This book is the most comprehensive and authoritative survey of the traditional pottery of Papua New Guinea ever produced. The authors have made a thorough analysis of pottery-making throughout Papua New Guinea based on eight years of field work. They proffer a first-hand account of clay preparation, pottery formation, and firing techniques, interwoven with information on the functions of pottery and the various approaches to decoration.

Most education research is undertaken in western developed countries. While some research from developing countries does make it into research journals from time to time, but these articles only emphasize the rarity of research in developing countries. The proposed book is unique in that it will cover education in Papua New Guinea over the millennia. Papua New Guinea’s multicultural society with relatively recent contact with Europe and the Middle East provides a cameo of the development of education in a country with both a colonial history and a coup-less transition to independence. Discussion will focus on specific areas of mathematics education that have been impacted by policies, research, circumstances and other influences, with particular emphasis on pressures on education in the last one and half centuries. This volume will be one of the few records of this kind in the education research literature as an in-depth record and critique of how school mathematics has been grown in Papua New Guinea from the late 1800s, and should be a useful addition to graduate programs mathematics education courses, history of mathematics, as well as the interdisciplinary fields of cross cultural studies, scholarship focusing on globalization and post / decolonialism, linguistics, educational administration and policy, technology education, teacher education, and gender studies.

This works proposes that a women's tradition in ceramics is one in which pottery making is a gendered activity intimately connected with female identity. The knowledge is passed down from one generation to the next. It guides the reader through these traditions continent by continent. Different areas are illustrated with beautiful, detailed maps and fascinating colour photographs from around the world.

“This edited volume of invited chapters honours the four decades of fundamental research by archaeologist Glenn Summerhayes into the human prehistory of the islands of the western Pacific, especially New Guinea and its offshore islands. This area helped to shape and direct many ancient dispersal events associated with Homo sapiens, initially from Africa more than 50,000 years ago, through the lower latitudes of Asia, into Australia, New Guinea, the Bismarck Archipelago, and possibly the Solomon Islands. Around 3000 years ago, coastal regions of northern and eastern New Guinea, and the islands of Melanesia beyond, played a major role in the Oceanic migrations of Austronesian-speaking peoples from southern China and Southeast Asia, migrations that have recently attained new levels of genetic complexity through the analysis of ancient DNA from human remains. For the first time, humans of both Southeast Asian and New Guinea/Bismarck genetic origin reached the islands of Remote Oceania, beyond the Solomons. Many of the chapters in this book deal with archaeological aspects of this Austronesian maritime expansion (which never seriously impacted the populations of the New Guinea Highlands), especially as revealed through the analysis of Lapita pottery and associated artefacts. Other chapters offer archaeological perspectives on trade and exchange, and on related topics that extend into the ethnographic era. The research of Glenn Summerhayes stands centrally amongst all these offerings, ranging from the discovery of some of the oldest traces of Pleistocene human settlement in Papua New Guinea to documentation of the remarkable phenomenon of Lapita expansion through Melanesia into western Polynesia around 3000 years ago. This volume is a fitting celebration of a remarkable career in western Pacific archaeology and population history.” ­— Emeritus Professor Peter Bellwood, The Australian National University

For over 25,000 years, humans across the globe have shaped, decorated, and fired clay. Despite great differences in location and time, universal themes appear in the world’s ceramic traditions, including religious influences, human and animal representations, and mortuary pottery. In Global Clay: Themes in World Ceramic Traditions, noted pottery scholar John A. Burrison explores the recurring artistic themes that tie humanity together, explaining how and why those themes appear again and again in worldwide ceramic traditions. The book is richly illustrated with over 200 full-color, cross-cultural illustrations of ceramics from prehistory to the present. Providing an introduction to different styles of folk pottery, extensive suggestions for further reading, and reflections on the future of traditional pottery around the world, Global Clay is sure to become a classic for all who love art and pottery and all who are intrigued by the human commonalities revealed through art.

This volume draws together topics and methodologies essential for the socio-cultural, mineralogical, and geochemical analysis of archaeological ceramic, one of the most complex and ubiquitous archaeomaterials in the archaeological record. It provides an invaluable resource for archaeologists, anthropologists, and archaeological materials scientists.

In the late 1800s, missionaries and government officials stationed along the south coast of Papua New Guinea began to observe large fleets of indigenous Motu sailing ships coming and going out of present-day Port Moresby. Each year the women of nearby villages manufactured tens of thousands of clay pots to be loaded onto the ships that men built, then sailed with their cargos westward some 400 kilometers. Upon arrival at prearranged destination-villages in distant lands to the west—lands populated by peoples speaking foreign languages—the pots together with the shell valuables were exchanged for hundreds of tons of sago flour. While in those villages, the men dismantled their ships and built them anew, literally from the bottom up, because trees of sufficient size to make large sailing ships did not grow in the landscapes of their home villages. Both the Motu of the Port Moresby region and sago producers of the Gulf of Papua to the west knew of these ventures as hiri. Through first-hand archaeological research at recipient villages, archaeologists Robert Skelly and Bruno David investigate the origins of this indigenous maritime trade system, from ancient roots in the famed Lapita culture of three thousand years ago up to the present. They offer details from archaeological digs that led them from the first ceramics of the south coast of Papua New Guinea to pottery with unmistakable signs of the ethnographic hiri. Along the south coast of Papua New Guinea, the maritime endeavor that is the hiri is revealed in historical perspective, including stories of its colonial past.

Archaeology and Language III interprets results from archaeological data in terms of language distribution and change, providing the tools for a radical rewriting of the conventional discourse of prehistory. Individual chapters present case studies of artefacts and fragmentary textual materials, concerned with the reconstruction of houses, maritime technology, pottery and grave goods.

Trade before Civilization explores the role that long-distance exchange played in the establishment and/or maintenance of social complexity, and its role in the transformation of societies from egalitarian to non-egalitarian. Bringing together research by an international and methodologically diverse team of scholars, it analyses the relationship between long-distance trade and the rise of inequality. The volume illustrates how elites used exotic prestige goods to enhance and maintain their elevated social positions in society. Global in scope, it offers case studies of early societies and sites in Europe, Asia, Oceania, North America, and Mesoamerica. Deploying a range of inter-disciplinary and cutting-edge theoretical approaches from a cross-cultural framework, the volume offers new insights and enhances our understanding of socio-political evolution. It will appeal to archaeologists, cultural anthropologists, conflict theorists, and ethnohistorians, as well as economists seeking to understand the nexus between imported luxury items and cultural evolution.

Building and Remembering is a multidisciplinary study of how memory works in relation to the material past. Based on collaborative ethnoarchaeological research carried out in Orokolo Bay (Papua New Guinea), Chris Urwin explores oral traditions maintained and produced in relation to artifacts and stratigraphy. He shows how cultivation and construction bring people from Orokolo Bay into regular contact with pottery sherds and thin layers of black sand. Both the pottery and the sand are forms of material evidence that remind people of the movements and activities of their ancestors, and they help sustain stories of origins and connections. The sherds remind people of the layout of their ancestors’ villages, and of the annual maritime visits by Motu people who came from 400 km to the east. The black sand evokes events of the distant past when their ancestors created the land through magic. Villagers in Orokolo Bay have intimate knowledge of the contents of the subsurface, and places where people work and dig more regularly are thought of as especially ancient. Here, people conduct their own form of “archaeology” as part of everyday life. This book interweaves such community constructions of the past with the emergence of large coastal villages in Orokolo Bay and across a broader span of the south coast of Papua New Guinea. The villages housed dense populations and hosted elaborate masked ceremonies that could span decades. When Sir Albert Maori Kiki—the former Deputy Prime Minister—moved to Orokolo Bay in the mid-1930s, he was mesmerized by the place, which appeared like “a modern metropolis . . . buzzing with noise and activity.” Yet little is known of when these villages originated or how they developed. In this book, archaeological digs and radiocarbon dating are used to gain insight into how several Orokolo Bay sites developed, focusing on the key origin and migration village of Popo. Village elders share their understandings of ancestral places during surveys and through oral traditions. People lived in Popo for some five hundred years, moving to, through, and from the estates, expanding and at times shifting the village to access the social and subsistence benefits of coastal village life.