The Track of Sand is Andrea Camilleri's twelfth outing in the wryly humorous Inspector Montalbano series. Inspector Montalbano rises one morning to find the carcass of a horse on the beach in front of his seaside home. But no sooner do his men arrive, than the body has mysteriously vanished, leaving only a track in the sand. Before long Rachele, a beguiling equestrian champion, turns up at police headquarters to report her horse missing. The horse had been stabled at the grounds of a certain Saverio Lo Duca, one of the richest men in Sicily. Lo Duca has lost one of his own horses too. Montalbano, his curiosity piqued, investigates, but before long things take a more disturbing turn . . . But who has Montalbano upset within this strange, unfamiliar world of horse-racing? And what has the Mafia to do with it all? The Track of Sand is followed by the thirteenth novel in the series, The Potter's Field. PRAISE FOR THE SERIES "A magnificent series of novels" Sunday Times "There's a deliciously playful quality to the mysteries Andrea Camilleri writes about a lusty Sicilian police detective named Salvo Montalbano." New York Times Book Review "Camilleri as crafty and charming a writer as his protagonist is an investigator." The Washington Post "The books are full of sharp, precise characterizations and with subplots that make Montalbano endearingly human ... Like the antipasti that Montalbano contentedly consumes, the stories are light and easily consumed, leaving one eager for the next course." New York Journal of Books

The Track of Sand is Andrea Camilleri's twelfth outing in the wryly humorous Inspector Montalbano series. Inspector Montalbano rises one morning to find the carcass of a horse on the beach in front of his seaside home. But no sooner do his men arrive, than the body has mysteriously vanished, leaving only a track in the sand. Before long Rachele, a beguiling equestrian champion, turns up at police headquarters to report her horse missing. The horse had been stabled at the grounds of a certain Saverio Lo Duca, one of the richest men in Sicily. Lo Duca has lost one of his own horses too. Montalbano, his curiosity piqued, investigates, but before long things take a more disturbing turn . . . But who has Montalbano upset within this strange, unfamiliar world of horse-racing? And what has the Mafia to do with it all? The Track of Sand is followed by the thirteenth novel in the series, The Potter's Field.

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window A hail of bullets interrupts a period of dead calm. An elderly brother and sister open fire on the plaza below their apartment, punishing the people of Vigàta for their sins. News cameras capture Montalbano—gun in hand—as he scales the building to capture the ancient snipers. Inside he finds a nightmarish world of religious objects and a well-worn inflatable sex doll that will come back to haunt him. The Inspector is hailed as a hero after the televised adventure and calm returns. But Montalbano begins to receive cryptic messages in verse, challenging him to go on a "treasure hunt." Intrigued, he accepts, treating the messages as amusing riddles—until they take a dangerous turn.

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window Things are not going well for Inspector Salvo Montalbano. His relationship with Livia is once again on the rocks and—acutely aware of his age—he is beginning to grow weary of the endless violence he encounters. Then a young woman is found dead, her face half shot off and only a tattoo of a sphinx moth giving any hint of her identity. The tattoo links her to three similarly marked girls-all victims of the underworld sex trade-who have been rescued from the Mafia night-club circuit by a prominent Catholic charity. The problem is, Montalbano's inquiries elicit an outcry from the Church and the three other girls are all missing.

Collected in one volume—the first three books in the bestselling Inspector Montalbano mystery series “You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window American readers were first introduced to Sicily’s inimitable Inspector Salvo Montalbano more than ten years ago. Since then, the detective—and his characteristic mix of humor, cynicism, compassion, and love of good food—has won the affection of crime fiction aficionados and Italophiles alike. With Andrea Camilleri’s last two mysteries appearing on the New York Times bestseller list, it’s clear that interest in the series is at an all time high. Now, Death in Sicily features the Inspector’s first three adventures in one handy volume, offering new readers just the enticement they need to get started.

The new novel in the transporting New York Times bestselling Inspector Montalbano mystery series Giovanni Trincanato has brought ruin to the shipyard he inherited from his father and when a worker he fires hangs himself on the construction site, Inspector Montalbano is called to the scene. In short order, the inspector loses his temper with the crass Giovanni, delivers a slap to his face, and unfortunately, it won’t be the last he sees of Trincanato. Meanwhile, a mysterious schooner called Halcyon shows up in the harbor, seemingly deserted except for just one man. With its presence comes even more mysteries, another death, and the arrival of the FBI. Alongside Sicilian-American Agent Pennisi, Montalbano and his team must attempt a suspenseful infiltration operation in this new, page-turning Inspector Montalbano mystery.

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window Witty and entertaining, the Montalbano novels by Andrea Camilleri-a master of the Italian detective story-have become favorites of mystery fans everywhere. In this latest installment, an unidentified corpse is found near Vigàta, a town known for its soil rich with potter's clay. Meanwhile, a woman reports the disappearance of her husband, a Colombian man with Sicilian origins who turns out to be related to a local mobster. Then Inspector Montalbano remembers the story from the Bible-Judas's betrayal, the act of remorse, and the money for the potter's field, where those of unknown or foreign origin are to be buried-and slowly, through myriad betrayals, finds his way to the solution to the crime.

A Nest of Vipers is the twenty-first novel in Andrea Camilleri’s irresistible Inspector Montalbano series. On what should be a quiet Sunday morning, Inspector Montalbano is called to a murder scene on the Sicilian coast. A man has discovered his father dead in his Vigàtan beach house, his body slumped on the dining room floor, his morning coffee spilled across the table, and a single gunshot wound at the base of his skull. First appearances point to the son having the most to gain from his father’s untimely death, a notion his sister can’t help but reinforce. But when Montalbano delves deeper into the case, and learns of the dishonourable life the victim led, it soon becomes clear half of Vigàta has a motive for his murder and this won’t be as simple as the inspector had once hoped . . . A Nest of Vipers is followed by the twenty-second gripping mystery, The Pyramid of Mud.

Aurelio Zen—cynical and tough, yet worn down from years of law enforcement—has just been given the worst assignment he could imagine. He has been sent to the heart of hostile territory: Sicily, the ancient, beautiful island where blood has been known to flow like wine, and the distinction between the police and the criminals is a fine one. Even worse, he has been sent to spy on the elite anti-Mafia squad.The only thing that makes the job palatable—and takes his mind off routine details like the rotting body found in a remote train car—is that Zen's adopted daughter, Carla, is also in town. But life becomes precarious for Carla when she stumbles upon some information she'd be better off not knowing and befriends a local magistrate on the Mafia's most wanted list. What ensues is a breakneck plot of amazing complexity that culminates in a stunning finale. Blood Rain, emotionally gripping and defiantly original, is surely one of Dibdin's finest works.

The new novel in the transporting New York Times bestselling Inspector Montalbano mystery series Vigàta is bustling as the new filming location for a Swedish television series set in 1950. In the production frenzy, the director asks the locals to track down movies and vintage photos to faithfully recreate the air of Vigata in that time. Engineer Ernesto Sabatello, while rummaging in the attic of his house, finds some films shot by his father from 1958 to 1963, always on the same day, March 27 and always the same shot; the outside wall of a country house. Montalbano hears the story, and intrigued by the mystery of it, begins to investigate its meaning. Meanwhile, a middle school is threatened by a group of armed men, and a closer look at the situation finds Montalbano looking into the students themselves and finally delving into the world of social media.