Rising from a forest mist or soaring overhead in parks and museums, magnificent cedar totem poles have captured the attention and imagination of visitors to Washington State, British Columbia, and Alaska. Discovering Totem Poles is the first guidebook to focus on the complex and fascinating histories of the specific poles visitors encounter in Seattle, Victoria, Vancouver, Alert Bay, Prince Rupert, Haida Gwaii (Queen Charlotte Islands), Ketchikan, Sitka, and Juneau. It debunks common misconceptions about totem poles and explores the stories behind the making and displaying of 90 different poles. Travelers with this guide in their pockets will return home with a deeper knowledge of the monumental carvings, their place in history, and the people who made them. Watch the book trailer: https://www.youtube.com/watch?v=iAaAnYctJcg

"Writing a poem is like trying to describe a totemic column which passes right through and beyond the world. We see it, but its existence is elsewhere." --Stanley Diamond, Totems--The Northwest Coast totem pole captivates the imagination. From the first descriptions of these tall carved monuments, totem poles have become central icons of the Northwest Coast region and symbols of its Native inhabitants. Although many of those who gaze at these carvings assume that they are ancient artifacts, the so-called totem pole is a relatively recent artistic development, one that has become immensely important to Northwest Coast people and has simultaneously gained a common place in popular culture from fashion to the funny pages.--The Totem Pole reconstructs the intercultural history of the art form in its myriad manifestations from the eighteenth century to the present. Aldona Jonaitis and Aaron Glass analyze the totem pole's continual transformation since Europeans first arrived on the scene, investigate its various functions in different contexts, and address the significant influence of colonialism on the proliferation and distribution of carved poles. The authors also describe their theories on the development of the art form: its spread from the Northwest Coast to world's fairs and global theme parks; its integration with the history of tourism and its transformation into a signifier of place; the role of governments, museums, and anthropologists in collecting and restoring poles; and the part that these carvings have continuously played in Native struggles for control of their cultures and their lands.--Short essays by scholars and artists, including Robert Davidson, Bill Holm, Richard Hunt, Nathan Jackson, Vickie Jensen, Andrea Laforet, Susan Point, Charlotte Townsend-Gault, Lyle Wilson, and Robin Wright, provide specific case studies of many of the topics discussed, directly illustrating the various relationships that people have with the totem pole.--Aldona Jonaitis is director emerita of the University of Alaska Museum of the North and professor at the University of Alaska Fairbanks. An art historian who has published widely on Native American art, she is the author of Art of the Northwest Coast and Looking North: Art from the University of Alaska Museum, among other titles. --Aaron Glass is an assistant professor at the Bard Graduate Center in New York City, where he teaches anthropology of art, museums, and material culture. He has published on visual art, media, and performance among First Nations on the Northwest Coast and has produced the documentary film In Search of the Hamat'sa: A Tale of Headhunting.

H Allen Smith has sometimes been referred to as "the best-selling humorist since Mark Twain". Considering that he wrote against the likes of James Thurber, Robert Benchley, and S. J. Perelman, that's quite a statement. And probably true. He sold a million copies of each of his first several books, starting with Low Man on a Totem Pole. In this book, which might be called a fraction of his memoirs (Mr. Smith claimed he could have filled twenty), he recounts the high points of his life amid the human race -- a race he appreciated and observed with a keen nose for the humor hiding in the most unexpected places. Here is a panorama of unlikely people who really existed, of inconceivable things that actually happened, of the commonplace rarities of our frenzied epoch. Among others, there is the newspaperman who suffered under the delusion that Herbert Hoover had bladders on his feet: the man who thoughtfully and perpetually bounced turtle eggs on a bar: a deaf dentist who trained his dog to act as his receptionist; a child prodigy who couldn't talk any too well, but appeared to know more about swing music than the head usher at the Paramount Theater -- all these are part of Mr. Smith's life and times.

Describes the lifestyle and culture of the totem pole Indians of the Pacific Northwest.

Magnificent and haunting, the tall cedar sculptures called totem poles have become a distinctive symbol of the native people of the Northwest Coast. The powerful carvings of the vital and extraordinary beings such as Sea Bear, Thunderbird and Cedar Man are impressive and intriguing. In Looking at Totem Poles, Hilary Stewart describes the various types of poles, their purpose, and how they were carved and raised. She also identifies and explains frequently depicted figures and objects. Each pole, shown in a beautifully detailed drawing, is accompanied by a text that points out the crests, figures and objects carved on it. Historical and cultural background are given, legends are recounted and often the carver’s comments or anecdotes enrich the pole’s story. Photographs put some of the poles into context or show their carving and raising.

Through the mists of Alaska's rain forest, totem poles have stood watch for untold generations. Imbued with mystery to outsider eyes, the fierce, carved symbols silently spoke of territories, legends, memorials, and paid debts. Today many of these cultural icons are preserved for the public to enjoy in heritage parks and historical centers through southeast Alaska. And, after nearly a century of repression, totem carving among Alaska's Tlingit, Haida, Tsimshian peoples is flourishing again. In this newly revised edition of Alaska's Totem Poles, readers learn about the history and use of totems, clan crests, symbolism, and much more. A special section describes where to go to view totems. Author Pat Kramer traveled throughout the homelands of the Totem People—along Alaska's Panhandle, the coast of British Columbia, and into the Northwest—meeting the people, learning their stores, and researching and photographing totem poles. Foreword writer David A. Boxley also offers the unique perspective of a Native Alaskan carver who has been a leader in the renaissance. This is a handy guide for travelers in Southeast Alaska who want to learn more about Alaska's totems. There's even a guide of where to view totems in the state. Ravens, killer whales (Orca) and bears... they're all represented in the totem.

A well-illustrated guidebook that includes the history of totem-pole carving and its West Coast native tradition, and instructions and ideas on how to design and carve a totem-pole as either a traditional design or in a personal folk-art motif.

This survey of totem poles from the Tlingit settlements of Alaska to the Kwakiutl villages of Vancouver Island examines the traditions that led to their creation. It includes both the author's vivid drawings of totem poles and historical photographs of early native settlements.