Clara is a sadist and hysteric, who delights in witnessing flayings, crucifixions and numerous tortures, all done in beautifully laid out and groomed gardens, and explaining the beauty of torture to her companion—the narrator. Her hysterical orgasm and resulting exhaustionis a curious exploration of pain and pleasure and made this novel a trulyerotic BDSM masterpiece! Excerpt: "One evening some friends were gathered at the home of one of our most celebrated writers. Having dined sumptuously, they were discussing murder—apropos of what, I no longer remember probably apropos of nothing. Only men were present: moralists, poets, philosophers and doctors—thus everyone could speak freely, according to his whim, his hobby or his idiosyncrasies, without fear of suddenly seeing that expression of horror and fear which the least startling idea traces upon the horrified face of a notary. I—say notary, much as I might have said lawyer or porter, not disdainfully, of course, but in order to define the average French mind…"

In the nineteenth century Uncle Tom's Cabin sold more copies than any other book in the world except the Bible.

Virginia Woolf's only play-a hilarious farce taken from the life of her great-aunt, Julia Margaret Cameron, the famous Victorian photographer. It was first performed at Vanessa Bell's London studio in 1935 as one of Bloomsbury's theatrical evenings and later, in New York, in a star-studded French production. Edited and with a Preface by Lucio P. Ruotolo; drawings by Edward Gorey.

This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

“Uniquely qualified to explicate Tolkien’s worldview,” this journey into the roots of the Lord of the Rings is a classic in its own right (Salon.com). From beloved epic fantasy classic to record-breaking cinematic success, J.R.R. Tolkien's story of four brave hobbits has enraptured the hearts and minds of generations. Now, readers can go deeper into this enchanting lore with a revised edition of Tom Shippey's classic exploration of Middle-earth. From meditations on Tolkien's inspiration to analyses of the influences of his professional background, The Road to Middle-earth takes a closer look at the novels that made Tolkien a legend. Shippey also illuminates Tolkien's more difficult works set in the same world, including The Silmarillion, Unfinished Tales, and the myth cycle, and examines the remarkable twelve-volume History of Middle-earth, written by J.R.R.'s son Christopher Tolkien. At once a celebration of a beloved classic and a revealing literary study, The Road to Middle-earth is required reading for fantasy fans and English literature scholars alike.

Unattributed 9.11 Photographer's book, '9/11 THROUGH THE LENS (250 Pictures of the Tragedy),' is a powerful collection of photographs capturing the events of September 11, 2001. The book serves as a somber reminder of the tragic day and the impact it had on the world. Each image is carefully selected to evoke raw emotions and provide a glimpse into the chaos and devastation of that fateful day. The book's documentary style and attention to detail make it a valuable historical record of the 9/11 attacks. With 250 compelling pictures, readers are taken on a visual journey through the aftermath of the tragedy. Unattributed 9.11 Photographer's extensive experience in photojournalism shines through in the poignant images that document the aftermath of 9/11. His dedication to capturing the reality of the tragedy and preserving it for future generations is evident in every photograph. The author's commitment to truth and remembrance is commendable, making '9/11 THROUGH THE LENS' a must-read for anyone seeking to understand the lasting impact of 9/11. This poignant and thought-provoking book is recommended for readers who appreciate powerful visual storytelling and want to honor the memory of those affected by the tragedy.

This book examines key points of J. R. R. Tolkien’s life and writing career in relation to his views on humanism and feminism, particularly his sympathy for and toleration of those who are different, deemed unimportant, or marginalized—namely, the Other. Jane Chance argues such empathy derived from a variety of causes ranging from the loss of his parents during his early life to a consciousness of the injustice and violence in both World Wars. As a result of his obligation to research and publish in his field and propelled by his sense of abjection and diminution of self, Tolkien concealed aspects of the personal in relatively consistent ways in his medieval adaptations, lectures, essays, and translations, many only recently published. These scholarly writings blend with and relate to his fictional writings in various ways depending on the moment at which he began teaching, translating, or editing a specific medieval work and, simultaneously, composing a specific poem, fantasy, or fairy-story. What Tolkien read and studied from the time before and during his college days at Exeter and continued researching until he died opens a door into understanding how he uniquely interpreted and repurposed the medieval in constructing fantasy.

The Politics of Modern China is a comprehensive 4-volume resource for students and teachers of modern Chinese politics as well as other interested individuals and institutions internationally.

When my attention was drawn, later on, to the relations between Darwinism and Sociology, I could agree with none of the works and pamphlets that had been written upon this important subject. They all endeavoured to prove that Man, owing to his higher intelligence and knowledge, may mitigate the harshness of the struggle for life between men; but they all recognized at the same time that the struggle for the means of existence, of every animal against all its congeners, and of every man against all other men, was "a law of Nature." This view, however, I could not accept, because I was persuaded that to admit a pitiless inner war for life within each species, and to see in that war a condition of progress, was to admit something which not only had not yet been proved, but also lacked confirmation from direct observation.