In 2022, Dan Hunt and his wife drive to Pigeon Forge, Tennessee, to visit the Titanic Museum for a weekend get-away. Instead of the vacation that he had planned, Dan finds himself pulled into a situation well beyond his control and understanding. Dan awakes on April 13, 1912, in the middle of the North Atlantic Ocean with his new wife on their honeymoon. With no grasp as to why or how he got there, Dan must try to pass himself off as John Franklin, an employee of Harland and Wolff and one of the architects of the Titanic. Hosted in the body of John Franklin, Dan has John’s memories as well as his own. He will only have a couple of days to save the ship, or at a minimum, save himself and his new wife. With the remembrances of his previous life slowly fading from his memory, his plight is complicated. If he just knew why he had been sent back to the Titanic. Meanwhile John Franklin finds himself catapulted into the twenty first century where things have changed for the worse, due to Dan’s interference 110 years earlier. Begrudgingly Dan and John will have to work together to resolve the The Titanic Paradox.

In 2022, Dan Hunt and his wife drive to Pigeon Forge, Tennessee, to visit the Titanic Museum for a weekend get-away. Instead of the vacation that he had planned, Dan finds himself pulled into a situation well beyond his control and understanding. Dan awakes on April 13, 1912, in the middle of the North Atlantic Ocean with his new wife on their honeymoon. With no grasp as to why or how he got there, Dan must try to pass himself off as John Franklin, an employee of Harland and Wolff and one of the architects of the Titanic. Hosted in the body of John Franklin, Dan has John's memories as well as his own. He will only have a couple of days to save the ship, or at a minimum, save himself and his new wife. With the remembrances of his previous life slowly fading from his memory, his plight is complicated. If he just knew why he had been sent back to the Titanic. Meanwhile John Franklin finds himself catapulted into the twenty first century where things have changed for the worse, due to Dan's interference 110 years earlier. Begrudgingly Dan and John will have to work together to resolve the The Titanic Paradox.

“Time travel, murder, corruption, restless baby dinosaurs, and a snarky robot named Ruby collide in this excellent, noir-inflected, humor-infused, science-fiction thriller.”—The Boston Globe An impossible crime. A detective on the edge of madness. The future of time travel at stake. From the author of The Warehouse . . . ONE OF THE BEST BOOKS OF THE YEAR: NPR, Kirkus Reviews January Cole’s job just got a whole lot harder. Not that running security at the Paradox was ever really easy. Nothing’s simple at a hotel where the ultra-wealthy tourists arrive costumed for a dozen different time periods, all eagerly waiting to catch their “flights” to the past. Or where proximity to the timeport makes the clocks run backward on occasion—and, rumor has it, allows ghosts to stroll the halls. None of that compares to the corpse in room 526. The one that seems to be both there and not there. The one that somehow only January can see. On top of that, some very important new guests have just checked in. Because the U.S. government is about to privatize time-travel technology—and the world’s most powerful people are on hand to stake their claims. January is sure the timing isn’t a coincidence. Neither are those “accidents” that start stalking their bidders. There’s a reason January can glimpse what others can’t. A reason why she’s the only one who can catch a killer who’s operating invisibly and in plain sight, all at once. But her ability is also destroying her grip on reality—and as her past, present, and future collide, she finds herself confronting not just the hotel’s dark secrets but her own. At once a dazzlingly time-twisting murder mystery and a story about grief, memory, and what it means to—literally—come face-to-face with our ghosts, The Paradox Hotel is another unforgettable speculative thrill ride from acclaimed author Rob Hart.

There is within all theological utterances something of the ridiculous, perhaps more so in Christianity, given its proclivity for the paradoxical and the childlike. Few theologians are willing to discuss how consent to the Christian doctrine often requires a faith that goes beyond reason. There seems to be a fear that the association of theology with the absurd will give fuel to the sceptic's refrain: 'You can't seriously believe in all that nonsense.' Josephine Gabelman considers the legitimacy of the sceptic's objection and explores the possibility that an idea can be contrary to rationality and also true and meaningful using the systematic analysis of central stylistic features of literary non sense such as Lewis Carroll's Alice stories. Gabelman sets up a nonsense theology by considering the practical and evangelical ramifications of associating Christian faith with nonsense literature and, conversely, the value of relating theological principles to the study of literary nonsense.Ultimately, Gabelman says, faith is always a risk and a strictly rational apologetic misrepresents the nature of Christian truth.

Can one man save the Titanic? March 1912. A mysterious man appears aboard the Titanic on its doomed voyage. His mission? To save the ship. The result? A world where the United States never entered World War I, thus launching the secret history of the 20th Century. April 2012. Joseph Kennedy - grand-nephew of John F. Kennedy - lives in an America occupied in the East by Greater Germany and on the West Coast by Imperial Japan. He is one of six people who can restore history to its rightful order -- even though it would mean his own death. "A magnificent alternate history, set against the backdrop of one of the the greatest maritime disasters." Library Journal “Imaginative, monolithic, action-packed… The reader will not be disappointed.” — Bookseller and Publisher "Time travel, airships, the Titanic, Roswell ... Kowalski builds a decidedly original creature that blends military science fiction, conspiracy theory, alternate history, and even a dash of romance." Publishers Weekly "Kowalski effortlessly smashes together high art and grand adventure in this alt-history juggernaut." John Birmingham, acclaimed author of Weapons of Choice "Exciting action, twisty and ingenious characterisation, and complicated time-travel plotting, deftly handled." S.M. Stirling, NYT bestselling author of The Tears of the Sun "A non-stop chase that takes place across two thousand miles ... and one hundred years of perdurant time." Walter Jon Williams, NYT bestselling author of Deep State

The impetus for literary creation has often been explained as an attempt to transcend the mortality of the human condition through a work addressed to future generations. Failing to obtain literal immortality, or to turn their hope toward the spiritual immortality promised by religious systems, literary creators seek a symbolic form of perpetuity granted to the intellectual side of their person in the memory of those not yet born while they write. In this book, Benjamin Hoffmann illuminates the paradoxes inherent in the search for symbolic immortality, arguing that the time has come to find a new answer to a perennial question: Why do people write? Exploring the fields of digital humanities and book history, Hoffmann describes posterity as a network of interconnected memories that constantly evolves by reserving a variable and continuously renegotiated place for works and authors of the past. In other words, the perpetual safeguarding of texts is delegated to a collectivity that is nonexistent at the moment when a writer addresses it, one whose nature is characterized by impermanence and instability. Focusing on key works by Denis Diderot, Étienne-Maurice Falconet, Giacomo Casanova, François-René de Chateaubriand, and Jean-Paul Sartre, Hoffmann considers the authors’ representations of posterity, the representation of authors by posterity, and how to register and preserve works in the network of memories. In doing so, Hoffmann reveals the three great paradoxes in the quest for symbolic immortality: the paradoxes of belief, of identity, and of mediation. Theoretically sophisticated and convincingly argued, this book contends that there is only one truly serious literary problem: the transmission of texts to posterity. It will appeal to specialists in literature, in particular eighteenth-century French literature, as well as scholars and students of philosophy and book history.

Navigating the Titanic outlines the brief history of economic growth and the private and public institutions - markets, corporations, households, and governments - which underpin that growth. Bryne Purchase examines mega-risks related to our economy's use of fossil fuels and specifically looks at resource depletion, energy security, and climate change - all "mega-risks" because they are both global in scope and potentially existential in impact. Focusing on North America, with a particular emphasis on the United States, Purchase's central argument is that the institutions which have produced spectacular economic growth are not capable of acting with prudence to deal with these mega-risks before they become a real danger. He identifies certain institutional design flaws that, while underwriting economic growth, leave society open to potentially catastrophic failure and reveals how these design flaws have been compounded by the stresses of the growing income inequality in society.

A guide to understanding the inner workings and outer limits of technology and why we should never assume that computers always get it right. In Artificial Unintelligence, Meredith Broussard argues that our collective enthusiasm for applying computer technology to every aspect of life has resulted in a tremendous amount of poorly designed systems. We are so eager to do everything digitally—hiring, driving, paying bills, even choosing romantic partners—that we have stopped demanding that our technology actually work. Broussard, a software developer and journalist, reminds us that there are fundamental limits to what we can (and should) do with technology. With this book, she offers a guide to understanding the inner workings and outer limits of technology—and issues a warning that we should never assume that computers always get things right. Making a case against technochauvinism—the belief that technology is always the solution—Broussard argues that it's just not true that social problems would inevitably retreat before a digitally enabled Utopia. To prove her point, she undertakes a series of adventures in computer programming. She goes for an alarming ride in a driverless car, concluding “the cyborg future is not coming any time soon”; uses artificial intelligence to investigate why students can't pass standardized tests; deploys machine learning to predict which passengers survived the Titanic disaster; and attempts to repair the U.S. campaign finance system by building AI software. If we understand the limits of what we can do with technology, Broussard tells us, we can make better choices about what we should do with it to make the world better for everyone.

"According to Ricoeur, the most primal and spontaneous symbols of evil are defilement, sin and guilt ... Ricoeur moves from the elementary symbols of evil into the rich world of myths ... and he ends by suggesting that the clue to the relation between philosophy to mythology is to be found in the aphorism 'The symbol gives rise to the thought' ... Ricoeur's method and argument are too intricate and rich to assess in so short a review. Suffice it to say that this is the most massive accomplisment of any philosopher within the ambience of Christian faith since the appearance of Gabriel Marcel" - Sam Keen, The Christian Century

Aristotle’s Poetics is the first philosophical account of an art form and the foundational text in aesthetics. The Routledge Philosophy Guidebook to Aristotle and the Poetics is an accessible guide to this often dense and cryptic work. Angela Curran introduces and assesses: Aristotle’s life and the background to the Poetics the ideas and text of the Poetics the continuing importance of Aristotle’s work to philosophy today.