Young detective Akteron Uusei Nisbri and pulvichemist Piria Kii Kasbri team up to solve a case with a bizarre and magickal flavour.

The Female Gaze in Documentary Film – an International Perspective makes a timely contribution to the recent rise in interest in the status, presence, achievements and issues for women in contemporary screen industries. It examines the works, contributions and participation of female documentary directors globally. The central preoccupation of the book is to consider what might constitute a ‘female gaze’, an inquiry that has had a long history in filmmaking, film theory and women’s art. It fills a gap in the literature which to date has not substantially examined the work of female documentary directors. Moreover, research on sex, gender and the gaze has infrequently been the subject of scholarship on documentary film, particularly in comparison to narrative film or television drama. A distinctive feature of the book is that it is based on interviews with significant female documentarians from Europe, Asia and North America.

In the concluding part of Seven Citadels', Prince Kerish and his companions have been captured by the barbarians. A ruthless escape plan ends in tragedy. In war-torn Galkis, Kerish and his brother, Forollkin, are forced to part so that each can fight for the future in his own way. Disguised as musicians, Kerish and Gidjabolgo travel among the ordinary people of Galkis. Desperate to help them, Kerish continues his quest to save an Empire he no longer believes in. When Kerish and Gidjabolgo find the seventh sorcerer in the Forbidden Jungle of Jenze, startling truths are revealed. Kerish must face the last ordeal alone and discover whether he is prepared to pay the price for the return of the Savior. Seven Citadels' This acclaimed quartet, set in the exotic world of Zindar, tells the story of Kerish and Forollkin, two very different brothers sent on an epic journey to save their country. Forollkin is a formidable warrior but ultimately the success of their quest will depend on Kerish's powers of insight and persuasion. As they encounter strange new cultures and confront seven immortal sorcerers, the brothers learn to question everything they thought they knew. Danger, death and love will reshape the future they are fighting for. The unique Speaking Volumes edition is the first to print the author's preferred text. It is also the first English language edition to include the vital epilogue to The Seventh Gate', which continues the story of Kerish and Forollkin.

Now celebrating the 42nd anniversary of The Hitchhiker’s Guide to the Galaxy, soon to be a Hulu original series! “A madcap adventure . . . Adams’s writing teeters on the fringe of inspired lunacy.”—United Press International Back on Earth with nothing more to show for his long, strange trip through time and space than a ratty towel and a plastic shopping bag, Arthur Dent is ready to believe that the past eight years were all just a figment of his stressed-out imagination. But a gift-wrapped fishbowl with a cryptic inscription, the mysterious disappearance of Earth’s dolphins, and the discovery of his battered copy of The Hitchhiker’s Guide to the Galaxy all conspire to give Arthur the sneaking suspicion that something otherworldly is indeed going on. God only knows what it all means. Fortunately, He left behind a Final Message of explanation. But since it’s light-years away from Earth, on a star surrounded by souvenir booths, finding out what it is will mean hitching a ride to the far reaches of space aboard a UFO with a giant robot. What else is new? “The most ridiculously exaggerated situation comedy known to created beings . . . Adams is irresistible.”—The Boston Globe

A master poisoner works beside his sister to defend their city-state when the chancellor he worked undercover to protect is assassinated with an unknown poison at the same time an army lay siege to the city.

One of the foundational premises of Jacques Lacan’s psychoanalytical project was that the history of philosophy concealed the history of desire, and one of the goals of his work was to show how desire is central to philosophical thinking. In Lacan’s Medievalism, Erin Felicia Labbie demonstrates how Lacan’s theory of desire is bound to his reading of medieval texts. She not only alters the relationship between psychoanalysis and medieval studies, but also illuminates the ways that premodern and postmodern epochs and ideologies share a concern with the subject, the unconscious, and language, thus challenging notions of strict epistemological cuts. Lacan’s psychoanalytic work contributes to the medieval debate about universals by revealing how the unconscious relates to the category of the real. By analyzing the systematic adherence to dialectics and the idealization of the hard sciences, Lacan’s Medievalism asserts that we must take into account the play of language and desire within the unconscious and literature in order to understand the way that we know things in the world and the manner in which order is determined. Erin Felicia Labbie is assistant professor of English at Bowling Green State University.

“Combine equal parts of Stephen King’s Dark Tower series and Chine Miéville’s Perdido Street Station, throw in a dash of Aubrey BeardsleyandJ.K. Huysmans, and you’ll get some idea of this disturbing, decadent first novel.”—Publishers Weekly Gwynn and Raule are rebels on the run, with little in common except being on the losing side of a hard-fought war. Gwynn is a gunslinger from the north, a loner, a survivor . . . a killer. Raule is a wandering surgeon, a healer who still believes in just—and lost—causes. Bound by a desire to escape the ghosts of the past, together they flee to the teeming city of Ashamoil, where Raule plies her trade among the desperate and destitute, and Gwynn becomes bodyguard and assassin for the household of a corrupt magnate. There, in the saving and taking of lives, they find themselves immersed in a world where art infects life, dream and waking fuse, and splendid and frightening miracles begin to bloom . . . “The plot, with its stories-within-stories and its offhand descriptions of wonders and prodigies, brings to mind the works of Italo Calvino and Jorge Luis Borges.”—Locus

Sacrifice Your Love develops the idea that sacrifice is a mode of enjoyment--that our willingness to sacrifice our desire is actually a way of pursuing it. Fradenburg considers the implications of this idea for various problems important in medieval studies today and beyond.

The Time-Ball Tower of Tempuston houses the worst criminals in history. Given the option of the death penalty or eternal life, they chose eternal life.They have a long time to regret that choice.

Ten years have passed since the events of the Demon Child books that left the god Xaphista dead, the nation Karien without a religion or king and the matriarchal country of Medalon ruled by men. But it is in the kingdoms of the south that things really heat up. When Princess Rakaia of Fardohnya discovers she is not of royal birth, she agrees to marry a much older Hythrun noble in a chance to escape her 'father's wrath. Rakaia takes nothing but her jewels and her base-born half-sister, Charisee, who has been her slave, handmaiden and best friend since she was six years old. And who can pass as Rakaia's double. These two sisters embark on a Shakespearean tale of switched identities, complicated love triangles...and meddlesome gods. Rakaia is rescued on the road by none other than the Demon Child, R'shiel, still searching for a way to force Death to release her near immortal Brak. Charisee tries to act like the princess she was never meant to be and manages to draw the attention of the God of Liars who applauds her deception and only wants to help. Then there is the little matter of the God of Music's magical totem that has been stolen...and how this theft may undo the universe. Powerful magics, byzantine politics, sweeping adventure, and a couple of juicy love stories thrown in for good measure, The Lyre Thief is classic Fallon that is sure to appeal to her fans.