An enchanted island. An evil resurrected. A society determined to gain power. When a violent attack leaves their father in the hospital, Abigail and Benjamin Cole discover there's more to their family history than mental illness. But after fifteen-year-old Abi is abducted, she learns the attack wasn't random. Thrust into an exotic and beautiful world part of a multi-millennial feud, she must decide who to trust in a society built on secrets. Questioning everything she's ever known, she enlists the help of a boy connected to her in impossible ways and uncovers a dangerous secret stretching generations. Seventeen-year-old Ben desperately searches for both his sister and his mother, but his hold on reality is fading. Something dark has latched onto him. In a race against his own failing mind, where violent hallucinations and paranoia force him to believe he's next in line for the family curse, he learns he's the only one that can save his family. When darkness is coming, who do you trust? Magic. Deceit. War. Perfect for fans of Libba Bray, Cassandra Clare, and Leigh Bardugo.

The best-selling creator of Press Here presents a not-quite-finished story featuring sketched characters who are surprised by the reader and who attempt to track down their author in the hope of finding a happy ending.

DigiCat Publishing presents to you this special edition of "The Title" (A Comedy in Three Acts) by Arnold Bennett. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The first six chapters are distinguished according to the nature of the question a reader might ask about the poem, which the title purports to answer. Who gives the title? Who has the title? Who "says" the poem? Who "hears" the poem? What genre does the poem belong to? What is the poem "about"?

Andr� Bernard has researched the stories behind more than one hundred of the most famous titles in the English language to produce a fascinating volume rich in literary anecdote and publishing lore. The Great Gatsby was almost titled Trimalchio in West Egg, while some unknown editor told William L. Shirer, "Please God, don't ask us to publish a book called The Rise and Fall of the Third Reich." It's a wonderful romp among the literary monuments.Raymond Chandler to Alfred A. Knopf: "I'm trying to think of a good title for you to want me to change."

“Scathing, upsetting and generous all at once, this novel, about millennial friends in pre-2008-crash San Francisco, thrums with Tulathimutte’s sly intelligence and unerring comic timing. . . . The warm flashes make the satire cut deeper.” —The New York Times, “The Funniest Novels Since Catch-22” "One of the really phenomenal novels I've read in the last decade." —Jonathan Franzen From a brilliant new literary talent comes a sweeping comic portrait of privilege, ambition, and friendship in millennial San Francisco. With the social acuity of Adelle Waldman and the murderous wit of Martin Amis, Tony Tulathimutte’s Private Citizens is a brainy, irreverent debut—This Side of Paradise for a new era. Capturing the anxious, self-aware mood of young college grads in the aughts, Private Citizens embraces the contradictions of our new century: call it a loving satire. A gleefully rude comedy of manners. Middlemarch for Millennials. The novel's four whip-smart narrators—idealistic Cory, Internet-lurking Will, awkward Henrik, and vicious Linda—are torn between fixing the world and cannibalizing it. In boisterous prose that ricochets between humor and pain, the four estranged friends stagger through the Bay Area’s maze of tech startups, protestors, gentrifiers, karaoke bars, house parties, and cultish self-help seminars, washing up in each other’s lives once again. A wise and searching depiction of a generation grappling with privilege and finding grace in failure, Private Citizens is as expansively intelligent as it is full of heart.

Tracing his story of becoming a US citizen, José Orduña’s memoir explores the complex issues of immigration and assimilation. José Orduña chronicles the process of becoming a North American citizen in a post-9/11 United States. Intractable realities—rooted in the continuity of US imperialism to globalism—form the landscape of Orduña’s daily experience, where the geopolitical meets the quotidian. In one anecdote, he recalls how the only apartment his parents could rent was one that didn’t require signing a lease or running a credit check, where the floors were so crooked he once dropped an orange and watched it roll in six directions before settling in a corner. Orduña describes the absurd feeling of being handed a piece of paper—his naturalization certificate—that guarantees something he has always known: he has every right to be here. A trenchant exploration of race, class, and identity, The Weight of Shadows is a searing meditation on the nature of political, linguistic, and cultural borders, and the meaning of “America.”

"Sharp and dangerous and breathtaking.... A defiant story about a young woman choosing the life and motherhood that is best for her, without apology.” —Roxane Gay, bestselling author of Bad Feminist Marie is a waitress at an upscale Dallas steakhouse, attuned to the appetites of her patrons and gifted at hiding her private struggle as a young single mother behind an easy smile and a crisp white apron. It’s a world of long hours and late nights, and Marie often gives in to self-destructive impulses, losing herself in a tangle of bodies and urgent highs as her desire for obliteration competes with a stubborn will to survive. Pulsing with a fierce and feral energy, Love Me Back is an unapologetic portrait of a woman cutting a precarious path through early adulthood and the herald of a powerful new voice in American fiction.