in and keep you guessing until the very last page." -Seventeen.com

'The Soul of Tragedy' brings together scholars to offer perspectives on the Greek tragedy. The collection pays homage to this genre by offering an exploration into the oldest form of dramatic expression.

With The Tragedy and Comedy of Life, Seth Benardete completes his examination of Plato's understanding of the beautiful, the just, and the good. Benardete first treated the beautiful in The Being of the Beautiful (1984), which dealt with the Theaetetus, Sophist, and Statesman; and he treated the just in Socrates Second Sailing (1989), which dealt with the Republic and sought to determine the just in its relation to the beautiful and the good. Benardete focuses in this volume on the good as discussed in the Philebus, which is widely regarded as one of Plato's most complex dialogues. Traditionally, the Philebus is interpreted as affirming the supposedly Platonic doctrine that the good resides in thought and mind rather than in pleasure or the body. Benardete challenges this view, arguing that Socrates vindicates the life of the mind over against the life of pleasure not by separating the two and advocating a strict asceticism, but by mixing pleasure and pain with mind in such a way that the philosophic life emerges as the only possible human life. Socrates accomplishes this by making use of two principles - the limited and the unlimited - and shows that the very possibility of philosophy requires not just the limited but also the unlimited, for the unlimited permeates the entirety of life as well as the endless perplexity of thinking itself. Benardete combines a probing and challenging commentary that subtly mirrors and illumines the complexities of this extraordinarily difficult dialogue with the finest English translation of the Philebus yet available. The result is a work that will be of great value to classicists, philosophers, and political theorists alike.

Every year at an exclusive private boarding school in New York state, the graduating students uphold an old tradition - they must swear an oath of secrecy and leave behind a "treasure" for each incoming senior. When Duncan Meade inherits the room and secrets of Tim Macbeth, he uncovers evidence of a clandestine romance, and unravels the truth behind one of the biggest mysteries in the school's history. How far would you go to keep a secret?

Winner, 2021 PROSE Award in the Cultural Anthropology & Sociology Category Finalist, 2021 Lambda Literary Award in LGBTQ Studies A troubling account of heterosexual desire in the era of #MeToo Heterosexuality is in crisis. Reports of sexual harassment, misconduct, and rape saturate the news in the era of #MeToo. Straight men and women spend thousands of dollars every day on relationship coaches, seduction boot camps, and couple’s therapy in a search for happiness. In The Tragedy of Heterosexuality, Jane Ward smartly explores what, exactly, is wrong with heterosexuality in the twenty-first century, and what straight people can do to fix it for good. She shows how straight women, and to a lesser extent straight men, have tried to mend a fraught patriarchal system in which intimacy, sexual fulfillment, and mutual respect are expected to coexist alongside enduring forms of inequality, alienation, and violence in straight relationships. Ward also takes an intriguing look at the multi-billion-dollar self-help industry, which markets goods and services to help heterosexual couples without addressing the root of their problems. Ultimately, she encourages straight men and women to take a page out of queer culture, reminding them “about the human capacity to desire, fuck, and show respect at the same time.”

The world watched in horror in April 2007 when Virginia Tech student Seung-Hui Cho went on a killing rampage that resulted in the deaths of thirty-two students and faculty members before he ended his own life. Former Virginia Tech English department chair and distinguished professor Lucinda Roy saw the tragedy unfold on the TV screen in her home and had a terrible realization. Cho was the student she had struggled to get to know–the loner who found speech torturous. After he had been formally asked to leave a poetry class in which he had shared incendiary work that seemed directed at his classmates and teacher, Roy began the difficult task of working one-on-one with him in a poetry tutorial. During those months, a year and a half before the massacre, Roy came to realize that Cho was more than just a disgruntled young adult experimenting with poetic license; he was, in her opinion, seriously depressed and in urgent need of intervention. But when Roy approached campus counseling as well as others in the university about Cho, she was repeatedly told that they could not intervene unless a student sought counseling voluntarily. Eventually, Roy’s efforts to persuade Cho to seek help worked. Unbelievably, on the three occasions he contacted the counseling center staff, he did not receive a comprehensive evaluation by them–a startling discovery Roy learned about after Cho’s death. More revelations were to follow. After responding to questions from the media and handing over information to law enforcement as instructed by Virginia Tech, Roy was shunned by the administration. Papers documenting Cho’s interactions with campus counseling were lost. The university was suddenly on the defensive. Was the university, in fact, partially responsible for the tragedy because of the bureaucratic red tape involved in obtaining assistance for students with mental illness, or was it just, like many colleges, woefully underfunded and therefore underequipped to respond to such cases? Who was Seung-Hui Cho? Was he fully protected under the constitutional right to freedom of speech, or did his writing and behavior present serious potential threats that should have resulted in immediate intervention? How can we balance students’ individual freedom with the need to protect the community? These are the questions that have haunted Roy since that terrible day. No Right to Remain Silent is one teacher’s cri de coeur–her dire warning that given the same situation today, two years later, the ending would be no less terrifying and no less tragic.

“Inspiring, tragic, and at times heart-rendingly funny.” —People Unsentimental, unexpectedly funny, and incredibly honest, Tragedy Plus Time is a love letter to every family that has ever felt messy, complicated, or (even momentarily) magnificent. Meet the Magnificent Cayton-Hollands, a trio of brilliant, acerbic teenagers from Denver, Colorado, who were going to change the world. Anna, Adam, and Lydia were taught by their father, a civil rights lawyer, and mother, an investigative journalist, to recognize injustice and have their hearts open to the universe—the good, the bad, the heartbreaking (and, inadvertently, the anxiety-inducing and the obsessive-compulsive disorder-fueling). Adam chose to meet life’s tough breaks and cruel realities with stand-up comedy; his older sister, Anna, chose law; while their youngest sister, Lydia, struggled to find her place in the world. Beautiful and whip-smart, Lydia was witty, extremely sensitive, fiercely stubborn, and always somewhat haunted. She and Adam bonded over comedy from a young age, running skits in their basement and obsessing over episodes of The Simpsons. When Adam sunk into a deep depression in college, it was Lydia who was able to reach him and pull him out. But years later as Adam’s career takes off, Lydia’s own depression overtakes her, and, though he tries, Adam can’t return the favor. When she takes her own life, the family is devastated, and Adam throws himself into his stand-up, drinking, and rage. He struggles with disturbing memories of Lydia’s death and turns to EMDR therapy to treat his post-traumatic stress disorder when he realizes there’s a difference between losing and losing it. Adam Cayton-Holland is a tremendously talented writer and comedian, uniquely poised to take readers to the edges of comedy and tragedy, brilliance and madness. Tragedy Plus Time is a revelatory, darkly funny, and poignant tribute to a lost sibling that will have you reaching for the phone to call your brother or sister by the last page.

Patience Thumm, the adventurous daughter of an NYPD inspector, teams up with actor Drury Lane to solve the mystery of a senator’s murder. Patience Thumm has just traveled the world. She turned heads in London, sipped absinthe in Tunis, and debated philosophy on the Left Bank of Paris. When she returns home to New York with a smuggled copy of Lady Chatterley’s Lover in her bag, her father, the NYPD’s Inspector Thumm, is quite unprepared to handle her. At first, it seems they have nothing in common—but the two soon discover a shared appetite for murder. When a corrupt senator is stabbed to death in his study, Patience can’t resist hunting for the killer. With the help of her father’s old friend Drury Lane, the legendary Shakespearean actor, she will find that all the exotic cities of the world can’t offer anything as exciting as a New York homicide.

In The Tragedy of Philosophy Andrew Cooper challenges the prevailing idea of the death of tragedy, arguing that this assumption reflects a problematic view of both tragedy and philosophy—one that stifles the profound contribution that tragedy could provide to philosophy today. To build this case, Cooper presents a novel reading of Immanuel Kant's Critique of Judgment. Although this text is normally understood as the final attempt to seal philosophy from the threat of tragedy, Cooper argues that Kant's project is rather a creative engagement with a tragedy that is specific to philosophy, namely, the inevitable failure of attempts to master nature through knowledge. Kant's encounter with the tragedy of philosophy turns philosophy's gaze from an exclusive focus on knowledge to matters of living well in a world that does not bend itself to our desires. Tracing the impact of Kant's Critique of Judgment on some of the most famous theories of tragedy, including those of G. W. F. Hegel, Friedrich Nietzsche, Martin Heidegger, and Cornelius Castoriadis, Cooper demonstrates how these philosophers extend the project found in both Kant and the Greek tragedies: the attempt to grasp nature as a domain hospitable to human life.