During her history, the steamboat Kingston survived wrecks and fires, until finally being sunk near one of Kingstons ship graveyards in 1930. This book tells her story.

This bibliography of more than three thousand entries, often extensively annotated, lists books and pamphlets that illuminate evolving British views on the United States during a period of great change on both sides of the Atlantic. Subjects addressed in various decades include slavery and abolitionism, women's rights, the Civil War, organized labor, economic, cultural, and social behavior, political and religious movements, and the "American" character in general.

In 1860, Queen Victoria sent her eighteen-year-old son, Albert Edward, Prince of Wales, on a goodwill mission to Canada and the United States. The young heir-apparent (later King Edward VII) had not yet gained his reputation as a fashion setter and rake, but he nevertheless attracted enormous crowds both in Canada, where it was the first royal visit, and in the United States. Civic leaders hosted the visitor in princely style, decorating their towns with triumphal arches and organizing royal entries, public processions, openings, and grand balls. In Royal Spectacle, Ian Radforth recreates these displays of civic pride by making use of the many public and private accounts of them, and he analyses the heated controversies the visit provoked. When communities rushed to honour the prince and put themselves on display, social divisions inadvertently became part of the spectacle seen by the prince and described by visiting journalists. Street theatre reached a climax in Kingston, where the Prince of Wales could not disembark from his steamer because of the defiance of thousands of Orangemen dressed in their brilliant regalia and waiving their banners. Contemporary depictions of the tour provide an opportunity to interpret the cultural values and social differences that shaped Canada during the Confederation decade and the United States on the eve of the Civil War. Topics explored include Orange-Green conflict, First Nations and the politics of public display, contested representations of race and gender, the tourist gaze, and meanings of crown and empire. An original and erudite study, Royal Spectacle contributes greatly to historical research on public spectacle, colonial and national identities, Britishness in the Atlantic world, and the history of the monarchy.

On the occasion of the fiftieth anniversary of Queen Elizabeth’s accession to the throne, the Centre of Canadian Studies of the University of Edinburgh hosted its annual conference on the theme "Majesty in Canada". The essays that were presented at that conference reflect the wide-ranging recognitions of the different roles that monarchs and their representatives have played in Canada. The essays examine how Canadians have understood their ties to royalty and how the regal principle formed an important part of the national identity. Royal tours, vice-regal initiatives, representations of the sovereign’s power, and Canadian appeals to monarchical sentiments comprise the themes of these engaging essays, providing an up-to-date look at the historical and current personal influence of the Crown in Canada.