The traditions associated with a pope's death have changed from when they were buried in the catacombs of Rome. Various ceremonies, rites and rituals developed over time, but a formal procedure was not initiated until the early 1300s and even then was not always strictly followed. This comprehensive reference book provides information on the deaths, funerals and burial places of each pope and antipope from St. Peter (Apostle) to John Paul I. (Innocent X was almost gnawed by rats because no one would bury him; Alexander VI was stuffed into a carpet and pummeled into his coffin; and the corpse of Formosus was physically put on trial...) The Introduction presents a brief history of papal funerals and tombs, and also covers modern burials. A unique feature of the book is its presentation of all papal epitaphs, in their original language and in English--many translated for the first time.

Examines the commission of the Vatican tomb of Pope Alexander VIII Ottoboni by his great-nephew Cardinal Pietro Ottoboni. Although neglected for centuries, the Ottoboni monument occupies the most strategic liturgical position in the complex of tombs in the Vatican basilica. It is impressive in scale, & offers a commanding presence on the path from the papal entryway to the apse & main altar, with a majestic papal effigy, a visually compelling narrative relief carving, & symbolically important allegories. Using unpublished archival documents in the Vatican & Lateran archives, this study discusses in detail the 30-year campaign for the construction of the tomb & identifies the artists & artisans responsible for the project. The monograph is comprehensive in its stylistic analysis, exploration of iconography, discussion of liturgical practice, & consideration of studio procedures beginning with patron & artist, architect & sculptors, & sculptor & artisans. reveals why the project required three decades to complete. "A well-written, informative, & important monograph. And, in the process, he has expanded our understanding of contemporary workshop practice and art making in the Rome of the later Baroque period. There are sections where the author's meticulous care & insightful reconstruction of events gives the reader a sense of ""being there"" in the day-to-day process of work on the site. These parts make for especially exciting and engaging reading." -- "An absolutely wonderful piece of work."

The new discoveries in the sacred grottoes of the Vatican supplying evidence proving Peter is buried beneath what is now the Basilica of Saint Peter.

From the acclaimed author of Brunelleschi's Dome and Leonardo and the Last Supper, the riveting story of how Michelangelo, against all odds, created the masterpiece that has ever since adorned the ceiling of the Sistine Chapel. In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Despite having completed his masterful statue David four years earlier, he had little experience as a painter, even less working in the delicate medium of fresco, and none with challenging curved surfaces such as the Sistine ceiling's vaults. The temperamental Michelangelo was himself reluctant: He stormed away from Rome, incurring Julius's wrath, before he was eventually persuaded to begin. Michelangelo and the Pope's Ceiling recounts the fascinating story of the four extraordinary years he spent laboring over the twelve thousand square feet of the vast ceiling, while war and the power politics and personal rivalries that abounded in Rome swirled around him. A panorama of illustrious figures intersected during this time-the brilliant young painter Raphael, with whom Michelangelo formed a rivalry; the fiery preacher Girolamo Savonarola and the great Dutch scholar Desiderius Erasmus; a youthful Martin Luther, who made his only trip to Rome at this time and was disgusted by the corruption all around him. Ross King blends these figures into a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Italy, while also offering uncommon insight into the connection between art and history.

A Texas oilman. A brilliant female archaeologist. An unknown world underneath the Vatican. In 1939, a team of workers beneath the Vatican unearthed an early Christian grave. This surprising discovery launched a secret quest that would last decades — a quest to discover the long-lost burial place of the Apostle Peter. From earliest times, Christian tradition held that Peter — a lowly fisherman from Galilee, whom Christ made leader of his Church — was executed in Rome by Emperor Nero and buried on Vatican Hill. But his tomb had been lost to history. Now, funded anonymously by a wealthy American, a small army of workers embarked on the dig of a lifetime. The incredible, sometimes shocking, story of the 75-year search and its key players has never been fully told — until now. The quest would pit one of the 20th century’s most talented archaeologists — a woman — against top Vatican insiders. The Fisherman’s Tomb is a story of the triumph of faith and genius against all odds. ABOUT THE AUTHOR John O’Neill is a lawyer and #1 New York Times bestselling author. He has spent much of his life visiting and researching early Christian sites. He is a 1967 graduate of the Naval Academy, a former law clerk to Supreme Court Chief Justice William Rehnquist, and senior partner at a large international law firm.